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The Merchant of Venice (2004)

 -  Drama | Romance  -  3 December 2004 (UK)
7.1
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Ratings: 7.1/10 from 27,022 users   Metascore: 63/100
Reviews: 157 user | 114 critic | 35 from Metacritic.com

In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.

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Title: The Merchant of Venice (2004)

The Merchant of Venice (2004) on IMDb 7.1/10

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Nominated for 1 BAFTA Film Award. Another 2 wins & 5 nominations. See more awards »

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Cast

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Storyline

Venice, 1596. Melancholy Antonio loves the youthful Bassanio, so when Bassanio asks for 3000 ducats, Antonio says yes before knowing it's to sue for the hand of Portia. His capital tied up in merchant ships at sea, Antonio must go to Shylock, a Jewish moneylender he reviles. Shylock wraps his grudge in kindness, offering a three-month loan at no interest, but if not repaid, Antonio will owe a pound of flesh. The Jew's daughter elopes with a Christian, whetting Shylock's hatred. While Bassanio's away wooing Portia, Antonio's ships founder, and Shylock demands his pound of flesh. With court assembled and a judgment due, Portia swings into action to save Bassanio's friend. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some nudity | See all certifications »

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Details

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Release Date:

3 December 2004 (UK)  »

Also Known As:

William Shakespeare's The Merchant of Venice  »

Filming Locations:

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$31,029 (Chile) (14 April 2006)

Gross:

$205,220 (Chile) (26 May 2006)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The bare-breasted prostitutes were not put in the film to make it more risqué, but rather to add a note of historical authenticity. Venetian law at the time required all prostitutes to bare their breasts because the Christian authorities were concerned about rampant homosexuality in their city. See more »

Goofs

When the Jews are carrying the Torah around the synagogue, the prayers and garb is appropriate. The Torah would only be taken out to be read. Traditional Jews only read Torah in the morning, when the light for reading would be best before the advent of artificial lighting. Therefore the Torah would not have been out at that time of day. See more »

Quotes

Bassanio: In Belmont is a lady richly left - and she is fair, and fairer than that word - of wondrous virtues. Sometimes, from her eyes I did receive fair... speechless messages. Her name is Portia, no less a beauty than Cato's daughter, Brutus' Portia. Nor is the wide world ignorant of her worth,for the four winds blow in from every coast renowned suitors. O my Antonio, had I but the means to hold a rival place with one of them then I should question less be fortunate.
See more »

Connections

Version of The Merchant of Venice (1911) See more »

Soundtracks

How Sweet the Moonlight
Composed and Arranged by Jocelyn Pook
Words by William Shakespeare
Featuring Andreas Scholl
Published by Shylock Ltd / EMI Music Publishing Ltd
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Frequently Asked Questions

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User Reviews

 
Excellent and Must see
12 September 2004 | by (Chicago) – See all my reviews

It is a risky business to film such a lavish production of "The Merchant of Venice". It could be a stodgy, wooden, period piece, or it could be laughable for its excesses. This version is neither. While I am not completely sold by Al Pancino's very restrained Shylock, he does give a competent and honorable performance. Jeremy Iron's Antonio, is as always with his tortured-self roles, riveting. Some of the lesser roles seemed to be a little to much in the spirit of boisterous fun, "a boy's own Venician adventure story", but the central plot is efficiently and sympathetically moved forward through the film.

It goes without saying, that the location shots, costumes, and interiors were breathtaking, almost to the point of distraction.

One thing, on which I do not wish to comment on, is the anti-semetic content of the play. The film is as sympathetic to the predicament of the Jews as possible while still portraying Shylock as the instrument of his own self-destruction. It is a sad comment that four centuries later, the director of this film found it necessary to comment on his nuanced view before the premiere screening at the Toronto film fest.

This is a beautiful film, and I look forward to several viewings.


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