Centers on a young girl who has been murdered and watches over her family - and her killer - from purgatory. She must weigh her desire for vengeance against her desire for her family to heal.
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The film is a split narrative set simultaneously in contemporary London and in a future metropolis ruled by religious fervor. It's the story of four lost souls, divided by two parallel ... See full summary »
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Director:
Terry Gilliam
Stars:
Jodelle Ferland,
Janet McTeer,
Jennifer Tilly
A suspense thriller with supernatural overtones that revolves around a man who learns something extraordinary about himself after a devastating accident.
Director:
M. Night Shyamalan
Stars:
Bruce Willis,
Samuel L. Jackson,
Robin Wright
Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
Director:
Gregory Hoblit
Stars:
Denzel Washington,
John Goodman,
Donald Sutherland
A 14-year-old girl in suburban 1970's Pennsylvania is murdered by her neighbor. She tells the story from the place between Heaven and Earth, showing the lives of the people around her and how they have changed all while attempting to get someone to find her lost body. Written by
Anonymous
Hugh Jackman and Rachel Weisz were the first actors who got an offer to appear in the film, which would have been their second collaboration together (after The Fountain). However, while Weisz accepted her part, Jackman had to turn his down. Ryan Gosling was cast instead, although he would drop out as well, three days before the shooting started. Eventually, Mark Wahlberg got the part. See more »
Goofs
Just for the record, there is also a Fairfax HS in Los Angeles, California, which would make the Vacaville reference make more sense. That still leaves the question of the changing leaves and snow on the ground, but Fairfax VA is not the only town by that name with a high school. See more »
Quotes
[first lines]
Susie Salmon:
[voiceover]
I remember being really small; too small to see over the edge of a table. There was a snow globe, and I remember the penguin who lived inside the globe. He was all alone in there, and I worried for him.
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I vaunt myself of being an independent thinker and yet I was taken by the atrocious reviews "The Lovely Bones" got. Rogert Ebert called it "deplorable" I didn't go to see it when it first came out. Shame on me! The risks Peter Jackson took, a thoroughly established filmmaker, should be applauded. True, it's not going to be everybody's cup of tea but then, what is? I was taken by surprise, a film of unbearable emotional suspense breaking every imaginable rule. We're far too used to have stories in which everything is neatly tied up by the end, so we can go back home with a fictitious peace of mind. In "The Lovely Bones" we know who the monster is from the time the monstrosity is committed but we're only spectators unable to do anything about it and that frustration may have turn part of the audience and most of the critics away. True the CGI of the "in between" is, sometimes, too much but the film as a whole is a real experience. Saorise Ronan is marvelous, so are Rachel Weitz and Mark Whalberg. Stanley Tucci was deservedly nominated for an Oscar and Susan Sarandon, another risk taker, plays the emotional constipated grandmother with great courage. Look at the exhaustion on her face as she takes care of the family, drained without betraying the arid nature of the character. As the film ended I stayed in silence for the longest time, embedded in the sadness, clinging to the hope and mystified by the massacre the critics perpetrated in this original and highly recommendable film
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I vaunt myself of being an independent thinker and yet I was taken by the atrocious reviews "The Lovely Bones" got. Rogert Ebert called it "deplorable" I didn't go to see it when it first came out. Shame on me! The risks Peter Jackson took, a thoroughly established filmmaker, should be applauded. True, it's not going to be everybody's cup of tea but then, what is? I was taken by surprise, a film of unbearable emotional suspense breaking every imaginable rule. We're far too used to have stories in which everything is neatly tied up by the end, so we can go back home with a fictitious peace of mind. In "The Lovely Bones" we know who the monster is from the time the monstrosity is committed but we're only spectators unable to do anything about it and that frustration may have turn part of the audience and most of the critics away. True the CGI of the "in between" is, sometimes, too much but the film as a whole is a real experience. Saorise Ronan is marvelous, so are Rachel Weitz and Mark Whalberg. Stanley Tucci was deservedly nominated for an Oscar and Susan Sarandon, another risk taker, plays the emotional constipated grandmother with great courage. Look at the exhaustion on her face as she takes care of the family, drained without betraying the arid nature of the character. As the film ended I stayed in silence for the longest time, embedded in the sadness, clinging to the hope and mystified by the massacre the critics perpetrated in this original and highly recommendable film