| Jon Roberts | ... | Himself | |
| Al Sunshine | ... | Himself | |
| Sam Burstyn | ... | Himself | |
| Mickey Munday | ... | Himself | |
| Bob Palumbo | ... | Himself | |
| Toni Mooney | ... | Herself | |
| Edna Buchanan | ... | Herself | |
| Joseph Davis | ... | Himself (as Dr. Joseph Davis) | |
| Al Singleton | ... | Himself | |
| Louis Caruso | ... | Himself | |
| Raul Diaz | ... | Himself | |
| Jorge Ayala | ... | Himself (as Jorge 'Rivi' Ayala) | |
| Nelson Andreu | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Griselda Blanco | ... | Herself (archive footage) | |
| Kelly Hughes | ... | Girl in apt | |
| Jenna Reeves | ... | Girl In Ocean | |
| Monica Rooker | ... | Grizel Lorenzo | |
| Alfred Spellman | ... | Chucho Castro | |
| Allegra Riggio | ... | Herself - Model (uncredited) | |
Directed by | |||
| Billy Corben | |||
Produced by | |||
| Billy Corben | .... | producer | |
| David Cypkin | .... | associate producer | |
| Bruno del Granado | .... | executive producer | |
| Alfred Spellman | .... | producer | |
Original Music by | |||
| Jan Hammer | |||
Cinematography by | |||
| Armando Salas | |||
Film Editing by | |||
| Billy Corben | |||
| David Cypkin | |||
Makeup Department | |||
| Robin Ryant | .... | hair stylist | |
| Robin Ryant | .... | makeup artist | |
Sound Department | |||
| Juan Dieguez | .... | sound designer | |
| Paul Michael | .... | sound re-recording mixer (5.1 version) | |
| Lenny Rabinowitz | .... | sound re-recording mixer | |
Special Effects by | |||
| Kevin Harris | .... | special effects | |
| John Patteson | .... | special effects | |
Camera and Electrical Department | |||
| Mariah Diehl | .... | assistant camera (as Mariah T. Diehl) | |
| Josh Ellis | .... | grip | |
| Mike Gioulakis | .... | grip | |
| Brett Jacobsen | .... | grip | |
| Evan Rosenfeld | .... | grip | |
| Zachary Sieffert | .... | assistant camera | |
| Robert Villanueva | .... | grip | |
| Erika Waddey | .... | grip | |
| Kara Yeatts | .... | grip | |
Editorial Department | |||
| Bradley Greer | .... | on-line editor | |
| Matthew Perrin | .... | colorist (as Matt Perrin) | |
| Jeffrey Spiegelman | .... | post-production assistant | |
| Shawn Wines | .... | apprentice editor | |
Music Department | |||
| Eric Ransom | .... | composer: additional music | |
Other crew | |||
| Benton L. Becker | .... | researcher | |
| David A. Carter | .... | legal services | |
| Michael V. Finuccio | .... | accountant | |
| Wesley Marquet | .... | researcher | |
| Dario Moreno | .... | researcher | |
| Edward Mullins | .... | legal services | |
| Edward Shohat | .... | researcher | |
| Robert Villanueva | .... | production assistant | |
| Matthew Weiner | .... | logo designer | |
Thanks | |||
| Mariauxy Castillo | .... | special thanks | |
| Elliott Sears | .... | special thanks | |
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| Scarface | The Departed | Pineapple Express | City of God | Layer Cake |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Prohibit a substance and its price will rise; with big profits available beyond the protection of the law, violence will follow. Concentrate the trade for an entire country through one city and an economic boom will combine with a murder epidemic. This was what happened to Miami with cocaine in the late 1970s and early 1980s, a story told exhilaratingly in Billy Corbern's fast-moving documentary 'Cocaine Cowboys'. It's a gripping tale, and the sheer quantity of money and death in it is truly horrifying. And yet, there's also a sense in which this film leaves a slightly sour taste in the mouth, as essentially it's a platform for a pair of major smugglers and one psychopathic killer to wax lyrical about the good old days, relatively free of moral condemnation. Still, it's an amazing story, one that seems more fit to video games than to real life, and its epilogue was the construction of much of the modern city with the proceeds from the trade.