| Photos (see all 10 | slideshow) |
| Roberto Benigni | ... | Roberto (segment "Strange to Meet You") | |
| Steven Wright | ... | Steven (segment "Strange to Meet You") | |
| Joie Lee | ... | Good Twin (segment "Twins") | |
| Cinqué Lee | ... | Evil Twin / Kitchen Guy (segment "Twins / Jack Shows Meg His Tesla Coil") | |
| Steve Buscemi | ... | Waiter (segment "Twins") | |
| Iggy Pop | ... | Iggy (segment "Somewhere in California") | |
| Tom Waits | ... | Tom (segment "Somewhere in California") | |
| Joseph Rigano | ... | Joe (segment "Those Things'll Kill Ya") (as Joe Rigano) | |
| Vinny Vella | ... | Vinny (segment "Those Things'll Kill Ya") | |
| Vinny Vella Jr. | ... | Vinny Jr. (segment "Those Things'll Kill Ya") | |
| Renee French | ... | Renée (segment "Renée") (as Renée French) | |
| E.J. Rodriguez | ... | Waiter (segment "Renée") | |
| Alex Descas | ... | Alex (segment "No Problem") | |
| Isaach De Bankolé | ... | Isaach (segment "No Problem") | |
| Cate Blanchett | ... | Cate / Shelly (segment "Cousins") | |
| Michael Hogan | ... | Waiter (segment "Cousins") | |
| Jack White | ... | Jack (segment "Jack Shows Meg His Tesla Coil") | |
| Meg White | ... | Meg (segment "Jack Shows Meg His Tesla Coil") | |
| Alfred Molina | ... | Alfred (segment "Cousins?") | |
| Steve Coogan | ... | Steve (segment "Cousins?") | |
| Katy Hansz | ... | Katy (segment "Cousins?") | |
| The GZA | ... | GZA (segment "Delirium") (as GZA) | |
| RZA | ... | RZA (segment "Delirium") | |
| Bill Murray | ... | Bill Murray (segment "Delirium") | |
| William Rice | ... | Bill (segment "Champagne") (as Bill Rice) | |
| Taylor Mead | ... | Taylor (segment "Champagne") |
Directed by | |||
| Jim Jarmusch | |||
Writing credits(in alphabetical order) | ||
| Jim Jarmusch | written by | |
Produced by | |||
| Rachel Dengiz | .... | associate producer | |
| Jason Kliot | .... | producer | |
| Demetra J. MacBride | .... | associate producer (segment "Twins") | |
| Demetra J. MacBride | .... | producer (segment "Somewhere in California") | |
| Gretchen McGowan | .... | co-producer | |
| Rudd Simmons | .... | producer (segment "Twins") | |
| Stacey E. Smith | .... | co-producer (as Stacey Smith) | |
| Jim Stark | .... | producer (segments "Twins" and "Strange To Meet You") | |
| Birgit Staudt | .... | producer (segments "Renee", "No Problem", and "Somewhere in California") | |
| Joana Vicente | .... | producer | |
Cinematography by | |||
| Tom DiCillo | (director of photography) (segment "Strange To Meet You") | ||
| Frederick Elmes | (director of photography) (segment "Somewhere in California") | ||
| Ellen Kuras | (segments "Renee" and "No Problem") | ||
| Robby Müller | (director of photography) (segment "Twins") | ||
Film Editing by | |||
| Jim Jarmusch | (segment "Somewhere in California") | ||
| Terry Katz | (segment "Somewhere in California") | ||
| Melody London | (segments "Twins" and "Strange to Meet You") | ||
| Jay Rabinowitz | |||
Production Design by | |||
| Dan Bishop | (segment "Twins") | ||
| Mark Friedberg | |||
| Tom Jarmusch | |||
Art Direction by | |||
| Laura Chariton | (segment "Somewhere in California") | ||
| Tom Jarmusch | (segments "Renee" and "No Problem") | ||
Set Decoration by | |||
| Rena DeAngelo | |||
Makeup Department | |||
| Judy Chin | .... | key hair stylist | |
| Judy Chin | .... | key makeup artist | |
| Gloria Park | .... | hair stylist (segments "Renee" and "No Problem") (as Gloria Toyun Park) | |
| Patricia Regan | .... | hair stylist | |
| Patricia Regan | .... | makeup artist | |
| Peggy Schierholz | .... | wig stylist: Cate Blanchett (as Peg Schierholz) | |
Production Management | |||
| Lisa Diamond | .... | production manager | |
| Kathie Hersch | .... | production manager (segments "Twins" and "Strange To Meet You") | |
| Laura Marks | .... | production manager (segment "Somewhere in California") | |
| Gretchen McGowan | .... | post-production supervisor | |
Art Department | |||
| JoAnn Atwood | .... | set dresser (as Joann Atwood) | |
| Anthony Baldasare | .... | set dresser | |
| Ted Benjamin | .... | set dresser | |
| Jeff Butcher | .... | property master | |
| Cheyanne M. Casey | .... | art department production assistant | |
| Addison Cook | .... | swing | |
| Peter Donohue | .... | construction grip | |
| Janet Kalas | .... | scenic artist | |
| Robin Koenig | .... | set dresser | |
| Keri Lederman | .... | set dresser (as Keri Lynn Lederman) | |
| Frances Lefkowitz | .... | art assistant (segments "Renee" and "No Problem") | |
| Cathryn Mazer | .... | key art production assistant | |
| Don Nace | .... | scenic artist | |
| Scott Rosenstock | .... | set dresser | |
| Jamie Vermilye | .... | art production assistant | |
| Ron Waters | .... | construction grip (as Ronald Waters) | |
| Andrea White | .... | art intern | |
Sound Department | |||
| Gina Alfano | .... | sound editor (segment "Twins") | |
| Jeanne Atkin | .... | apprentice sound editor (segment "Twins") | |
| Stephen Balliet | .... | sound mixer (segment "Somewhere in California") (as Steve Balliet) | |
| Anthony J. Ciccolini III | .... | dialogue editor: feature version (as Chic Ciccolini III) | |
| Anthony J. Ciccolini III | .... | supervising sound editor: feature version (as Chic Ciccolini III) | |
| Dana Congdon | .... | assistant sound editor (segment "Strange To Meet You") | |
| Rick Dior | .... | sound re-recording mixer (segment "Twins") | |
| Jeanne Gilliland | .... | boom operator (segments "Renee" and "No Problem") | |
| Robert Hein | .... | sound re-recording mixer (segment "Twins") | |
| Frank Kern | .... | sound editor (segment "Twins") | |
| Lori Kornspun | .... | assistant sound editor (segment "Twins") | |
| Drew Kunin | .... | sound mixer (segment "Twins") | |
| George Leong | .... | boom operator | |
| Katherine Gordon Miller | .... | assistant sound editor: feature version (as Katherine Miller) | |
| Douglas Murray | .... | foley walker | |
| Daniel Pagan | .... | foley editor | |
| Daniel Pagan | .... | sound effects editor | |
| Jeff Pullman | .... | boom operator (segment "Strange To Meet You") | |
| Jeff Pullman | .... | sound mixer (segments "Renee" and "No Problem") | |
| Paul Sacco | .... | stereo sound consultant: Dolby (feature version) | |
| William Sarokin | .... | sound mixer (segments 'Strange to Meet You', 'Jack Shows Meg his Tesla Coil', 'Those Things'll Kill Ya', 'Cousins', 'Delirium') | |
| Tony Volante | .... | sound re-recording mixer: feature version | |
| Peter Waggoner | .... | sound re-recording mixer (segments "Somewhere in California" and "Strange To Meet You") | |
| Colin Weeks | .... | assistant sound re-recording mixer: feature version | |
| Paul Zeller | .... | sound editor (segment "Strange To Meet You") | |
Special Effects by | |||
| Peter Kunz | .... | Tesla coil wrangler | |
Visual Effects by | |||
| Steve Blakely | .... | film operations | |
| Luke Dumaguing | .... | mti enhancement | |
| Lloyd Forcellini | .... | digital mastering supervisor | |
| Markus Janner | .... | digital effects supervisor | |
| Joe Monge | .... | digital video manager | |
| Major Reinhardt | .... | mti enhancement | |
| Jennifer Russomanno | .... | visual effects artist | |
| Keith Yurevitz | .... | visual effects artist | |
Camera and Electrical Department | |||
| Bill Almeida | .... | best boy electric | |
| Aaron Kleinman | .... | third electrician (segments "Renee" and "No Problem") | |
| David Leibowitz | .... | playback operator | |
| Dennis A. Livesey | .... | first assistant camera (as Dennis Livesey) | |
| Chris Lombardi | .... | assistant camera (segment "Twins") (as Cris Lombardi) | |
| Brandon Lortz | .... | grip assistant (segment "Somewhere in California") | |
| Jonathan Lumley | .... | gaffer | |
| Gary Martone | .... | key grip | |
| Christopher Porter | .... | gaffer (segment "Twins") | |
| Cornelius Schultze-Kraft | .... | camera loader (segments "Renee" and "No Problem") | |
| Randy Schwartz | .... | camera intern | |
| Chris Thomas | .... | best boy | |
| Chris Thomas | .... | grip | |
Costume and Wardrobe Department | |||
| Catherine George | .... | wardrobe supervisor: Cate Blanchett | |
| Jessica Pastor | .... | costumes: Cate Blanchett | |
| Jullian Rubinger | .... | costumes: Cate Blanchett (as Gillian Rubinger) | |
Editorial Department | |||
| Tom Foligno | .... | assistant editor | |
| David Pultz | .... | color timer | |
| John Rehberger | .... | on-line editor | |
| Jane Tolmachyov | .... | digital colorist: feature version | |
Music Department | |||
| Tracy McKnight | .... | music consultant | |
| Jay Rabinowitz | .... | music editor: feature version | |
Transportation Department | |||
| Aaron Kleinman | .... | driver (segments "Renee" and "No Problem") | |
Other crew | |||
| Allison Brandin | .... | production assistant (segment "Strange To Meet You") | |
| Aaron Brookner | .... | production assistant | |
| Scott Challgren | .... | legal assistant | |
| Rachel Dengiz | .... | post-production accountant | |
| Christina Fontana | .... | key set production assistant | |
| Andrew Harper | .... | parking/security assistant | |
| Claude Isbell | .... | assistant location manager | |
| Hollis McConnell Jones | .... | body double: Cate Blanchett | |
| Chiemi Karasawa | .... | script supervisor | |
| Lilli Lavine | .... | photo double: artist | |
| Sara Lichterman | .... | assistant: J. Vicente and J. Kliot | |
| Ruth Mankin | .... | assistant: Tom Waits (segment "Somewhere in California") | |
| Harris Smith | .... | production assistant | |
| Allan Stearns | .... | catering: Coast to Coast (as Allan Sterns) | |
| Lauryn Siegel | .... | production office coordinator (uncredited) | |
Thanks | |||
| Ol' Dirty Bastard | .... | special thanks | |
| Otis Blackwell | .... | respects | |
| Art Collins | .... | personal thanks | |
| Chris Fedak | .... | special thanks: Academy Film Archive | |
| Ghostface Killah | .... | special thanks | |
| Alysia Oakley | .... | special thanks | |
| Jesse Garon Presley | .... | respects | |
| Angela Rambourg | .... | special thanks | |
| Chris Rich | .... | special thanks | |
| Tory Tunnell | .... | special thanks | |
| Antony Zito | .... | special thanks | |
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| Body Double | Till We Meet Again | Night on Earth | Le battement d'ailes du papillon | Man on the Moon |
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I loved this movie. Okay, I loved about 75% of it. But I'm glad I saw all of it. I don't smoke, I only drink coffee when it's dressed up in a frilly disguise, and I didn't recognize everyone in the film, nor did I much care about that. I didn't recognize the writer/director's name, though I really enjoyed Night on Earth and Dead Man, and now I know his name. It was just so good to see this parade of tense interaction, waiting on or predicting what would come next. I loved how some of the moments in the first vignette were mimicked in a later one by an entirely "different" set of people.
I loved the stark interruptions of uncomfortableness, loved watching all the people pour their coffee or tea, loved the hilarious facial expressions of Molina and Coogan--it seemed to me they were portraying the two most extreme British stereotypes interacting with each other, and it was clearly fun for them.
I enjoyed the cheap, gritty sets, the introductions and goodbyes. I am not sure who the movie would best play for; as I sat and thought about who to share it with, only members of my own family came to mind. We're all a bit quirky, so the best way I can put it is that maybe if you like the "mockumentaries" of Christopher Guest, but can appreciate an even darker twist, you'll have a laugh at this.
The boring parts were the shortest, and the vignettes I liked best were so much fun it was worth the whole picture to see them.