Straight-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken with the arrival of Ella, the grandmother neither sister knew existed.
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are ... See full summary »
In 1930, Mrs. Erlynne, who describes herself as poor and infamous, driven from New York society by jealous wives, sees a news photo of wealthy Lord Windermere and his young wife: she heads for the Amalfi Coast to be among the rich and famous for 'the season' and to snare Mr. Windermere. Gossips twitter as he spends his afternoons with her, his wife blissfully innocent as she blushingly fends off attentions from a young English nobleman, an international playboy who thinks he's in love. Mrs. Erlynne is also pursued by a worldly-wise older English nobleman. Mrs. Windermere's 20th birthday party approaches, where all plays out amid numerous amoral Wildean aphorisms. Written by
The historic airliner used at the end of the film is a De Havilland Dragon Rapide biplane, built in Britain in the 1930s. This one is registration D-ILIT, and is privately owned in Germany. It is fully airworthy (as can be seen in the film) and appears at air displays etc. See more »
When the band is playing at the party, the trumpet (actually a cornet) is shown without a mute, but the soundtrack is of a muted trumpet. The tone heard is not possible otherwise. See more »
We've all got a couple of skeleton in the closet.
If they are going to rattle, they may as well dance.
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Hi everyone... This is my first ever review, so I'll see how it goes... I just saw this a few hours ago here at the Rio Film Festival and I have to say, it was one of the most charming films I've seen this year. Those who know Oscar Wilde's work should know that it is mostly based on dialog, and this is no different.. but most of it is so hilarious that even people who can't stand talk-based movies should have a good time. The real star of the show here is, in my opinion, Tom Wilkinson. Helen Hunt and Scarlett Johansson are both very good (as is most of the cast), but Wilkinson is so endearingly silly that you can't help but care for him more than the others. So what keeps it from being a stunner? The same thing that makes it good: it's the type of film you forget very easily. Nothing is ever too serious about the film and even though that is a pivotal thing in making it such a good time, it also makes it very easy for the film to slip out of your mind once it's over. Also, another thing I noticed (and thought was kind of weird, actually) was how uneven the cinematography was. You'd have one shot that was really beautiful and lush followed by one that seemed a little rushed, and not particularly worked on (those who have seen Barry Lyndon should notice that some shots, in my opinion, are incredibly similar, though sunnier - hopefully a reference, not a rip-off). But, by all means, go see it. It is a wonderful film to see with someone special, and should provide some very quotable one-liners once it comes out.
A romantic comedy that is as sleek as it is clever? If that's not enough reason to go to the movies, I don't know what is. Thanks for reading, bye!
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