Coffee and Cigarettes (2003)

A series of vignettes that all have coffee and cigarettes in common.

Director:

Jim Jarmusch

Writer:

Jim Jarmusch

Stars:

Bill Murray, Tom Waits, Roberto Benigni

2 wins & 9 nominations.

Cast

Cast overview, first billed only:
Roberto Benigni	...	Roberto (segment "Strange to Meet You")
Steven Wright	...	Steven (segment "Strange to Meet You")
Joie Lee	...	Good Twin (segment "Twins")
Cinqué Lee	...	Evil Twin / Kitchen Guy (segment "Twins / Jack Shows Meg His Tesla Coil")
Steve Buscemi	...	Danny (segment "Twins")
Iggy Pop	...	Iggy (segment "Somewhere in California")
Tom Waits	...	Tom (segment "Somewhere in California")
Joseph Rigano	...	Joe (segment "Those Things'll Kill Ya") (as Joe Rigano)
Vinny Vella	...	Vinny (segment "Those Things'll Kill Ya")
Vinny Vella Jr.	...	Vinny Jr. (segment "Those Things'll Kill Ya")
Renee French	...	Renée (segment "Renée") (as Renée French)
E.J. Rodriguez	...	Waiter (segment "Renée")
Alex Descas	...	Alex (segment "No Problem")
Isaach De Bankolé	...	Isaach (segment "No Problem")
Cate Blanchett	...	Cate / Shelly (segment "Cousins")

Storyline

Eleven separate vignettes are presented. In each, celebrities, playing semi-fictionalized versions of themselves (with the exception of the characters of various wait staff, and one actor playing a lookalike cousin of herself), meet in a food service establishment with coffee/tea and cigarettes involved. Beyond the topic of discussion that brought them together, they often talk directly about coffee and cigarettes, more often that coffee and cigarettes, and by association caffeine and nicotine, are not healthy, especially if they are the only things constituting lunch. Other recurring themes include the Lee family, cousinhood, celebrity worship, the connection between the medical and musical careers, and Nikola Tesla's belief that the Earth is a conductor of acoustic resonance. In all cases, the coming together for coffee/tea and smokes acts as a bridge to overcome disagreements, and/or makes uncomfortable situations less uncomfortable.

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Plot Keywords:

drink in title | vignette | coffee | popsicle | addiction | 

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Genres:

Comedy | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for language

Details

Official Sites:

Official site [France] Official site [United States]

Country:

USA Japan Italy

Language:

English French

Release Date:

11 June 2004 (USA)

Also Known As:

Café e Cigarros

Box Office

Opening Weekend:

€72,167 (Italy) (14 March 2004)

Gross:

$1,971,135 (USA) (18 July 2004)

Company Credits

Production Co:

Asmik Ace Entertainment, BIM Distribuzione, Smokescreen Inc.

Technical Specs

Runtime:

95 min

Sound Mix:

Dolby Digital DTS

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In the "Those Things'll Kill Ya" there is, hanging on the wall, a picture of Henry Silva, famous for his portrayals of gangsters and evil characters. Silva played a mob boss in Jarmusch's Ghost Dog, la voie du samouraï (1999).

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Goofs

The page showing in Renee French's weapon magazine varies between shots, even when she isn't turning the pages.

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Quotes

Jack: Well, Nikola Tesla invented fluorescent light. Without him we wouldn't have alternating current, radio, television... x-ray technology... induction motors, particle beams, lasers; none of that would even exist if it weren't for him.
Meg: [sarcastically] Hmm, or the rock band Tesla.
Jack: [visibly dispirited] Funny.

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Crazy Credits

The credits end with a list of the historical, scientific, musical, and cinema-related figures that are mentioned or referenced throughout the film: "RESPECT TO: Nikola Tesla, Otis Blackwell, Junior Parker, Elvis Presley, Jesse Garon Presley, Lee Marvin, Henry Silva, Giant Robo, Heckle & Jeckle, Abbott & Costello, Vivienne Westwood, Spike Jonze, Spike Lee, Sam Mendes, PT Anderson, Michael Winterbottom, Harold Ramis, Gary Goldberg, Ghostface Killa, Old Dirty Bastard and the rock band Tesla...in a way..." After this list it closes with the memorial: "LONG LIVE JOE STRUMMER!"

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Connections

References Boogie Nights (1997)

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Soundtracks

Saw Sage
Written by Tom Waits (as T. Waits) / R. Waters / D. Devore / Tom Nunn (as T. Nunn) / B. Hopkin
Performed by C-SIDE / Tom Waits
Published by Gatmo
Courtesy of Gatmo Records

User Reviews

Breezy absurdist comedy

--Mild spoilers--

I haven't seen a single Jarmusch before this and have no knowledge or his style whatsoever, nor have I smoked a cigarette while drinking coffee, but I enjoyed this film immensely.

It doesn't purport to speak of grandiose themes and epic emotions, nor does it go out of its way to be deliberately offbeat and quirky; the audience has no emotional attachment to the characters and there is no plot in most of the vignettes. So what puts this film above all the pretentiously shot black-and-white art-house crap that is slugged out every year? For one thing, it is really funny. From its expressionistic colors to the dialog that proudly smacks of absurdist humor, this film is like a breeze of cool air, utterly enjoyable from the first reel to the last that does not cloy on to the heart, but is very unforgettable.

Ultimately, its unobtrusive absurdist humor, which provokes chuckles instead of heartily laughs, serves to prove the Pinter-esquire themes of the futility of communication. We get a sense that the characters are isolated and desperately trying to touch each other through their speech but ultimately failing to do so; and yet, through their manic speech patterns and delirious pauses, what is unsaid speaks more than what is said itself. While this unconventional style of humor is often difficult to pull off as it might fast become monotonous (as evident in a recent stage production of The Caretaker that I saw), Jarmusch's deft direction with his actors (from their gestures to the way they hold their coffee cups) pushes forth the humor and carries it on steadily throughout the entire film.

It is hard to say much about a film who has nothing much to say. As in my favorite segment, 'No Problem', the one with the two French black guys, their dialog only serves to underscore the meaningless and nothingness of communication. What is scary about it is that it is so accurate, that these type of conversations, however ridiculous and absurd when portrayed on screen, often typifies our daily conversations. It depresses me sometimes that human communication can be easily reduced to all these, and this film makes the point entirely clear.

So it definitely comes as a relief, that as a conclusion, the relatively more heart-warming vignette with the two old guys (Champagne) was chosen. Not only does it touches lightly on the recurring 'acoustic resonance' theme, it also hints that we may in fact touch each other, through common music or through a common idea. And it just happens that that common song was 'I have Lost Track of the World' by Gustav Mahler, an amazing piece by an amazing composer that I have just recently began to love, a delightful moment which shows that although we are as disconnected at the different vignettes in the movie, it is comforting to know that we are still united in some weird cosmic way, like this forum here. And like the two old guys, after our coffee and cigarette break in which we step into an odd world that is not really unfamiliar, we would have to step back in to the real world again. But it doesn't hurt to have a little nap in between and pretend bad coffee is champagne.