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4 out of 4 people found the following review useful:
LDS cinema needs more films like this, 9 February 2004
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Author:
jcduffy from Salt Lake City, UT
Actually, it's possible that the filmmaker might not be entirely
comfortable
with the label "LDS cinema," but since I saw this short as part of the LDS
Film Festival (in Provo, Utah), I will never be able to think of this film
as anything but. Which is not to disparage the film. On the contrary: I
find
this short exciting precisely because it shows what a new generation of
LDS
filmmakers may be capable of. So much of the material LDS filmmakers have
been churning out lately has been either (a) efforts to import Hollywood
conventions into the Mormon world, creating a parallel entertainment
industry for LDS folks who want to see family-friendly films about people
like themselves, or (b) efforts to export Mormon stories into the
mainstream, often with a muted--or, in the case of "The Book of Mormon
Movie," not so muted--missionary agenda. "The Promethean" avoids this
import-export dynamic. Instead, "The Promethean" seeks to engage in
ongoing
philosophical and artistic conversations from a perspective that is
distinctively, but not self-consciously or uniquely, LDS.
Precisely for that reason, LDS audiences may not know what to make of this
film. This film isn't really intended for the kind of suburban Utah
audience
who's been the target of most LDS films, from "God's Army," to "Out of
Step," to "The RM," to "Pride and Prejudice." "The Promethean" tries to be
"arthouse." There's a certain awkwardness about the attempt--like the
filmmaker's trying a little too hard to convince us that, yes, an LDS film
can be hip enough even for a facial-haired, body-pierced, coffee-drinking,
Sundance-type crowd. But chalk that up to a novice's insecurity (and maybe
too many years living in the Mormon corridor). The film is intellectually
engaging and a welcome change of pace from the schmaltz of "A Pioneer
Miracle" or the heavy-handedness of "Rain," both of which it justly beat
out
in competition.
"The Promethean" is an allegory, loosely inspired by Greek mythology and
set
in an anonymous contemporary urban landscape. Every day, Prometheus is
intercepted by hit men in Greek masks, condemned to death in the presence
of
Zeus, and shot. The next day, he returns to life, and it all starts over
again. Yes, you saw this in "Groundhog Day," but "The Promethean"
aspires--successfully--to the philosophical gravitas of "Memento." The
theme
here is freedom of the will . . . and it's at this point that we see an
LDS
influence at work. Prometheus must claim his freedom (his agency, in LDS
parlance), even if this means the gods must die. The film reminded me of
the
Mormon take on the Eden myth, which sees the eating of the forbidden fruit
not as damnable but as a necessary, albeit dangerous, step forward in
human
development. "The Promethean" uses a different myth to tell much the same
story: as Eve must violate God's prohibition in order to progress, so
Prometheus must take drastic measures to free himself from the god who
holds
him captive. It's a distinctively, but not uniquely, LDS take on a
philosophical issue of interest beyond Mormon circles. If LDS filmmakers
aspire to make distinctive contributions to the film canon, "The
Promethean"
would be a good model to build on.
Good looking film, 25 August 2005
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Author:
ambientman from United States
I saw this film and enjoyed the cinematography and makeup a lot. One criticism I have is that if the viewer does not know the story of Prometheus than I don't think they would comprehend it from the movie. I just think that the story doesn't come across very well. Like I said though the look of the film is excellent I believe it was shot either in Salt Lake City or Provo Utah but I'm not sure which. the way it is filmed it feels like it could have been any city and I think this is good because the location doesn't distract the viewer from the film. As far as the acting I think the lead actor is excellent as well as the old man. The minions looked to me like characters from a thriller and that was kind of distracting. The female lead was a little dry as well. Other than these criticisms I highly recommend this film.
One Awesome Film, 17 October 2003
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Author:
thirdmoth
The Promethean is awesome, and by awesome I mean totally
sweet.
In a modern retelling of the myth of Prometheus, Writer/Director Kohl
Glass
explores everyman's confrontation with the repetative ruts we humans get
ourselves into. This film has excellent acting and directing, and a sharp
score by Angus McKay that also blends classical and modern
styles.
It is somewhat violent for younger viewers, but the love scenes have
nothing
offensive whatsoever.
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