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Coffee and Cigarettes (2003)

 -  Comedy | Drama | Music  -  12 March 2004 (Italy)
7.0
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Ratings: 7.0/10 from 40,151 users   Metascore: 65/100
Reviews: 163 user | 155 critic | 35 from Metacritic.com

A series of vignettes that all have coffee and cigarettes in common.

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Title: Coffee and Cigarettes (2003)

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Stars: Roberto Benigni, Steven Wright
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Cast

Cast overview, first billed only:
...
Roberto (segment "Strange to Meet You")
...
Steven (segment "Strange to Meet You")
...
Cinqué Lee ...
Evil Twin / Kitchen Guy (segment "Twins / Jack Shows Meg His Tesla Coil")
...
Waiter (segment "Twins")
...
...
Tom (segment "Somewhere in California")
Joseph Rigano ...
Joe (segment "Those Things'll Kill Ya") (as Joe Rigano)
Vinny Vella ...
Vinny (segment "Those Things'll Kill Ya")
Vinny Vella Jr. ...
Vinny Jr. (segment "Those Things'll Kill Ya")
Renee French ...
Renée (segment "Renée") (as Renée French)
E.J. Rodriguez ...
Waiter (segment "Renée")
Alex Descas ...
Alex (segment "No Problem")
...
Isaach (segment "No Problem")
...
Cate / Shelly (segment "Cousins")
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Storyline

A comic series of short vignettes built on one another to create a cumulative effect, as the characters discuss things as diverse as caffeine popsicles, Paris in the '20s, and the use of nicotine as an insecticide--all the while sitting around sipping coffee and smoking cigarettes. As director Jim Jarmusch delves into the normal pace of our world from an extraordinary angle, he shows just how absorbing the obsessions, joys and addictions of life can be, if truly observed. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Country:

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Language:

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Release Date:

12 March 2004 (Italy)  »

Also Known As:

Café e Cigarros  »

Box Office

Opening Weekend:

$99,162 (USA) (14 May 2004)

Gross:

$1,971,135 (USA) (16 July 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the "Those Things'll Kill Ya" there is, hanging on the wall, a picture of Henry Silva, famous for his portrayals of gangsters and evil characters. Silva played a mob boss in Jarmusch's Ghost Dog: The Way of the Samurai (1999). See more »

Goofs

When toasting in the Champagne sequence, the cup of Taylor Mead changes hands. See more »

Quotes

Taylor: [Taylor is pretending the coffee he and Bill are drinking is champagne] I propose a toast.
Bill: So what should we toast?
Taylor: Oh, god... Paris, in the 1920's. Josephine Baker, the Moulin Rouge. Q'est-ce que c'est...
[mutters, trails off]
Bill: And also, New York, in the 70's. The late 70's.
Taylor: Really? Oh, alright.
Bill: [they touch cups] Cheers.
Taylor: Cheers.
[they sip their coffee]
Bill: Mmm. Délicieux, isn't it?
[...]
See more »

Crazy Credits

Tesla Coil Wrangler ... Peter Kunz See more »

Connections

References The Heckle and Jeckle Show (1956) See more »

Soundtracks

Down on the Street
Written by Iggy Pop (as J. Osterberg) / Ron Asheton (as R. Asheton) / Scott Asheton (as S. Asheton) / David Alexander (as D. Alexander)
Performed by The Stooges
Published by Warner Tamerlane Publishing Corp. (BMI) o/b/o itself and Stooge-Staffel Music/Bug Music (BMI)
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
See more »

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User Reviews

 
Breezy absurdist comedy
11 February 2005 | by (Singapore) – See all my reviews

--Mild spoilers--

I haven't seen a single Jarmusch before this and have no knowledge or his style whatsoever, nor have I smoked a cigarette while drinking coffee, but I enjoyed this film immensely.

It doesn't purport to speak of grandiose themes and epic emotions, nor does it go out of its way to be deliberately offbeat and quirky; the audience has no emotional attachment to the characters and there is no plot in most of the vignettes. So what puts this film above all the pretentiously shot black-and-white art-house crap that is slugged out every year? For one thing, it is really funny. From its expressionistic colors to the dialog that proudly smacks of absurdist humor, this film is like a breeze of cool air, utterly enjoyable from the first reel to the last that does not cloy on to the heart, but is very unforgettable.

Ultimately, its unobtrusive absurdist humor, which provokes chuckles instead of heartily laughs, serves to prove the Pinter-esquire themes of the futility of communication. We get a sense that the characters are isolated and desperately trying to touch each other through their speech but ultimately failing to do so; and yet, through their manic speech patterns and delirious pauses, what is unsaid speaks more than what is said itself. While this unconventional style of humor is often difficult to pull off as it might fast become monotonous (as evident in a recent stage production of The Caretaker that I saw), Jarmusch's deft direction with his actors (from their gestures to the way they hold their coffee cups) pushes forth the humor and carries it on steadily throughout the entire film.

It is hard to say much about a film who has nothing much to say. As in my favorite segment, 'No Problem', the one with the two French black guys, their dialog only serves to underscore the meaningless and nothingness of communication. What is scary about it is that it is so accurate, that these type of conversations, however ridiculous and absurd when portrayed on screen, often typifies our daily conversations. It depresses me sometimes that human communication can be easily reduced to all these, and this film makes the point entirely clear.

So it definitely comes as a relief, that as a conclusion, the relatively more heart-warming vignette with the two old guys (Champagne) was chosen. Not only does it touches lightly on the recurring 'acoustic resonance' theme, it also hints that we may in fact touch each other, through common music or through a common idea. And it just happens that that common song was 'I have Lost Track of the World' by Gustav Mahler, an amazing piece by an amazing composer that I have just recently began to love, a delightful moment which shows that although we are as disconnected at the different vignettes in the movie, it is comforting to know that we are still united in some weird cosmic way, like this forum here. And like the two old guys, after our coffee and cigarette break in which we step into an odd world that is not really unfamiliar, we would have to step back in to the real world again. But it doesn't hurt to have a little nap in between and pretend bad coffee is champagne.


55 of 72 people found this review helpful.  Was this review helpful to you?

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