In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago - and it put the city on the map. "Cocaine ... See full summary »
Destn (Tom Sullivan) is the leader of a rock band on the brink of super-stardom. Until now they have juggled their music career with cocaine smuggling. The musicians, and their manager Raf ... See full summary »
Set in 1991 on the inner-city streets of Oakland, California, cocaine dealer Charles Cosby has his life changed forever when he writes a fan letter to the "Cocaine Godmother" Griselda ... See full summary »
The War on Drugs has become the longest and most costly war in American history, the question has become, how much more can the country endure? Inspired by the death of four family members ... See full summary »
With a first-person look at the notorious Crips and Bloods, this film examines the conditions that have lead to decades of devastating gang violence among young African Americans growing up in South Los Angeles.
West Perrine, Florida is a suburban ghetto in Southwest Miami-Dade County. Over 73% of its residents are African-American and more than a third of them are unemployed. Violent crimes occur ... See full summary »
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago. Cocaine Cowboys is the true story of how Miami ... See full summary »
A documentary about the circumstances during a party at a University of Florida fraternity that led up to what may or may not have been a rape. Interspersed with actual footage shot by the ... See full summary »
Craig C. DeThomasis,
A local Miami Doe Boy finds himself incarcerated on a trafficking and gun possession charge due to the spiteful Actions of a self-centered female named 'Kimmie' Casey Lee who turns ... See full summary »
Samuel Monroe Jr.,
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago - and it put the city on the map. "Cocaine Cowboys" is the true story of how Miami became the drug, murder and cash capital of the United States, told by the people who made it all happen. Written by
Blanco was killed by two gunmen on a motorcycle as she walked out of a butcher shop in her hometown, Medellín, on September 3, 2012. The Miami Herald cites El Colombiano newspaper reports that one man fired two bullets into her head, executing her in the type of "motorcycle assassination" she has been credited with inventing. See more »
Cocaine Cowboys is narrowly focused on how Miami became the drug capital and the most dangerous city in the United States during the late 1970s and the early 1980s. The film is lasciviously fascinated with the lavish lifestyle and the grotesque violence generated by the drug trade. Many obviously find such material quite fascinating. There's no denying that several anecdotes shared by dealers, smugglers, cops and veteran reporter Edna Buchanan are very amusing. Fans of TV's Miami Vice and Brian de Palma's Scarface are advised to rush to a theatre playing this film. They'll find that the real-life models of the fictional villains are even more flamboyant and vicious (the life of Griselda "the godmother" Blanco could be turned into a nifty fiction film). CocaineCowboys combines talking-head interviews with old TV footage in rat-tat-tat editing style. Shots of piles of cash and large stashes of cocaine are used as would-be punctuation marks; and there are more snapshots of bloody, perforated bodies than you've ever seen in your life.
Cocaine Cowboys is documentary film-making as tabloid journalism. Its cheap thrills provide a measure of entertainment but its reportage is devoid of context and thoughtful commentary. Director Billy Corben is a native, but as one born in 1979 his view of the material is decidedly second-hand. Towards the latter stages, Cocaine Cowboys strains to present Miami as "the city that cocaine built" by hyperbolically describing late-70s Miami as a "sleepy hamlet". There is some truth to the argument but it is a self-serving and simplistic one. Moreover, the content as presented here is likely to perpetuate certain ethnic stereotypes about the Colombian community and Cuban "marielitos" (Cubans who arrived when Castro allowed migration to the US through the port of Mariel in 1980).
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