As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
Eleven separate vignettes are presented. In each, celebrities, playing semi-fictionalized versions of themselves (with the exception of the characters of various wait staff, and one actor playing a lookalike cousin of herself), meet in a food service establishment with coffee/tea and cigarettes involved. Beyond the topic of discussion that brought them together, they often talk directly about coffee and cigarettes, more often that coffee and cigarettes, and by association caffeine and nicotine, are not healthy, especially if they are the only things constituting lunch. Other recurring themes include the Lee family, cousinhood, celebrity worship, the connection between the medical and musical careers, and Nikola Tesla's belief that the Earth is a conductor of acoustic resonance. In all cases, the coming together for coffee/tea and smokes acts as a bridge to overcome disagreements, and/or makes uncomfortable situations less uncomfortable. Written by
Jim Jarmusch usually took no more than two to three takes for each scene in this film, in which most actors improvised parts of the conversation. See more »
When Bill Murray makes his entrance in the segment "Delirium," he takes a drink out of the coffee pot he is holding. In the close up, Murray is holding the pot in his left hand. In the following wide shot, the pot switches to his right hand. See more »
You really are a fuckin' moron, you know that? I'm gonna call up the big tobacco companies and thank them for burying you!
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Streets of Gold
Written by Clement Dodd
Performed by Roland Alphonso and the Soul Vendors
Jamrec Music/Happy Valley Music, Ltd. (BMI)
Courtesy of Jamaica Recording and Publishing Studio, Ltd. See more »
I loved this movie. Okay, I loved about 75% of it. But I'm glad I saw all of it. I don't smoke, I only drink coffee when it's dressed up in a frilly disguise, and I didn't recognize everyone in the film, nor did I much care about that. I didn't recognize the writer/director's name, though I really enjoyed Night on Earth and Dead Man, and now I know his name. It was just so good to see this parade of tense interaction, waiting on or predicting what would come next. I loved how some of the moments in the first vignette were mimicked in a later one by an entirely "different" set of people.
I loved the stark interruptions of uncomfortableness, loved watching all the people pour their coffee or tea, loved the hilarious facial expressions of Molina and Coogan--it seemed to me they were portraying the two most extreme British stereotypes interacting with each other, and it was clearly fun for them.
I enjoyed the cheap, gritty sets, the introductions and goodbyes. I am not sure who the movie would best play for; as I sat and thought about who to share it with, only members of my own family came to mind. We're all a bit quirky, so the best way I can put it is that maybe if you like the "mockumentaries" of Christopher Guest, but can appreciate an even darker twist, you'll have a laugh at this.
The boring parts were the shortest, and the vignettes I liked best were so much fun it was worth the whole picture to see them.
45 of 62 people found this review helpful.
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