The Woods (2006)

R  |   |  Horror, Mystery, Thriller  |  26 September 2006 (USA)
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Ratings: 5.7/10 from 8,712 users  
Reviews: 86 user | 83 critic

Set in 1965 New England, a troubled girl encounters mysterious happenings in the woods surrounding an isolated girls school that she was sent to by her estranged parents.



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Cast overview, first billed only:
Alice Fasulo
Joe Fasulo
Ms. Traverse
Marcy Turner
Jane Gilchrist ...
Ms. Cross
Catherine Colvey ...
Ms. Leland
Ms. Mackinaw
Ann Whales
Cary Lawrence ...
Ms. Charevoix
Colleen Williams ...
Ms. Arbor
The Sheriff
School Nurse
Barb (as Missy Altro)


In 1965, after provoking a fire in a forest, the rebel teenager Heather Fasulo is sent to the boarding school Falburn Academy in the middle of the woods by her estranged mother Alice Fasulo and her neglected father Joe Fasulo. The dean Ms. Traverse accepts Heather in spite of the bad financial condition of her father. The displaced Heather becomes close friend of he weird Marcy Turner, while they are maltreated by the abusive mate Samantha Wise. During the nights, Heather has nightmares and listens to voices from the woods, and along the days she believes that the school is a coven of witches. When some students, including Marcy, simply vanish, Heather believes she will be the next one. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis


Private School. Deadly Lessons. See more »

Motion Picture Rating (MPAA)

Rated R for horror violence and language, including sexual references | See all certifications »

Parents Guide:



Official Sites:


| |


Release Date:

26 September 2006 (USA)  »

Also Known As:

El bosque maldito  »

Box Office


$12,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The teachers all have names that are Northern Lower Peninsula Michigan towns - Charlevoix, Mackinac, (Glen) Arbor, Traverse. See more »


The teacher's lecture on an 1809 war between Austria and France is pure nonsense. Although Austria was at war with Napoleonic France during this time, the conditions described do not match reality. In addition, the teacher mentions the Germans despite the fact that the German state was not established until 1871. See more »


Samantha: We have a certain way of doing things here. And you better find out what that way is or there will be serious consequences.
See more »


Referenced in Unikal'noe pozdravlenie (2014) See more »


Marcy's Song (aka the 'You Don't Own Me' Overlay)
Composed by Jammes Luckett (as Jay Barnes Luckett)/Poperratic
See more »

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User Reviews

Worthwhile, and actually pretty good
13 July 2006 | by (United States) – See all my reviews

Judging from the enthusiastic response at Sunday night's screening, I suspect that if THE WOODS were given a conventional theatrical release, it would attract a wide audience. The film is structured and presented as a nightmare, and it has the inconsistencies and incongruities that a nightmare has. That is too much for some people to tolerate, but judging from the screening, there are many who get it, and like it. There is much to like. Fans of MAY will be happy to see that Lucky McKee has developed more fully into an actor's director, zeroing in on character and bringing to a scene the proper dramatic balance and tone. They'll also be pleased to see that given a modest budget by today's shock-horror standards, he has exhibited new freedom of movement and imagery. Above all, this is a visually stunning film. with an almost overwhelming sound design that is understandably too much for some people. McKee knows how to create a mood of foreboding, but he chooses to do it through artistry rather than through cheap manipulation. The clichés that he uses are an evocation, not an imitation, of classics like SUSPIRIA. What lights up the screen is an individual voice, a distinctive style that immediately sets McKee apart from his contemporaries. It's not that he does it better (although compared with most Hollywood releases, he really does it better), but that his work is instantly recognizable as unique, clearly identifiable, unlike anything we've seen before. There is a unity of artistic elements, with cinematography, art direction, music, sound and acting that blend seamlessly into a coherent style that is more important to the film than the details of the story. That's a pretty tough accomplishment, and one that may or may not appeal to thrill-seeking moviegoers, but it's earned him enough respect from his peers to be named one of the "Masters of Horror." He belongs in that group because of the way he approaches his work, not because of the number of screams his films generate, or the clarity and logic of his scripts. It's not for everybody, but it does strike a chord with fans who value the way McKee creates and sustains tension, allows his characters to come alive within the story, and moves the camera with breathtaking effect. I'm still not sure what was going on in that school, but I know how it felt to watch it, and I found this movie riveting. McKee is aiming at lyricism, and while we should expect that plot is also served, in this film it is secondary. Nightmare logic isn't covered in Aristotle's Six Elements of Drama. It is McKee's creativity that we experience, and it was gratifying, last Sunday night, to be among so many people who came to enjoy themselves watching the work of this talented film maker.

21 of 40 people found this review helpful.  Was this review helpful to you?

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