| Robert Carlyle | ... | Danny Devine | |
| Gary Oldman | ... | Lynch | |
| Anouska Bolton Lee | ... | French Prostitute (as Anoushka Bolton Lee) | |
| Cassandra Bell | ... | Sugar Waters | |
| John Pearson | ... | Deck Day | |
| Kevin McNally | ... | Frank Rosenheim (as Kevin R. McNally) | |
| Elena Anaya | ... | Mimi | |
| Andrew Lee Potts | ... | Abe Klein (as Andrew-Lee Potts) | |
| Iddo Goldberg | ... | Thief | |
| Julie Healy | ... | Rainbow | |
| Jimi Mistry | ... | Salvador E. Johnson | |
| Billy Zane | ... | Virgil | |
| Frances Barber | ... | S & M Prostitute | |
| Paul Courtenay Hyu | ... | Phonebooth Guy | |
| Terence Stamp | ... | Samuel Fish | |
| Sebastian Knapp | ... | Megakey Guy | |
| Karel Roden | ... | Dragan | |
| Wai-Keat Lau | ... | Hopsing | |
| Susie Amy | ... | Hostess | |
| Verena Gato | ... | Sunshine | |
| Bev Willis | ... | Moon | |
| Trevor Cooper | ... | Charlie | |
| rest of cast listed alphabetically: | |||
| Jeanie Gold | ... | Business Woman | |
| Steve Benham | ... | Passer-by (uncredited) | |
| Daniel Jude Gennis | ... | Passer By (uncredited) | |
| Selena Mars | ... | Extra (uncredited) | |
Directed by | |||
| Charley Stadler | |||
Writing credits(in alphabetical order) | ||
| Thomas Geiger | story | |
| Adam Kreutner | ||
| David Mitchell | ||
| Charley Stadler | story | |
Produced by | |||
| David Bergstein | .... | producer | |
| Matthias Deyle | .... | producer | |
| Robert How | .... | line producer | |
| Dan Maag | .... | producer | |
| Aslan Nadery | .... | executive producer | |
| Elie Samaha | .... | executive producer | |
| Volker Schauz | .... | executive producer | |
| Philip Schulz-Deyle | .... | producer | |
| Tracee Stanley | .... | co-producer | |
| Douglas Urbanski | .... | executive producer | |
Original Music by | |||
| Andrew Cato | (as Andy Cato) | ||
Cinematography by | |||
| Fraser Taggart | |||
Film Editing by | |||
| Geoff Payne | |||
Casting by | |||
| Andrea Clark | |||
Production Design by | |||
| Jean-Vincent Puzos | |||
Art Direction by | |||
| Patrick Rolfe | (supervising art director) | ||
| Fleur Whitlock | |||
Set Decoration by | |||
| Claudia Parker | |||
| Robert Wischhusen-Hayes | |||
Costume Design by | |||
| Vin Burnham | |||
Makeup Department | |||
| Kristina Harrison | .... | makeup trainee | |
| Trefor Proud | .... | key makeup artist | |
| Zoe Tahir | .... | key hair stylist | |
Production Management | |||
| Steve Harrow | .... | post-production supervisor | |
Sound Department | |||
| Helen Birtwistle | .... | sound assistant | |
| Paul Carr | .... | sound re-recording mixer | |
| Martin Cunningham | .... | sound assistant | |
| Tony Currie | .... | adr editor | |
| Tony Currie | .... | dialogue editor | |
| Matthew Desorgher | .... | boom operator | |
| Patrick Dodd | .... | supervising sound editor | |
| Tawa K. Durowoju | .... | sound assistant: second unit (as Tawa Durowoju) | |
| Richard Finney | .... | boom operator: second unit | |
| Samir Foco | .... | adr recordist | |
| Srdjan Kurpjel | .... | supervising sound editor | |
| Sandy MacRae | .... | sound mixer: second unit | |
| Chris Navarro | .... | adr recordist | |
| Pietro Paletti | .... | sound editor | |
| Mark Paterson | .... | sound re-recording mixer | |
| John Rodda | .... | sound mixer | |
| James Seddon | .... | dolby consultant | |
| Adrienne Taylor | .... | sound assistant: second unit | |
Special Effects by | |||
| Steve Benelisha | .... | senior special effects technician | |
| Neal Champion | .... | special effects supervisor | |
| Luke Marcel | .... | special effects technician | |
| Stephen Paton | .... | senior special effects technician (as Steve Paton) | |
| Nick P. Phillips | .... | senior special effects technician | |
| Ed Smith | .... | special effects supervisor (as Edward Smith) | |
| Robin Tucker | .... | special effects technician | |
Visual Effects by | |||
| Per Bergstén | .... | digital animator | |
| Sally Clayton | .... | digital film producer | |
| Lillan Gahlin | .... | digital compositor | |
| Pasi Johansson | .... | visual effects supervisor | |
| Peter Marin | .... | digital compositor | |
| Fasa Oyibo | .... | digital compositor | |
| Janak Thakker | .... | CG artist (uncredited) | |
Stunts | |||
| Gary Connery | .... | stunt double | |
| Nicholas Daines | .... | stunt double | |
| Nick Hobbs | .... | stunt driver | |
| Kai Martin | .... | stunt driver | |
| Andy Merchant | .... | stunt driver | |
| Gareth Milne | .... | stunt coordinator | |
| Seon Rogers | .... | stunt double | |
| Rocky Taylor | .... | stunt driver | |
Casting Department | |||
| Scott Buckland | .... | casting assistant | |
| Marcella Riordan | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Phylicia Beal | .... | assistant costume designer | |
| Alexa Cox | .... | wardrobe runner | |
| Louise Egan | .... | costume supervisor | |
| Marcus Love-McGuirk | .... | personal costumer | |
| Rebecca Rychlik | .... | wardrobe dresser | |
| Dan Summerville | .... | wardrobe assistant | |
Editorial Department | |||
| Jeremy Baxter | .... | post-production coordinator | |
| Russell Duce | .... | assistant editor | |
| Seamus O'Kane | .... | colorist | |
| Laurent Treherne | .... | digital intermediate supervisor | |
Music Department | |||
| Andrew Cato | .... | music producer (as Andy Cato) | |
| Zeljko Lopicic-Lepierre | .... | music editor | |
Transportation Department | |||
| Dave Williams | .... | additional truck driver | |
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| Traffic | Get Carter | Confessions of a Dangerous Mind | Kidulthood | The Quiet American |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
I must admit I quite enjoyed this film. I think it works best as an over-the-top parody of such movies as "Lock, stock..." or "Snatch". The plot makes no sense, rhyme or reason. If you're after a cohesive plot, you'd better look elsewhere. The characters are at times funny and at the same time verging on annoying (think the character played by Brad Pitt in "Snatch", only stretched to the entire cast and entire duration of the film). Absolutely no way for suspension of disbelief here. So, again, if getting immersed in an action film is your thing, look elsewhere. All in all: noisy, clumsy, over-the-top, silly, but for some unknown reason the overall experience for me was actually not so terrible.