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9 user 7 critic

Countess Dracula's Orgy of Blood (2004)

Not Rated | | Horror | Video 8 June 2004
Southern California 1897: While Dumas is in the parlor cleaning his gun, his sister Roxanne is in the bedroom being seduced by the lusty vampiress... See full synopsis »

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Cast

Cast overview, first billed only:
...
Padre Jacinto
...
Diana
...
...
Roxanne (as Kennedy Johnston)
Eyana Barsky ...
Martine
Tony Clay ...
Del Howison ...
...
Valerie
Lolana ...
Lilith
...
Anne
...
Dumas
Jason Peters ...
Mal
Marina Yaloyan ...
Natasha
Bella Diona ...
Hooker #1
Olga Hammerstein ...
Hooker #2
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Storyline

Southern California 1897: While Dumas is in the parlor cleaning his gun, his sister Roxanne is in the bedroom being seduced by the lusty vampiress... See full synopsis »

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Lust is Eternal!

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Horror

Certificate:

Not Rated | See all certifications »

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Release Date:

8 June 2004 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

Topbilled Paul Naschy barely appears more than 8 minutes of screening time throughout the whole film. See more »

Crazy Credits

Lord Ruthven character created by Dr. John Polidori from the story "Vampyre" (1819) See more »

Connections

Follows The Erotic Rites of Countess Dracula (2001) See more »

Soundtracks

If I Committed Suicide
Performed by Willow Wisp
Courtesy Future Corpse Productions
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User Reviews

Vampire women the way they ought to be
27 June 2004 | by (Los Angeles) – See all my reviews

Writer director Donald Glut is currently the last man standing in imaginative and intelligent erotic horror. His unfortunately titled "Countess Dracula's Orgy of Blood" brings expertise and reverence to the vampire genre, plus a welcome heterosexuality that has been drained (pun intended) by the likes of Ann Rice, Clive Barker, David DeCoteau, and their imitators. Unlike the horror-ignorant productions from Seduction Cinema, Troma, Playboy Films, and lesser filmmakers that exploit the vampire form for dull, formulaic T&A; or the PC feminism of "Buffy" and "Angel"; Glut's eroticism rises FROM the sub-genre's conventions. He essentially brings out the sexuality which the Universal and even Hammer films could only hint at, making it delightfully profane. To that end he is wonderfully assisted by an amazing Glori Ann-Gilbert, whose unrestrained performance as a sexually insatiable, erotically beautiful vampire hits every fantasy mark. There is also a fleeting turn by iconic Spanish Horror star Paul Naschy as a tortured monk that provides a rewarding link to the past and reflects Glut's appreciation for it. Though the movie is hampered by low-budget realities and some unnecessary intentional campiness, it's the best erotic horror film in years, and a key step in Glut's ascent to major minor filmmaker.


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