When a successful country lawyer captures and attempts to "civilize" the last remaining member of a violent clan that has roamed the Northeast coast for decades, he puts the lives of his family in jeopardy.
Brandon Gerald Fuller,
Lauren Ashley Carter
The government sets up a Zombie squad after an epidemic has made the world run rampant with living corpses. Raimi, Mercer, Kuller, and others head off to Ohio to try and find a cure to the ... See full summary »
The American oil company North Corporation is building an ice road to explore the remote Northern Arctic National Wildlife Refuge seeking energy independence. Independent environmentalists ... See full summary »
Renowned "ghost hunter", Carter Simms is paid to conduct a paranormal investigation of a supposedly haunted house. Along with a cameraman, a reporter, and a spiritual advocate, she embarks on a three night journey into terror.
Survivors of a feral flesh-eating clan are chowing their way through the locals. Amy Halbard and Claire Carey strive to survive their abduction by the cannibals and save their children. A ... See full summary »
In 1965, after provoking a fire in a forest, the rebel teenager Heather Fasulo is sent to the boarding school Falburn Academy in the middle of the woods by her estranged mother Alice Fasulo and her neglected father Joe Fasulo. The dean Ms. Traverse accepts Heather in spite of the bad financial condition of her father. The displaced Heather becomes close friend of he weird Marcy Turner, while they are maltreated by the abusive mate Samantha Wise. During the nights, Heather has nightmares and listens to voices from the woods, and along the days she believes that the school is a coven of witches. When some students, including Marcy, simply vanish, Heather believes she will be the next one. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Patricia Clarkson and Angela Bettis's second film together. They played mother and daughter in the television adaption of Stephen King's Carrie. See more »
The movie is supposed to take place in New England, however when Dr. Fasulo looks at the map when they are lost, he looks at a Phillips 66 map of Michigan. See more »
[Heather kicks bathroom stall door to try and get out, Samantha has her pinned inside]
[Heather kicks stall door again]
"I'm a fire-crotch."
"I am a fire-crotch."
How many football players put it in you before your mom got sick of having another tramp around the house?
[Samantha pulls open the stall door angrily, then proceeds to punch Heather in the stomach]
[Heather is keeled over in pain]
If you know what's good for you, you'll run away and never, ever come back.
See more »
Judging from the enthusiastic response at Sunday night's screening, I suspect that if THE WOODS were given a conventional theatrical release, it would attract a wide audience. The film is structured and presented as a nightmare, and it has the inconsistencies and incongruities that a nightmare has. That is too much for some people to tolerate, but judging from the screening, there are many who get it, and like it. There is much to like. Fans of MAY will be happy to see that Lucky McKee has developed more fully into an actor's director, zeroing in on character and bringing to a scene the proper dramatic balance and tone. They'll also be pleased to see that given a modest budget by today's shock-horror standards, he has exhibited new freedom of movement and imagery. Above all, this is a visually stunning film. with an almost overwhelming sound design that is understandably too much for some people. McKee knows how to create a mood of foreboding, but he chooses to do it through artistry rather than through cheap manipulation. The clichés that he uses are an evocation, not an imitation, of classics like SUSPIRIA. What lights up the screen is an individual voice, a distinctive style that immediately sets McKee apart from his contemporaries. It's not that he does it better (although compared with most Hollywood releases, he really does it better), but that his work is instantly recognizable as unique, clearly identifiable, unlike anything we've seen before. There is a unity of artistic elements, with cinematography, art direction, music, sound and acting that blend seamlessly into a coherent style that is more important to the film than the details of the story. That's a pretty tough accomplishment, and one that may or may not appeal to thrill-seeking moviegoers, but it's earned him enough respect from his peers to be named one of the "Masters of Horror." He belongs in that group because of the way he approaches his work, not because of the number of screams his films generate, or the clarity and logic of his scripts. It's not for everybody, but it does strike a chord with fans who value the way McKee creates and sustains tension, allows his characters to come alive within the story, and moves the camera with breathtaking effect. I'm still not sure what was going on in that school, but I know how it felt to watch it, and I found this movie riveting. McKee is aiming at lyricism, and while we should expect that plot is also served, in this film it is secondary. Nightmare logic isn't covered in Aristotle's Six Elements of Drama. It is McKee's creativity that we experience, and it was gratifying, last Sunday night, to be among so many people who came to enjoy themselves watching the work of this talented film maker.
21 of 40 people found this review helpful.
Was this review helpful to you?