A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.
Joe and Lucy are roommates and best friends. Lucy, whose love life is embarrassingly dull, convinces Joe, who is infatuated with a neighbor he's never met, that if they don't have stable ... See full summary »
Sarah Jessica Parker,
In 1930, Mrs. Erlynne, who describes herself as poor and infamous, driven from New York society by jealous wives, sees a news photo of wealthy Lord Windermere and his young wife: she heads for the Amalfi Coast to be among the rich and famous for 'the season' and to snare Mr. Windermere. Gossips twitter as he spends his afternoons with her, his wife blissfully innocent as she blushingly fends off attentions from a young English nobleman, an international playboy who thinks he's in love. Mrs. Erlynne is also pursued by a worldly-wise older English nobleman. Mrs. Windermere's 20th birthday party approaches, where all plays out amid numerous amoral Wildean aphorisms. Written by
Joseph Fiennes was originally offered the role of Lord Darlington, but turned it down to play Bassanio in Michael Radford's adaptation of The Merchant of Venice (2004). See more »
The instrument being played in the band at the party is not a cornet, but a flugelhorn. In some of the musical selections, the sound heard is that of an unmuted trumpet, in others, it is that of a trumpet with a Harmon mute. The flugelhorn, as shown has an entirely different timbre. See more »
Men don't trust women. Women don't trust women. No one trusts women. It's what binds the Catholic and the Hindu.
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Hi everyone... This is my first ever review, so I'll see how it goes... I just saw this a few hours ago here at the Rio Film Festival and I have to say, it was one of the most charming films I've seen this year. Those who know Oscar Wilde's work should know that it is mostly based on dialog, and this is no different.. but most of it is so hilarious that even people who can't stand talk-based movies should have a good time. The real star of the show here is, in my opinion, Tom Wilkinson. Helen Hunt and Scarlett Johansson are both very good (as is most of the cast), but Wilkinson is so endearingly silly that you can't help but care for him more than the others. So what keeps it from being a stunner? The same thing that makes it good: it's the type of film you forget very easily. Nothing is ever too serious about the film and even though that is a pivotal thing in making it such a good time, it also makes it very easy for the film to slip out of your mind once it's over. Also, another thing I noticed (and thought was kind of weird, actually) was how uneven the cinematography was. You'd have one shot that was really beautiful and lush followed by one that seemed a little rushed, and not particularly worked on (those who have seen Barry Lyndon should notice that some shots, in my opinion, are incredibly similar, though sunnier - hopefully a reference, not a rip-off). But, by all means, go see it. It is a wonderful film to see with someone special, and should provide some very quotable one-liners once it comes out.
A romantic comedy that is as sleek as it is clever? If that's not enough reason to go to the movies, I don't know what is. Thanks for reading, bye!
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