Carlston za Ognjenku (2008)

Director:

Uros Stojanovic

Writers:

Srdjan Dragojevic (script collaborator)
Stevan Koprivica (script collaborator)

Release Date:

30 January 2008 (Serbia)

Genre:

Comedy | Fantasy | History | Romance

Plot:

Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath...

Cast

Katarina Radivojevic	...	Mala Boginja
Sonja Kolacaric	...	Ognjenka
Olivera Vuco	...	Velika Boginja
Stefan Kapicic	...	Arsa 'Kralj carlstona'
Nenad Jezdic	...	Dragoljub 'Covek od celika'
Jovana Stipic	...	Ratija
Nada Sargin	...	Mlada
Danica Maksimovic	...	Zagorka
Danijela Vranjes	...	Nada
Radmila Tomovic	...	Zamna
Elizabeta Djorevska	...	Mara Pijandura
Ana Bretsnajder	...	Cukunbaba
Zlatija Ocokoljic	...	Gradska udovica
Ana Maljevic	...	Vojnikusa
Marija Dakic	...	Seoska Udovica

Also Known As:

Tears for Sale (International: English title)

Runtime:

Canada:86 min (Toronto International Film Festival)

Country:

Serbia

Language:

Serbo-Croatian

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Filming Locations:

Bela Crkva, Serbia

Company:

Blue Pen

An emotional script for humor and sensual growth

"Charleston for Ognjenka" is an attractive, dynamic, feminine, adventure and comedy for intelligent audience, one of the movies from the select group without first neighbors, a work to remember.

There is a song that says: "One step changes whole world". That's the sort of precision punches, bruises, subtle words, or awesome music that hits the viewer with perfect timing at perfect places, as if to receive a cure and treatment for the formal description or even definition of what this movie is supposed to be.

Charleston is not a morbid movie despite all the epic graveyards and characters "made of magic" due to careful details impact and art really. The topic of the movie is an attempted cultural change and its critique. Strong in body language, movie is a transformation journey of maturity and sensuality. At times the frames are haunted by ghosts that liberate the dark humor into character acceptance and pro life propaganda.

Tending to occupy most of attention and physical experience in theater, we may add it to the heritage of artworks that penetrate directly into perceptual actuality.

Guide it through fluent, flying camera in surreal vision for best results. Cinematography beyond error earns the right to free expression, and a solid blow to emotions at times.