Annecy is no tourist destination for three working-class Algerian brothers and their father, in the months after their mother has died. Marc is deeply troubled: he tries to stiff drug ... See full summary »
Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
Maria de Medeiros,
Back Soon is a story of love, loss, identity and hope. It follows the relationship between aspiring actor Logan Foster (Windham Beacham) and reformed drug dealer Gil Ramirez (Matthew ... See full synopsis »
Abandoned by his father and raised by a single mother, Nate Merritt joins the Marines to support his soon-to-be fiancée. While on leave in Palm Springs, Nate meets a seemingly free spirited... See full summary »
Leo, a young man coming to terms with his own sexuality, runs into Caro, a primary school friend he fancied when they were kids, who's now trying to ward off her own personal demons. This ... See full summary »
Overhearing his boyfriends talk of "a new toy for Christmas," young, cute, but aimless Ricky copes with online hookups and drugs. Depressed, Ricky considers suicide, until he meets another boy who makes him wonder should he stick around?
Annecy is no tourist destination for three working-class Algerian brothers and their father, in the months after their mother has died. Marc is deeply troubled: he tries to stiff drug dealers and then plots revenge. Christophe is released from jail, lands a job, and must overcome various temptations in order to keep it. Olivier, nearing 18, may be falling in love with Hicham, a young man who constantly practices capoeira on the shores of the lake. Both violence and fraternity are close to the surface of most interactions. How each brother emerges from his challenge comprises the film's drama. Is there any way in which these men can be a family? Written by
We tend to laud films like American Beauty because they peel away the veneer of idealized American domesticity to reveal lives of quiet desperation. We take comfort in that -- knowing that even seemingly perfect lives are, under the surface, as miserable as we might view our own to be. In Morel's Le Clan (Three Dancing Slaves was the title I saw it under here in the States), we get a truer, less sanitized view of real lives laid bare. The desperation isn't quiet. It's crazed and exposed and all too believable. It's a very masculine film showing how men just do what they do. No apologies and, all too often, no explanations. Yet, somehow, it's relatable and understandable. Yes, it's a slice of pain punctuated with too few moments of what we would call joy. But sprinkled throughout are small glimpses of a more beautiful world. It's not lost on these characters. And it's not lost on the viewer. I found it haunting and heart-wrenching.
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