As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
Eleven separate vignettes are presented. In each, celebrities, playing semi-fictionalized versions of themselves (with the exception of the characters of various wait staff, and one actor playing a lookalike cousin of herself), meet in a food service establishment with coffee/tea and cigarettes involved. Beyond the topic of discussion that brought them together, they often talk directly about coffee and cigarettes, more often that coffee and cigarettes, and by association caffeine and nicotine, are not healthy, especially if they are the only things constituting lunch. Other recurring themes include the Lee family, cousinhood, celebrity worship, the connection between the medical and musical careers, and Nikola Tesla's belief that the Earth is a conductor of acoustic resonance. In all cases, the coming together for coffee/tea and smokes acts as a bridge to overcome disagreements, and/or makes uncomfortable situations less uncomfortable. Written by
Due to the structure of the film (11 separate vignettes), each cast member appears on screen for a short time. Coincidentally, many of the film's actors are well known for making cameo appearances. Bill Murray and Steve Buscemi are notable examples of this trend. See more »
When Bill Murray is joining RZA and The GZA at the table, he is holding the coffee pot in his hand, but after the cut the pot is standing on the table. See more »
Doc, what could I do for this cough?
Shit, I was just thinking about that. Check this out: you get some hydrogen peroxide...
We got that for cuts and stuff.
...take fifty percent hydrogen peroxide, fifty percent water. You gargle with it. Do *not* swallow. You spit it out. Don't swallow, Bill Murray.
And if that doesn't work, try oven cleaner.
We got that in the back, too.
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Written by Eric "Monty" Morris, Coxsone Dodd
Performed by Eric "Monty" Morris
Jamrec Music/Happy Valley Music, Ltd. (BMI)
Courtesy of Jamaica Recording and Publishing Studio, Ltd. See more »
This movie is better than the first reviewer claims. The context of the movie is definitely social, but the humor is only superficially based on the character's real-life celebrity. True, the background music is interesting if you are a film buff. But, take my advice, watch this movies after a couple drinks, at a social gathering, to really enjoy it. The humor is better than in most full length feature comedies. I laughed loud and hard and had a lot of fun when I caught this at the university of Chicago's student movie theater.
the real interest in this film is the social awkwardness created when people meet under false pretense or forced circumstance, versus the natural comfort that is obvious between longtime friends who enjoy each others company.. The gestures and facial expressions by these great actors more than make up for the weaknesses of the film. The brother/sister pairs show boredom and typical familial nit-picking. Iggy and Tom waits are brilliant. buschemi is a little misplaced in the scene where he shows up. my 2 favorite scenes, that i feel show the real genius of jarmusch, are 1.) the moment when molina's gestures have revealed that he is not, as indicated in the first review, a sycophant, but simply an honest and interested human being who is higher up in the scheme of things than the pretentious jerk he tries to befriend; and 2.)the scene where the old guy falls asleep and the camera zooms in on him for a moment, revealing a great moment of humanity.
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