In high school, Matt and Ryan were best friends. More than friends, actually. But in the ensuing ten years, they've lost contact. So when Matt receives an invitation to Ryan's wedding he's ... See full summary »
C. Jay Cox
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
A typical Midwestern 18 year-old freshman at a large state university, eager to delve into the college party life, discovers instead that school is not the beer-driven, sexual fantasy of his imagination. Determined to do anything to obtain the girl of his dreams (a gorgeous but reluctant sorority girl), he decides to adopt a gay identity in order to insinuate himself in her life. This casual charade, however, quickly lands him in a morass of campus activism, gender warfare, fraternity hazes, sorority torture, "coming out" narratives, political martyrdom, and ultimately a university-wide meltdown. Written by
You make me feel like a real man. M-maybe my whole life has been a total lie and I'm not gay. I think I'm in love with you.
[stroking Matt's cheek]
Now make love to me. Please.
I think I'm gonna puke.
Dude, this is what all ladies really dream about - the fag who's not afraid to eat his best girlfriend's pussy.
You don't know shit about being gay.
Oh, yeah, well, there's a campus sexual identity support group meeting this afternoon. Get my gay on there.
Do you have any other goals in life ...
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A fair-to-middling low-budget comedy, "Freshman Orientation" has some good-natured fun lampooning the stereotypes and clichés of college life. Kewpie-faced Clay Adams is an undergrad frat pledge who pretends to be gay in order to snag the girl of his dreams. Just how this paradoxical turn-of-events comes about need not be reiterated here. Suffice it to say that it involves fraternity and sorority initiation pranks that wind up at cross purposes with one another.
Suffering from its own case of identity confusion, director Ryan Shiraki's screenplay reinforces stereotypes even as it's working hard to beat those stereotypes down. Gays, in particular, may find themselves evenly divided between encouragement and dismay over how they are portrayed in this film.
Still, there are enough moments of loopy charm to make the film worth seeing on a slow, rainy afternoon, and Sam Huntington and Kaitlin Doubleday have appeal and charisma to spare as Clay and his girl. And, as an added bonus, they are joined by John Goodman and Rachel Dratch in minor supporting roles.
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