| Photos (See all 13 | slideshow) | Videos (see all 3) |
| Brendan Mackey | ... | Joe Simpson | |
| Nicholas Aaron | ... | Simon Yates | |
| Richard Hawking | ... | Himself | |
| Joe Simpson | ... | Himself | |
| Simon Yates | ... | Himself | |
| Ollie Ryall | ... | Richard Hawking |
Directed by | |||
| Kevin Macdonald | |||
Writing credits(in alphabetical order) | ||
| Joe Simpson | book | |
Produced by | |||
| Charles Furneaux | .... | executive producer | |
| Robin Gutch | .... | executive producer | |
| Gina Marsh | .... | line producer | |
| John Smithson | .... | producer | |
| Paul Sowerbutts | .... | associate producer | |
| Sue Summers | .... | co-producer | |
| Paul Trijbits | .... | executive producer | |
| Paul Webster | .... | chief executive procuder: FilmFour | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Mike Eley | |||
| Keith Partridge | |||
Film Editing by | |||
| Justine Wright | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Patrick Bill | |||
Art Direction by | |||
| Patrick Bill | |||
Costume Design by | |||
| Patrick Bill | |||
Makeup Department | |||
| Sarita Allison | .... | makeup designer | |
Production Management | |||
| Emma Clarke | .... | executive in charge of production: film council | |
| Peter McAleese | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Nick Laws | .... | first assistant director | |
Art Department | |||
| Giles Asbury | .... | storyboard artist | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| Robert Brazier | .... | foley editor | |
| Felicity Cottrell | .... | foley artist | |
| Richard Davey | .... | assistant sound re-recording mixer | |
| Mick Duffield | .... | sound recordist | |
| Anthony Faust | .... | adr foley mixer | |
| Anthony Faust | .... | foley supervisor | |
| Joakim Sundström | .... | supervising sound editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Martin Neill | .... | special effects | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital film editor | |
| Simon Burley | .... | software and technical | |
| Peter Farrer | .... | visual effects supervisor | |
| Ben Haworth | .... | digital effects artist | |
Stunts | |||
| David Cuthbertson | .... | climbing stunt double | |
| Rory Gregory | .... | climbing stunt double | |
Camera and Electrical Department | |||
| John de Borman | .... | additional photography | |
| Oliver Driscoll | .... | second assistant camera | |
| Olly Driscoll | .... | clapper loader | |
| Christian Klehr | .... | grip | |
| Ralph Kulike | .... | gaffer | |
| Dan Shoring | .... | additional photographer | |
| Dan Shoring | .... | first assistant camera | |
| Jeremy Sutton-Hibbert | .... | unit photographer: Alps | |
| Chris Thornton | .... | film recorder operator | |
| Simon Wagen | .... | additional climbing photographer (as Simon Hagen) | |
Casting Department | |||
| Indira Ashton | .... | casting assistant | |
Editorial Department | |||
| Stephen Barker | .... | post-production consultant | |
| Simon Brook | .... | on-line editor | |
| Ben Lester | .... | assistant editor | |
| Vincent Narduzzo | .... | colorist | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Jon Thompson | .... | post-production consultant | |
Music Department | |||
| Abi Leland | .... | music supervisor | |
| Andy Richards | .... | score mixer | |
| Bevan Smith | .... | composer: electronic music | |
Other crew | |||
| Olly Allen | .... | climbing support: Alps | |
| Kim Ballard | .... | production financing | |
| Christine Barnes | .... | climbing support: Alps | |
| Christine Baxter-Jones | .... | production team | |
| Hattie Bowering | .... | final delivery and release supervisor | |
| Lesley Brown | .... | production team | |
| Eduardo Shuán Caldúa | .... | climbing support: Peru | |
| Melorie Chilton | .... | legal services for darlow smithson productions | |
| Hugo Milla Chinchay | .... | climbing support: Peru | |
| David Cuthbertson | .... | key mountain guide | |
| David Cuthbertson | .... | safety team | |
| Lucy Daniels | .... | production team | |
| Regine Dura | .... | production team | |
| John Falkiner | .... | key mountain guide | |
| John Falkiner | .... | safety team | |
| Michael Fleisher | .... | business affairs: Channel 4 International | |
| Néstor Morales Flores | .... | trekking leader: Peru | |
| Laura Franses | .... | physical production coordinator: FilmFour | |
| Paul Gardner | .... | archive researcher | |
| Rory Gregory | .... | key mountain guide | |
| Rory Gregory | .... | safety team | |
| Paul Grindey | .... | business affairs: FilmFour | |
| Brian Hall | .... | head mountain guide | |
| Nion Hazell | .... | production coordinator | |
| Andrew Hildebrand | .... | business affairs: FilmFour | |
| Vince Holden | .... | head of production finance: film council | |
| Marcelino Milla Huarac | .... | climbing support: Peru | |
| Vicky Jones | .... | business affairs: Channel 4 | |
| Jim Kerr | .... | climbing support: Alps | |
| François Marsigny | .... | climbing support: Alps | |
| Deborah McLaughlan | .... | production team | |
| Jesús Montero | .... | production team | |
| Paul Moores | .... | key mountain guide | |
| Paul Moores | .... | safety team | |
| Pelayo Milla Morales | .... | climbing support: Peru | |
| Fiona Morham | .... | head of physical production: film council | |
| Eloy Salazar Obregón | .... | climbing support: Peru | |
| Rodolfo Reyes Oropeza | .... | climbing support: Peru | |
| Emma Parsons | .... | production team | |
| James Reekie | .... | production accountant | |
| Martin Rhodes | .... | unit doctor (as Dr. Martin Rhodes) | |
| Tim Rhodes | .... | climbing support: Alps | |
| Faye Richardson | .... | production team | |
| Ollie Ryall | .... | climbing support: Alps | |
| Joe Simpson | .... | additional reconstruction | |
| Joe Simpson | .... | consultant | |
| Sally Steele | .... | film publicist | |
| Gillian Strachan | .... | production team | |
| Ulla Streib | .... | head of production: Darlow Smithson Productions | |
| Juan Sánchez | .... | climbing support: Peru | |
| Gareth Tansey | .... | title designer | |
| Harry Taylor | .... | key mountain guide | |
| Harry Taylor | .... | safety team | |
| Jorge Clemente Vargas | .... | climbing support: Peru | |
| Howard Watkins | .... | title designer | |
| John Whittle | .... | key mountain guide | |
| John Whittle | .... | safety team | |
| Marc Wolff | .... | aerial coordinator | |
| Simon Yates | .... | additional reconstruction | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
Thanks | |||
| Richard Hawking | .... | thanks | |
| Adrian Warren | .... | thanks | |
| Paul Webster | .... | thanks | |
| Marc Wolff | .... | thanks | |
| Simon Yates | .... | thanks | |
| Marc Ziegler | .... | thanks | |
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| 127 Hours | As Far As My Feet Will Carry Me | Into the Wild | The Motorcycle Diaries | The Snow Walker |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
I wish to put my cards on the table and say I am completely unable to understand why someone wants to climb up a twenty thousand foot mountain . I do confess to enjoying hill walking but only if the hills aren't very high , and only if it's a beautiful evening where I can see the golden Summer sunlight shine upon a breathtaking Scottish landscape . I have very little if any sympathy for people who decide it's a great idea to go trekking across the Scottish Highlands in the middle of January and have to use their mobile phone to call out the mountain rescue when they get lost in a blizzard . If it was up to me I'd just leave them there until Spring . This cruel attitude doesn't extend to the protagonists of TOUCHING THE VOID Joe Simpson and Simon Yates since they are very professional in their attitude but the over riding thought while watching this was - Why ? Why ? Why ?
This is the problem I had with TOUCHING THE VOID , it was rather hyped up as a docu-drama that would appeal to a mainstream audience and not just to people who are interested in mountain climbing . The trailers on Channel 4 that had been running almost non stop for two weeks were the worst culprits . Yes you can enjoy the real life man against the elements adventure but it becomes rather irritating as there's often little explanation to details . For example did Joe or Simon explain why they enjoy yomping about the Andes ? One of them mentions that having a rope tied around climbers can lead to the death of not only someone who falls but also someone who is attached to them . You've seen this happen in movies like THE EIGER SANCTION and VERTICAL LIMIT where someone falls from the rock face taking their companion to their death which always leads me to ask " Why do climbers attach ropes to themselves if that's the case ? " but this is never answered which led me to conclude that the target audience would need a basic knowledge of mountain climbing in order to enjoy TOUCHING THE VOID completely . The trailers also pointed out that this incident totally divided the mountaineering community but again there's little explanation why and we wouldn't have known this at all if a caption hadn't appeared at the end pointing this out . Very disappointingly it never goes into detail about the present day relationship between Joe and Simon . Do they still go drinking together or climb mountains as a two part team ?
Not to be too negative the docu-drama format is undoubtedly the best medium to tell this type of story , if it'd been filmed as a feature film we'd have had to put up with a couple of Hollywood hunks acting all tough and macho and spending large parts of the movie without any dialogue to explain what was going on . There is some astounding cinematography of the natural beauty of mountain landscapes ( I'm glad I have a widescreen TV ) and get ready for the most bizarre use of a Boney M pop track you will ever see
I gave TOUCHING THE VOID seven out of Ten . I might have awarded it slightly more but because Channel 4 had been shoving the trailers in our face as to how good it was I ended up being just a little disappointed by it