| Photos (see all 3 | slideshow) | Videos |
| Jon Roberts | ... | Himself | |
| Al Sunshine | ... | Himself | |
| Sam Burstyn | ... | Himself | |
| Mickey Munday | ... | Himself | |
| Bob Palumbo | ... | Himself | |
| Toni Mooney | ... | Herself | |
| Edna Buchanan | ... | Herself | |
| Joseph Davis | ... | Himself (as Dr. Joseph Davis) | |
| Al Singleton | ... | Himself | |
| Louis Caruso | ... | Himself | |
| Raul Diaz | ... | Himself | |
| Jorge Ayala | ... | Himself (as Jorge 'Rivi' Ayala) | |
| Nelson Andreu | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Griselda Blanco | ... | Herself (archive footage) | |
| Kelly Hughes | ... | Girl in apt | |
| Jenna Reeves | ... | Girl In Ocean | |
| Monica Rooker | ... | Grizel Lorenzo | |
| Alfred Spellman | ... | Chucho Castro | |
Directed by | |||
| Billy Corben | |||
Produced by | |||
| Billy Corben | .... | producer | |
| David Cypkin | .... | associate producer | |
| Bruno del Granado | .... | executive producer | |
| Alfred Spellman | .... | producer | |
Original Music by | |||
| Jan Hammer | |||
Cinematography by | |||
| Armando Salas | |||
Film Editing by | |||
| Billy Corben | |||
| David Cypkin | |||
Makeup Department | |||
| Robin Ryant | .... | hair stylist | |
| Robin Ryant | .... | makeup artist | |
Sound Department | |||
| Juan Dieguez | .... | sound designer | |
| Paul Michael | .... | sound re-recording mixer (5.1 version) | |
| Lenny Rabinowitz | .... | sound re-recording mixer | |
Special Effects by | |||
| Kevin Harris | .... | special effects | |
| John Patteson | .... | special effects | |
Camera and Electrical Department | |||
| Mariah Diehl | .... | assistant camera (as Mariah T. Diehl) | |
| Josh Ellis | .... | grip | |
| Mike Gioulakis | .... | grip | |
| Brett Jacobsen | .... | grip | |
| Evan Rosenfeld | .... | grip | |
| Zachary Sieffert | .... | assistant camera | |
| Robert Villanueva | .... | grip | |
| Erika Waddey | .... | grip | |
| Kara Yeatts | .... | grip | |
Editorial Department | |||
| Bradley Greer | .... | on-line editor | |
| Matt Perrin | .... | colorist | |
| Jeffrey Spiegelman | .... | post-production assistant | |
| Shawn Wines | .... | apprentice editor | |
Music Department | |||
| Eric Ransom | .... | composer: additional music | |
Other crew | |||
| Benton L. Becker | .... | researcher | |
| David A. Carter | .... | legal services | |
| Michael V. Finuccio | .... | accountant | |
| Wesley Marquet | .... | researcher | |
| Dario Moreno | .... | researcher | |
| Edward Mullins | .... | legal services | |
| Edward Shohat | .... | researcher | |
| Robert Villanueva | .... | production assistant | |
| Matthew Weiner | .... | logo designer | |
Thanks | |||
| Mariauxy Castillo | .... | special thanks | |
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Although I had the opportunity to see the unfinished version of what is sure to be an award-winning film, I was thoroughly impressed by Cocaine Cowboys. Without giving anything away, let me just say that this film refrains from the type of overly preachy or overly glorified view of the cocaine business in the late 1970's and 1980's. A nice balance of character analysis mixed with an abundance of archival data kept my interest throughout the experience...and I walked out of the theater feeling as though I really learned a great deal, not only about historical occurrences, and their impact on a few central characters or society as a whole; rather, I left the cinema with a grasp of the time period from many different perspectives: Columbian drug lords, Cocaine transporters and dealers, special task force members assigned to find the aforementioned groups, local media then and now, land developers, vacationers, car salesmen, and your average Miamian. Perspectives offered were not limited in scope. I highly recommend this film.