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The Lovely Bones (2009)

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Centers on a young girl who has been murdered and watches over her family - and her killer - from purgatory. She must weigh her desire for vengeance against her desire for her family to heal.



(screenplay), (screenplay) | 2 more credits »
349 ( 278)
Nominated for 1 Oscar. Another 10 wins & 45 nominations. See more awards »


Cast overview, first billed only:
Carolyn Dando ...
Ruth Connors
Holly (as Nikki Soohoo)
Samuel Heckler
Brian Nelson
Principal Caden


A 14-year-old girl in suburban 1970's Pennsylvania is murdered by her neighbor. She tells the story from the place between Heaven and Earth, showing the lives of the people around her and how they have changed all while attempting to get someone to find her lost body. Written by Anonymous

Plot Summary | Plot Synopsis


The story of a life and everything that came after...

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material involving disturbing violent content and images, and some language | See all certifications »

Parents Guide:




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Release Date:

15 January 2010 (USA)  »

Also Known As:

Desde mi cielo  »


Box Office


$65,000,000 (estimated)

Opening Weekend USA:

$116,616, 13 December 2009, Limited Release

Gross USA:

$43,818,839, 7 March 2010

Cumulative Worldwide Gross:

$93,621,340, 5 January 2013
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs


Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?


The film differs greatly from the novel. Much of the adult content in the novel, including a rape sequence and Abigail's affair with the detective, was removed in order to keep the film at a PG-13 rating. This effectively changed the target audience of the film to preteens and teenagers (which was apparent in box-office records), as opposed to the adult target audience of the book. See more »


When Abigail and Richard are in bed, we see that Abigail is reading Exile and the Kingdom by Albert Camus. As Richard begins to kiss her, she is seen reaching toward the nightstand to place the book on top of a pile of other books, including Siddhartha by Herman Hesse. In doing so, she accidentally knocks both books to the floor, but in the next shot, as she reaches over to turn the lamp off, Siddhartha has reappeared on top of the pile of books on the nightstand. See more »


[first lines]
Susie Salmon: [voiceover] I remember being really small; too small to see over the edge of a table. There was a snow globe, and I remember the penguin who lived inside the globe. He was all alone in there, and I worried for him.
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Version of Anghel sa lupa (2003) See more »


from The Partridge Family (1970)
Written by Hugo Montenegro
Courtesy of Sony Pictures Television Inc.
Under license from Sony Pictures Music Group
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Frequently Asked Questions

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User Reviews

Despite the solid efforts made by Rachel Weisz, Stanley Tucci and Saoirse Roan, they still can't stop Peter Jackson from driving this film off a CGI Cliff.,
4 February 2010 | by See all my reviews

Peter Jackson's unhealthy obsession with CGI truly drives his film off a cliff in his poor adaptation of the novel "The Lovely Bones" Jackson forgoes the book's intelligence and intricate story and puts in an unhealthy obsession for the sensational that drives a wedged between his actors, who really are working with nothing and the viewer, who is left with a empty feeling after the film is over. The characters are nothing but objects for Jackson to manipulate in order to put in more CGI shots and their story is forfeited for a child like look into death, but with out the reality and complexity of the grieving process.

Rachel Weisz, who is one of the most gifted and versatile actresses working today is giving little to do while in the book, her character is the most complex of the entire novel. Despite this, Weisz does a great job, giving the movie more heart and complexity with the little that she's given to work with than what the film does for itself, making a small dent in the parade of mindless CGI that Jackson puts on screen. Mark Wahlberg faces the same problem, giving a good performance that has no support from the director. Susan Sarandon does as much as humanly possible by giving humanity to her striped down and degraded character, who in the book is much more than the comic relief that Jackson tries to puts on screen and Stanley Tucci manages to give a tight performance as the creepy neighbor despite Jackson's unhealthy obsession to make him the main character of the film. Tucci brings dignity and substance to this character, while Jackson tries to exploit him. Last and not least, Saoirse Ronan does wonders with her role, which also stripped bare from the novel. Her character in the book had a complex innocents that had many layers of conflict while in the film, she's basically held as a angel in Peter Jackson's mind. Jackson puts on rosy color glasses when he deals with the character of Susie and that's where he goes really wrong because he does not make her a real person, he makes her an unreal angel that was with out fault.

Peter Jackson not only hurts his own film but hurts the actors who made an effort to be faithful to the heart of the book as well, making this adaptation very painful to watch.

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