In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Venice, 1596. Melancholy Antonio loves the youthful Bassanio, so when Bassanio asks for 3000 ducats, Antonio says yes before knowing it's to sue for the hand of Portia. His capital tied up in merchant ships at sea, Antonio must go to Shylock, a Jewish moneylender he reviles. Shylock wraps his grudge in kindness, offering a three-month loan at no interest, but if not repaid, Antonio will owe a pound of flesh. The Jew's daughter elopes with a Christian, whetting Shylock's hatred. While Bassanio's away wooing Portia, Antonio's ships founder, and Shylock demands his pound of flesh. With court assembled and a judgment due, Portia swings into action to save Bassanio's friend. Written by
Ricky Gervais turned down the role of Launcelot Gobbo, a role which went to his The Office co-star Mackenzie Crook. See more »
Approximately 0:02:50 into the film, camera equipment and a man with a black baseball cap w/white logo are seen on the left hand side of the frame. It's a very quick cutaway scene after a couple shots of the white balcony. See more »
I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew ...
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I just saw this at the Toronto International Film Festival in the beautiful Elgin Theatre. I was blown away by the beautiful cinematography, the brilliant adaptation of a very tricky play and last but not least, the bravura performance of Al Pacino, who was born to play this role, which was perfectly balanced by an equally strong performance from Jeremy Irons.
The film deftly explores the themes of love vs loyalty, law vs justice, and passion vs reason. Some might protest that the content is inherently anti-semitic, however they should consider the historical context of the story, and the delicate and nuanced way in which it is told in this adaptation.
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