| Photos (See all 14 | slideshow) | Videos (see all 6) |
| Julianne Moore | ... | Barbara Baekeland | |
| Stephen Dillane | ... | Brooks Baekeland | |
| Anne Reid | ... | Nini Daly | |
| Martin Huber | ... | Aschwin Lippe | |
| Minnie Marx | ... | Midge Vanden Heuvel | |
| Jim Arnold | ... | Joost Vanden Heuvel | |
| Mapi Galán | ... | Simone Lippe | |
| Barney Clark | ... | Tony at 12 | |
| Abel Folk | ... | Carlos Durán | |
| Belén Rueda | ... | Pilar Durán | |
| Simón Andreu | ... | Jean Pierre Souvestre | |
| Eddie Redmayne | ... | Antony Baekeland | |
| Elena Anaya | ... | Blanca | |
| Unax Ugalde | ... | Black Jake Martínez | |
| Melina Matthews | ... | Lorna Moffat | |
| Lorea Uresberueta | ... | Ticket Agent (as Lorea Uresberuéta) | |
| Xavier Capdet | ... | Gate Man | |
| Kandido Uranga | ... | Taxi Driver | |
| Hugh Dancy | ... | Sam Green | |
| Lina Lambert | ... | Missy Harnden | |
| Peter Vives | ... | Mishka Harnden | |
| Brendan Price | ... | PC Roberts | |
| Pol Balibrea | ... | Baby Tony | |
| Mariona Perrier | ... | Teeny Duchamp | |
| rest of cast listed alphabetically: | |||
| Piero Verzello | ... | Man in Car with Barbara (uncredited) | |
Directed by | |||
| Tom Kalin | |||
Writing credits(WGA) | ||
| Howard A. Rodman | (screenplay) | |
| Natalie Robins | (book) & | |
| Steven M.L. Aronson | (book) | |
Produced by | |||
| Philippe Aigle | .... | associate producer: Celluloid Dreams | |
| Alberto Aranda | .... | co-producer | |
| Christian Baute | .... | co-executive producer | |
| Johnathan Dorfman | .... | executive producer | |
| Temple Fennell | .... | executive producer | |
| Peter Graham | .... | executive producer (as Peter M. Graham II) | |
| Xavier Granada | .... | co-producer (as Xavi Granada) | |
| Stephen Hays | .... | executive producer | |
| Tom Kalin | .... | co-producer | |
| Pamela Koffler | .... | producer | |
| Aitor Lizarralde | .... | associate producer | |
| Charlotte Mickie | .... | associate producer: Celluloid Dreams | |
| Iker Monfort | .... | producer | |
| Yulene Monfort | .... | co-producer | |
| Hengameh Panahi | .... | executive producer | |
| Howard A. Rodman | .... | executive producer | |
| Katie Roumel | .... | producer | |
| Elvira M. Sales | .... | co-executive producer (as Elvira Morales Sales) | |
| Eugenia Soler | .... | line producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
Original Music by | |||
| Fernando Velázquez | |||
Cinematography by | |||
| Juan Miguel Azpiroz | (director of photography) (as Juanmi Azpiroz) | ||
Film Editing by | |||
| Enara Goikoetxea | (as Enara Goicoetxea) | ||
| Tom Kalin | |||
| John F. Lyons | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Víctor Molero | |||
Art Direction by | |||
| Deborah Chambers | |||
Set Decoration by | |||
| Juan Carlos Bravo | |||
| Isabelle Domingo | |||
| Víctor Pavía | (as Victor 'Bili' Pavia) | ||
Costume Design by | |||
| Gabriela Salaverri | |||
Makeup Department | |||
| Montse Boqueras | .... | makeup artist | |
| Vanessa Cubero | .... | makeup artist (as Vanesa Cubero) | |
| Xavi García | .... | hair stylist | |
| Susana León | .... | makeup artist | |
| Ana López Puigcerver | .... | key makeup artist (as Ana López Puicerver) | |
| Belén López Puigcerver | .... | key hair stylist | |
| Rosario Martínez | .... | makeup artist | |
| Natalia Montoya | .... | hair stylist | |
| Cesáreo Morcillo | .... | makeup artist (as César Morcillo) | |
| Irene Navarro | .... | assistant hair stylist | |
| Peter Owen | .... | wig maker: Julianne Moore | |
| Jerry Popolis | .... | hair stylist: Julianne Moore | |
| Sergio Pérez | .... | hair stylist | |
| Susan Reilly LeHane | .... | makeup artist: Julianne Moore | |
| José Segui | .... | hair stylist (as José Antonio Segui) | |
| Ana Urosa | .... | assistant makeup artist | |
| Laura Vacas | .... | makeup artist | |
| Manuel Villagrasa | .... | hair stylist | |
| Dita Vojtikova | .... | manicurist: Julianne Moore | |
Production Management | |||
| Yee Yeo Chang | .... | post-production supervisor: NY | |
| Nicolás Tapia | .... | production manager (as Nico Tapia) | |
Second Unit Director or Assistant Director | |||
| Israel Marco | .... | second second assistant director | |
| Olga Pujalte | .... | second assistant director | |
| F. Javier Soto | .... | first assistant director (as Javier Soto) | |
Art Department | |||
| Juan Antonio Agulló | .... | construction: Stork Club | |
| Andy Chevailler | .... | set dresser | |
| Silvia Crivillers | .... | assistant property master (as Silvia Crivillé) | |
| Juanjo Garcia | .... | assistant art director | |
| Fernando Giner | .... | additional prop designer | |
| Beatriz Martínez | .... | art department trainee | |
| Pablo Mateu | .... | set dresser | |
| Nuria Muni | .... | property master | |
| Octavio Tapia | .... | property master | |
| Chan Canelo | .... | artist painter (uncredited) | |
Sound Department | |||
| Susana Benito | .... | assistant sound re-recording mixer | |
| Juan Borrell | .... | sound | |
| Emilio Bustos | .... | assistant sound editor (as Emilio Bustos Garcia) | |
| Manuel Corrales | .... | foley artist (as Manolo Corrales) | |
| Bela María da Costa | .... | sound (as Bela da Costa) | |
| Gonzalo de la Fuente | .... | assistant sound re-recording mixer | |
| Jaime Fernández | .... | sound | |
| Dámaso Hernández | .... | boom operator | |
| Craig Kyllonen | .... | ADR recordist | |
| Mario López | .... | foley sound engineer | |
| Douglas Murray | .... | adr engineer (as Doug Murray) | |
| Ricardo Viñas | .... | sound consultant: Dolby | |
Stunts | |||
| Antonio Higueruelo | .... | action coordinator (uncredited) | |
Casting Department | |||
| Pep Armengol | .... | additional casting | |
| Rori Bergman | .... | casting assistant: US | |
| Kahleen Crawford | .... | additional casting: UK | |
| Ali Farrell | .... | casting: US | |
| Des Hamilton | .... | additional casting: UK | |
| Luci Lenox | .... | additional casting | |
| Claire Saunders | .... | casting: UK | |
Costume and Wardrobe Department | |||
| Laura Agustín | .... | wardrobe supervisor | |
| Mireia Buyó | .... | wardrobe assistant | |
| Mireia Guàrdia | .... | additional wardrobe assistant | |
| Didier Ludot | .... | wardrobe: haute couture | |
| Crispy Valverde | .... | wardrobe assistant | |
| Ana Sabina Vergara | .... | wardrobe trainee | |
Editorial Department | |||
| Tina Baz | .... | consulting editor | |
| Alberto Leirós | .... | film lab coordinator | |
| Miguel Ángel López | .... | colorist | |
| María Jesús Sánchez | .... | negative cutter (as Marí Hesús Sánchez-Morate) | |
| Iurre Tellería | .... | assistant editor | |
Music Department | |||
| Amaia Aritzi | .... | music production assistant | |
| The Bulgarian Symphony Orchestra | .... | musicians: orchestra | |
| José Luis Centeno | .... | music preparation | |
| Elena Chouchkova | .... | orchestra manager | |
| Félix Divar | .... | musician: percussion | |
| Evgeni Kanchev | .... | concertino | |
| Iker Martín | .... | musician: saxophone | |
| Hasier Oleaga | .... | musician: drums | |
| Daniel Oyarzabal | .... | musician: piano | |
| Juan Antonio Ros | .... | score producer (as Juanan Ros) | |
| Juan Antonio Ros | .... | scoring mixer (as Juanan Ros) | |
| Juan Antonio Ros | .... | scoring recordist (as Juanan Ros) | |
| Asen Kanchev | .... | music production manager (uncredited) | |
Transportation Department | |||
| Luis Botella | .... | driver: Julianne Moore | |
| Angel Guerri | .... | driver | |
| Javier Guerri | .... | driver | |
Other crew | |||
| Naima Abed | .... | legal affairs: Celluloid Dreams | |
| Fellipe Barbosa | .... | researcher (as Felippe Barbosa) | |
| Andrew Blum | .... | intern: Killer Films | |
| Paul Brennan | .... | legal services: Sloss Law Office | |
| Tommaso Cammarano | .... | researcher | |
| Núria Casanueva | .... | script supervisor | |
| Yee Yeo Chang | .... | production coordinator: NY | |
| Leslie Charles | .... | dialect coach | |
| Nina Chernik | .... | researcher | |
| Vanessa Ciszewski | .... | production coordinator: Celluloid Dreams | |
| Delphine Clot | .... | legal affairs: Celluloid Dreams | |
| Stephane Cordier | .... | bank services | |
| Joaquín De Otaola | .... | legal services: Sánchez Pintado y Núñez | |
| Jacqueline Eckhouse | .... | legal services: Sloss Law Office | |
| María Jesús Ezcurra | .... | production accountant | |
| Ramsey Fong | .... | production accountant: NY | |
| Pol Fuentes | .... | production trainee | |
| Giordano Giordani | .... | technical director: Technicolor | |
| Amaya González | .... | accountant: Monfort Producciones | |
| Roberto González | .... | dailies | |
| Pawel Grajnert | .... | chief researcher | |
| Iván Gómez | .... | location manager | |
| Rubén Gómez | .... | set production assistant | |
| Abe Halpert | .... | intern: Killer Films | |
| Jocelyn Hayes | .... | executive: Killer Films (as Joselyn Hayes Simpson) | |
| Mar Henche | .... | production accountant | |
| Alison Hunter | .... | legal services: Sloss Law Office | |
| Xavier Izquierdo | .... | production trainee | |
| Sondra James | .... | adr loop group coordinator | |
| Martin Jefferies | .... | stand-in: Mr. Redmayne | |
| Phil Johnston | .... | researcher | |
| Manolo Juanino | .... | projectionist: EXA | |
| Justin Kagan | .... | intern: Killer Films | |
| Drew Klein | .... | intern: Killer Films | |
| Kate Levy | .... | intern: Killer Films | |
| Geneviève Lhote | .... | assistant: Hengameh Panahi, Celluloid Dreams | |
| Aleix Lladó | .... | assistant: Mr. Kalin | |
| Anna Lo Westlin | .... | office production intern | |
| Juan Antonio López | .... | assistant: Mr. Kalin (as Juanan López) | |
| Sebastian Maharg-Bravo | .... | script translator | |
| Spyro Markesinis | .... | legal services: Reed Smith Richard Butler | |
| Marta Mas | .... | set production assistant | |
| Alberto Miragoli | .... | trainee: Monfort Producciones | |
| Migueltxo Molina | .... | electronic press kit (as Miguel Molina) | |
| Julia Montes | .... | legal services: Echa Abogados | |
| Miguel Ángel Muñoz | .... | accountant: A Contraluz Films | |
| Emmanuel Nguyen | .... | assistant to chief accountant: Celluloid Dreams | |
| Nick Niles | .... | researcher | |
| Trilby Norton | .... | production coordinator | |
| Eider Nunes | .... | production trainee | |
| Lydia O'Neill | .... | intern: Killer Films | |
| Denis Offroy | .... | bank services | |
| Marc Panadés | .... | production trainee | |
| Kevin Pazmino | .... | key set production assistant | |
| Richard Philipps | .... | legal services: Reed Smith Richard Butler | |
| Alberto Poveda | .... | key set production assistant | |
| Marc Prat Trias | .... | production trainee (as Marc Prat) | |
| Charles Pugliese | .... | executive: Killer Kilms | |
| Natalia Pérez | .... | trainee | |
| Christina Rice | .... | assistant: Julianne Moore | |
| Ana Rubio | .... | press: Monfort Producciones | |
| Manuel Salgueiro | .... | dailies | |
| Juan Salmerón | .... | legal services: Echa Abogados | |
| Robert Franck Sauvineau | .... | chief accountant: Celluloid Dreams (as Franck Sauvineau) | |
| Gabriel Sedgwick | .... | intern: Killer Films | |
| Gabriel Sedgwick | .... | set production assistant | |
| Lluís Servitje | .... | assistant location manager | |
| Napua Solsona | .... | trainee | |
| Gordon Spragg | .... | head of marketing: Celluloid Dreams | |
| Julián Suárez | .... | projectionist: EXA | |
| Julie Thiery | .... | intern: Killer Films | |
| David Torra Calix | .... | stand-in: Mr. Dillane | |
| Guadalupe Balaguer Trelles | .... | executive: Monfort Producciones | |
| Karina Userovici | .... | legal affairs: Celluloid Dreams (as Karine Userovici) | |
| Esther Villahermosa | .... | stand-in: Ms. Moore | |
| Judith Windsor | .... | voice coach: Stephen Dillane | |
| Jeremy Zelnik | .... | bank services | |
Thanks | |||
| Karl Lagerfeld | .... | special thanks | |
| Manuel Monzón | .... | special thanks (as Manuel Monzón Fueyo) | |
| Leah Spicer | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
Loosely based on the book of the same name by Natalie Robins and Steven M.L. Aronson, Tom Kalin's Savage Grace is the stylized depiction of the life of Barbara Daly Baekeland (Julianne Moore), a social-climbing model and would-be actress who married into the Bakelite fortune and whose overbearing love for her son Tony, a promising writer, led to unspeakable tragedy. Savage Grace first premiered at the Cannes Film Festival in 2007 and had a limited release in the U.S. in May 2008 to less than enthusiastic reviews. The film has been described as dull by some critics used to bathing in showy Hollywood effects, overlooking the fact that its languid air and dreamy look serve a distinct purpose - to underscore the characters' emotional emptiness and enhance its understated cumulative power.
Savage Grace opens in New York in 1946 with the birth of a son and unfolds like a classical tragedy in six episodes that cover four decades from 1946 to 1972, tracking Barbara's crumbling relationship with husband Brooks (Stephen Dillane) and her increasingly unhealthy relationship with her son Tony, played as a boy by Barney Clark and as an adult by the excellent Eddie Redmayne. The family, heirs to the fortune amassed by their grandfather Leo who was the inventor of Bakelite, the original plastic, eats at the famous Stork Club, dining with princes and other royalty and socializing with people such as Greta Garbo, Tennessee Williams, and the Aga Khan. In the restaurant, they play careless games such as Barbara asking her guests to bet on her just going off with the first man that comes along in a car," which she does, leaving her husband and friends on the sidewalk.
The film then jumps to Paris in 1959. In one of the most explosive scenes, Barbara compels Tony, now age 13, to read aloud from the book "Justine" by the Marquis de Sade at a dinner party. When he is reluctant, Barbara goes into a rage, using graphic epithets that drive her visitors from the house. London, Spain, and Mallorca follow soon as the Baekeland's become permanent exiles from the U.S. In Cadaques on Spain's Costa Brava eight years later, Tony begins to come to grips with his homosexuality and enjoys an affair with Jake (Unax Ugalde), at times the two performing their sexual acts in front of "mummy". Later he brings home a girlfriend Blanca (Elena Anaya), which surprises his parents since his homosexuality has become obvious.
Coldly rejecting both Barbara and Tony, Brooks runs off with Blanca and never looks back, resisting his son's futile efforts to reunite them. In a startling confrontation, Barbara follows her husband to the airport where she unleashes a brutal verbal attack on both husband and girlfriend at the checkout counter. Both Barbara's and Tony's emotional stability soon begin to unravel. Barbara takes up with the bisexual Sam (Hugh Dancy) and, when Tony also finds himself attracted to Sam, all three end up in bed in one of the film's more eyebrow-raising scenes. Back in London, years later, after one of numerous suicide attempts, Barbara casually initiates a sexual relationship with her increasing emotionally unstable son leading to the boy's quiet descent into madness and the film's tragic conclusion.
Like Jean-Claude Lauzon's 1992 masterpiece, Leolo, Savage Grace is a mixture of darkness and light that contains moments of humor and warmth along with moments of sheer depravity. Its power is very real because the characters are recognizable as suffering human beings rather than as caricatures. While the appeal of Savage Grace is limited because of its dark subject matter, it is a mesmerizing and powerful experience, impeccably acted by Julianne Moore in one of her greatest performances. While the film's depictions of forbidden sexual activities may or may not have occurred in reality, they are powerfully communicated without melodrama and the film's morbid fascination is maintained until its shocking conclusion.