In a remote, isolated village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who... See full summary »
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole ... See full summary »
The unborn child of Mamlakat (Khamatova) is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother (... See full summary »
In a remote, isolated village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless--she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet as Hamo begins to court Nina, their unexpected union revitalizes them. Written by
Sujit R. Varma
This is a good film -- dark, and funny, and absurd. The setting is post-Soviet Armenia, today. Life is bleak in the Caucasus; the young have either emigrated or, if they have stayed, they've either turned cruel and abusive or are exploited through prostitution or tawdry sexual encounters. Most of the people in village are pensioners, however. Everyone is forced to sell their meager belongings just to get by. Life is tedious -- unemployed men gather in small groups to drink Vodka Lemon and discuss their effete prospects. A widow and widower, strangers, meet during their regular visits to the graves of their deceased partners. A bit of human warm and humor is thus established. But what gives this film its true strength of statement, and sets is tone, are the absurd moments -- it opens with a musician sleigh-riding on his sick-bed; it ends with a piano gliding off down the road into the distance; a man on horseback gallops across the screen at odd moments and for no known purpose. There is no rhyme or reason for the poverty experienced by these characters -- its effects are pointless, random, and unpredictable and absurd.
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