In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
In 1959, Truman Capote, a popular writer for The New Yorker, learns about the horrific and senseless murder of a family of four in Holcomb, Kansas. Inspired by the story material, Capote and his partner, Harper Lee, travel to the town to research for an article. However, as Capote digs deeper into the story, he is inspired to expand the project into what would be his greatest work, In Cold Blood. To that end, he arranges extensive interviews with the prisoners, especially with Perry Smith, a quiet and articulate man with a troubled history. As he works on his book, Capote feels some compassion for Perry which in part prompts him to help the prisoners to some degree. However, that feeling deeply conflicts with his need for closure for his book which only an execution can provide. That conflict and the mixed motives for both interviewer and subject make for a troubling experience that would produce an literary account that would redefine modern non-fiction. Written by
Kenneth Chisholm (email@example.com)
In the scene where Capote is talking to Perry in the county jail cell (where he is being held during the trials) you can see modern-day cars driving past the jail through the window behind Perry. See more »
Beautifully told, masterfully performed, harrowing, amusing, cruel, moving. A sensational achievement. I sat there disturbed and transfixed. Witnessing the impossible. Truman Capote with the mask, without the mask. The same man, different men, all men, no man. The creature at work, thinking of work, planning his work, working his work, wheeling an dealing. Living his life, life as work, work as life. An ego bigger than his talent and all talent and no ego. Feeling without feeling. Cunning, innocent, blasphemous, a child, a monumental son of a bitch. Philip Seymour Hoffman surprising us again. Charles Laughton I thought. What a thought! Charles Laughton 2005. That kind of talent that kind of boldness and brains. Everything and everyone in "Capote" seem to be. To be totally. I've never seen a photograph of Harper Lee but I imagine her just like Catherine Keener. The film is a miracle of sorts. I can't wait to see it again.
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