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Savage Grace (2007)

Not Rated | | Drama | 25 January 2008 (Spain)
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A dramatization of the shocking Barbara Daly Baekeland murder case, which happened in a posh London flat on Friday 17 November 1972. The bloody crime caused a stir on both sides of the Atlantic and remains one of the most memorable American Tragedies...

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(screenplay), (book) | 1 more credit »
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Martin Huber ...
Minnie Marx ...
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Mapi Galán ...
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Jean Pierre Souvestre
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Blanca
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Black Jake Martínez
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Lorna Moffat
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Storyline

The true story of the beautiful and charismatic but mentally unstable Barbara Daly, who married above her class to Brooks Baekeland, heir to the Bakelite plastics fortune. Their only child is a failure in his father's eyes, and as he matures and becomes increasingly close to his alienated mother, the seeds for tragedy are sown. Written by Anonymous

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Taglines:

A family that has everything has everything to lose. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

25 January 2008 (Spain)  »

Also Known As:

Okrutna milost  »

Filming Locations:

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Box Office

Budget:

$4,600,000 (estimated)

Opening Weekend:

$22,311 (USA) (30 May 2008)

Gross:

$434,417 (USA) (15 August 2008)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Eddie Redmayne and Julianne Moore won Oscars for Leading Roles in the 87th Academy Awards. Both played characters who suffered from debilitating disorders: Redmayne's character had ALS (Lou Gehrig Disease), Moore's character had early-onset Alzheimer's. Director Richard Glatzer died from complications of ALS a few months after this movie's release. See more »

Goofs

When Tony meets Blanca on the beach, he first talks to Jake. As Tony and Blanca chat, and she decides to turn on her radio, a woman inexplicably appears on Tony's immediate left, as though she knows them. When Blanca starts dancing in front of Tony, the other woman is gone. See more »

Quotes

[first lines]
Antony Baekeland: I was eating a tomato at tea time a few weeks ago, and I suddenly realized that mommy is not dead at all. Just very, very mysterious.
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Connections

Featured in Siskel & Ebert: Episode dated 31 May 2008 (2008) See more »

Soundtracks

Lullaby for Tony
Written and Performed by Dawn Landes
(c) Cropduster Music (BMI)
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User Reviews

 
Dark tale of a mother and son doesn't really connect with its audience
26 May 2008 | by (Glen Cove, New York) – See all my reviews

Story of Barbara Daly Baekeland, who married the heir to the Bakelite fortune. We watch as the relationship with her husband slides, the relationship with her son (who narrates) goes weird and everything collides in tragedy.

This is a dark little movie. Almost from the first frames the whole world seems wrong and off. The interaction between Barbara and her husband now that they have a son is at best awkward, at worst strained. Its clear from the start that Mom is paying way too much attention to her baby. Its unnerving. Whats also clear up front is that no one is "normal". Everyone is clearly in their own little damaged world (Dad travels, mom is isolated and the kid just tries to cope with all of the weirdness). As a means to an effect, namely making the audience feeling uneasy, it works in spades. As a means of making a film that is something that we can either relate to or want to watch for any reason other than it intrigues our baser instincts its not really the way to go. Forgive me, but I don't know why I was watching this, I mean let me put it simply, these people are nuts. These are rich people who are just strange.

Its doesn't help that the performances seem very mannered. All of the actors are very good but I felt as though I was watching a very very British mannered drama.The characters seem to be more a collection of ticks and manners then anything else. Yes I understand that everyone is wrapped up in themselves; behavior thats so guarded that each act (especially sex)seems to be for some ulterior reason, and that any unmannered act is one of self revelation, but at the same time it kept me distant. I never cared about anyone or anything, I only wanted to see how twisted this all got(And it gets pretty funky).

Is it any good? Yea, he says begrudgingly. The performances are good, especially Juliane Moore, the film is extremely well crafted and as much as I bitch, it does hold your attention in the same way that a bloody car wreck does (you keep watching to see how bad it gets because you know it has nothing to do with you). I wish it was just slightly better than it is, I wish there was some sign of what life was before the baby came along, I mean why did her husband marry her, I have no clue, nor do I know why he bothered to stay married to her as long as he did. I also wish this was about real people, instead of "martians", I mean most of the characters outside of the central ones seem reasonably normal, I cared more about them then the ones the film was about.

Is it worth seeing? I don't know if I would go out of my way to see it. Frankly the chance to see this kind of fell into my lap so I took it, especially since a friend had asked about the film at the instant the chance to see the film arrived. Would I have wanted to pay for it? In the end no, I want to get some thing else from the film then just feeling dirty.


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