| Photos (See all 15 | slideshow) | Videos (see all 4) |
| George Woodard | ... | Dairy Farmer, Waterbury, Vermont | |
| Charles Jimmie Sr. | ... | Tlingit Indian Elder, Klukwan, Alaska | |
| The Vasquez Brothers | ... | Salsa Dancers, Los Angeles, California | |
| Frank Pino | ... | Rock Band, Waltham, Massachusetts | |
| David Pino | ... | Rock Band, Waltham, Massachusetts | |
| John 'Yac' Yacobellis | ... | Bike Messenger, New York, New York | |
| Patty Wagstaff | ... | Acrobatic Flyer, St. Augustine, Florida | |
| Paul Stone | ... | Explosive Art, Creede, Colorado | |
| Ed Holt | ... | Wine Grower, Santa Maria, California | |
| Weirton Steelworkers | ... | Themselves, Weirton, West Virginia | |
| Cecil Williams | ... | Himself - Glide Church, San Francisco, California (as Rev. Cecil Williams) | |
| Janice Miriktani | ... | Executive Director, Glide Church, San Francisco, California | |
| David Krakauer | ... | Klezmer Clarinetist, New York, New York | |
| James Andrews | ... | Jazz Musician, New Orleans, Louisiana | |
| Trombone Shorty | ... | Jazz Musician, New Orleans, Louisiana | |
| Marc Savoy | ... | Cajun Musician, Eunice, Louisiana | |
| Ann Savoy | ... | Cajun Musician, Eunice, Louisiana | |
| Daniel Klennert | ... | Himself | |
| Art Car Festival | ... | Themselves, Berkeley, California | |
| Michael Bennett | ... | Olympic Boxer, Chicago, Illinois | |
| Erik Weihenmayer | ... | Blind Climber, Ouray, Colorado | |
| Mosie Burks | ... | Gospel Singer, Jackson, Mississippi | |
| Ace Barnes | ... | Oil Well Fire Fighter, Livingston, Texas | |
| James Tuppin | ... | Oil Well Fire Fighter, Livingston, Texas | |
| Ben Cohen | ... | Founder, Ben & Jerry's, Williston, Vermont | |
| Minny Yancy | ... | Rug Weaver, Berea, Kentucky | |
| Roudy Roudebush | ... | Horse Wrangler, Telluride, Colorado | |
| Rick Hoyt | ... | Boston Marathon, Boston, Massachusetts | |
| Dick Hoyt | ... | Boston Marathon, Boston, Massachusetts | |
| Amelia Rudolph | ... | Founder, Bandaloop Cliff Dancers, Muir Beach, California | |
| rest of cast listed alphabetically: | |||
| Harrod Blank | ... | Himself (uncredited) | |
Directed by | |||
| Louis Schwartzberg | (as Louie Schwartzberg) | ||
Produced by | |||
| Grady Candler | .... | field producer | |
| Jake Eberts | .... | executive producer | |
| Brian E. Frankish | .... | field producer | |
| Louis Schwartzberg | .... | producer (as Louie Schwartzberg) | |
| Vincent Ueber | .... | associate producer | |
Original Music by | |||
| Joel McNeely | |||
Cinematography by | |||
| Louis Schwartzberg | |||
Film Editing by | |||
| Brian Funck | |||
| Tom McGah | |||
Art Department | |||
| Kylee Kennedy | .... | graphic artist | |
Sound Department | |||
| Kent Gibson | .... | sound designer | |
| Kent Gibson | .... | sound re-recording mixer | |
| Steve Morantz | .... | sound recordist | |
| Brian Whitlock | .... | sound | |
Visual Effects by | |||
| John Daro | .... | digital intermediate editor | |
| Steve Shaw | .... | digital intermediate colourist | |
Camera and Electrical Department | |||
| David Dowell | .... | assistant camera | |
| Steve Koster | .... | camera operator: Spacecam | |
| John Sheeren | .... | first assistant camera | |
Animation Department | |||
| Duane Conder | .... | initial title compositing & animation | |
Editorial Department | |||
| Ryan Langerud | .... | post-production assistant | |
| John Nicolard | .... | digital intermediate supervisor | |
| Jeff Smithwick | .... | film timer | |
| Sarina-Marie Volman | .... | post-production coordinator | |
| Walter Volpatto | .... | digital intermediate artist | |
| Jeremy Weinstein | .... | assistant editor (home video) | |
Music Department | |||
| Matt Kierscht | .... | music consultant | |
| Brian Leff | .... | music coordinator | |
| Peter Rotter | .... | orchestra contractor | |
| James Thatcher | .... | musician: french horn | |
| Joshua Winget | .... | music editor | |
| Bryan Pezzone | .... | musician (uncredited) | |
Other crew | |||
| Rebecca Edelson | .... | script clearance administrator (uncredited) | |
|
|
|
|
|
| America, America | Born and Bred | Fahrenheit 9/11 | The Day of the Locust | The Motorcycle Diaries |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Tired of Michael Moore's crybaby `Fahrenheit 9/11'? Longing for some good old American hooray? Then Walt Disney Pictures, who refused to distribute Moore's film, coincidentally brings you `America's Heart and Soul,' several vignettes about Americans who live freedom by doing extraordinary things from mountain climbing to making ice cream. The theme seems to be that our great country provides us with the opportunity to do what we want if we have the passion to do it.
The photography is glorious: Cowboy Roudy roams the range amid mountains only lucky people like my daughter Gabrielle can see daily (She recently moved to Wyoming with her family). Director Louis Schwartzberg (founder of stock footage firm `Energy' and additional cinematographer for `Koyaanisqatsi') has an eye for the sweeping aerial shot as well as the intimate close-up. The characters are eccentric but often daring and graceful: Mountain-dangling dancers defy gravity to gavotte with it; a Coloradoan bowls incendiary balls into old TV sets in front of admiring, obviously otherwise bored fellow sufferers of the dreaded winter. A Vermont farmer tells you how to avoid the Monday morning blues: Work seven days a week!
The freedom theme is aided by the subjects' passion to do what they choose: A gospel singer rears her six siblings after her mother's death, and those adults now call her Mom (Just listen to them sing in the choir, and you might rethink your agnosticism). Her rewards are more than six fold.
If you approach `America's Heart and Soul' as a love song to the best that America can be, you should be able to balance it with Moore's diatribe against the neocons. In either case, there is no balance: Schwartzberg neglects the poverty or, say, lack of health insurance many of the participants experience; Moore refuses to acknowledge any of President Bush's accomplishments. Both visions are free to be expressed, and we are free to debate about them. But Oscar Wilde warns, `To be entirely free and at the same time entirely dominated by law, is the eternal paradox of human life that we realize at every moment.'
The distribution of both films is a tribute to the freedom they wish to protect and the difficulty of achieving it in any lifetime.