| John Boorman | ... | Himself | |
| Robert De Niro | ... | (archive footage) | |
| Brian De Palma | ... | Himself | |
| Clint Eastwood | ... | (archive footage) | |
| Christopher Frayling | ... | Himself | |
| Jeremy Irons | ... | (archive footage) | |
| Sergio Leone | ... | Himself | |
| Andrea Morricone | ... | Himself | |
| Ennio Morricone | ... | Himself | |
| Gillo Pontecorvo | ... | Himself | |
| David Puttnam | ... | Himself | |
| Eli Wallach | ... | (archive footage) |
Directed by | |||
| David Thompson | |||
Writing credits(in alphabetical order) | ||
| John Kaylin | screenplay adaptation | |
Produced by | |||
| John Kaylin | .... | associate producer | |
| Livio Negri | .... | producer | |
| Michael Poole | .... | executive producer | |
Original Music by | |||
| Ennio Morricone | |||
Film Editing by | |||
| Nigel Barker | |||
Other crew | |||
| John Kaylin | .... | dubbing producer | |
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| Il suono instabile della libertà | Topsy-Turvy | The Turandot Project | Death for Five Voices | The Good Night |
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| Full cast and crew | Company credits | News articles |
| IMDb Documentary section | IMDb UK section |
A short documentary on my favorite film composer Ennio Morricone, whom most of you probably know from his ground-breaking work on Sergio Leone's trilogy of spaghetti-westerns w/Squint Eastwood.
It features the usual talking heads, peers in the industry, biographers, producers & directors, such as Brian DePalma, John Boorman, David Putnam, Gillo Pontecorvo & of course Sergio Leone.
There wasn't a great deal of new information, I did find out he used to be an arranger before he became famous for composing & that his work on A Fistful of Dollars, particularly the main theme was taken from an already existent popular Italian album he had written & arranged on which Sergio loved & actually hired him on the merit of.
Prior to A their collaboration on Fistful of Dollars, the traditional way of scoring a film would be to present the finished product of a film (rough-cut) to the composer & he would write something based on what he saw, but w/these two, Leone had the idea to have the music written first & to construct the scenes he would shoot based on the music. That alone created countless copy-cat films & spaghetti-westerns were on their way to worldwide recognition! Probably my favorite score is to The Mission, the Robert DeNiro/Jeremy Irons vehicle which should have easily won the Academy Award but didn't. Morricone was ROBBED I tell ya! This was a fun documentary, it was great seeing the film clips w/some voice-over information being given. It's really not an in depth look at he composer, but worthwhile if you get the opportunity to see it...