Young married couple Rob and Laura move to the peaceful, friendly town of Breastford and right away are made to feel at home by the welcoming members of the Breastford Womens Association. ... See full summary »
A house haunted by the sensual spirit of its drop-dead gorgeous, recently deceased owner becomes the setting for paranormal activity and ultra-erotic sensations that are out of this world. ... See full summary »
3000 years ago an Egyptian sorceress was buried alive for indulging forbidden pleasures of the flesh. Reincarnated in modern-day Los Angeles she is on a mission to track down the reincarnation of her ancient lost love.
Pre-credit opening sequence consists of Countess Erzabeth Bathory, making a pact with the devil in exchange for eternal youth & beauty from sacrificing young, nubile virgin women. After ... See full summary »
Fred Olen Ray
John Henry Richardson,
Writer director Donald Glut is currently the last man standing in imaginative and intelligent erotic horror. His unfortunately titled "Countess Dracula's Orgy of Blood" brings expertise and reverence to the vampire genre, plus a welcome heterosexuality that has been drained (pun intended) by the likes of Ann Rice, Clive Barker, David DeCoteau, and their imitators. Unlike the horror-ignorant productions from Seduction Cinema, Troma, Playboy Films, and lesser filmmakers that exploit the vampire form for dull, formulaic T&A; or the PC feminism of "Buffy" and "Angel"; Glut's eroticism rises FROM the sub-genre's conventions. He essentially brings out the sexuality which the Universal and even Hammer films could only hint at, making it delightfully profane. To that end he is wonderfully assisted by an amazing Glori Ann-Gilbert, whose unrestrained performance as a sexually insatiable, erotically beautiful vampire hits every fantasy mark. There is also a fleeting turn by iconic Spanish Horror star Paul Naschy as a tortured monk that provides a rewarding link to the past and reflects Glut's appreciation for it. Though the movie is hampered by low-budget realities and some unnecessary intentional campiness, it's the best erotic horror film in years, and a key step in Glut's ascent to major minor filmmaker.
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