As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
A brother and sister, sitting in a coffee bar, bicker mildly about whose idea it was to come to Memphis and which kind of cigarette is fresher. Danny, their waiter, comes by offering ... See full summary »
Eleven separate vignettes are presented. In each, celebrities, playing semi-fictionalized versions of themselves (with the exception of the characters of various wait staff, and one actor playing a lookalike cousin of herself), meet in a food service establishment with coffee/tea and cigarettes involved. Beyond the topic of discussion that brought them together, they often talk directly about coffee and cigarettes, more often that coffee and cigarettes, and by association caffeine and nicotine, are not healthy, especially if they are the only things constituting lunch. Other recurring themes include the Lee family, cousinhood, celebrity worship, the connection between the medical and musical careers, and Nikola Tesla's belief that the Earth is a conductor of acoustic resonance. In all cases, the coming together for coffee/tea and smokes acts as a bridge to overcome disagreements, and/or makes uncomfortable situations less uncomfortable. Written by
The page showing in Renee French's weapon magazine varies between shots, even when she isn't turning the pages. See more »
I've not given my number out to many eminent people in the past. I've not given my number out to Sam Mendes, so you're in good company.
Well, if it's good enough for Sam Mendes it's good enough for me.
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The credits end with a list of the historical, scientific, musical, and cinema-related figures that are mentioned or referenced throughout the film: "RESPECT TO: Nikola Tesla, Otis Blackwell, Junior Parker, Elvis Presley, Jesse Garon Presley, Lee Marvin, Henry Silva, Giant Robo, Heckle & Jeckle, Abbott & Costello, Vivienne Westwood, Spike Jonze, Spike Lee, Sam Mendes, PT Anderson, Michael Winterbottom, Harold Ramis, Gary Goldberg, Ghostface Killa, Old Dirty Bastard and the rock band Tesla...in a way..." After this list it closes with the memorial: "LONG LIVE JOE STRUMMER!" See more »
I loved this movie. Okay, I loved about 75% of it. But I'm glad I saw all of it. I don't smoke, I only drink coffee when it's dressed up in a frilly disguise, and I didn't recognize everyone in the film, nor did I much care about that. I didn't recognize the writer/director's name, though I really enjoyed Night on Earth and Dead Man, and now I know his name. It was just so good to see this parade of tense interaction, waiting on or predicting what would come next. I loved how some of the moments in the first vignette were mimicked in a later one by an entirely "different" set of people.
I loved the stark interruptions of uncomfortableness, loved watching all the people pour their coffee or tea, loved the hilarious facial expressions of Molina and Coogan--it seemed to me they were portraying the two most extreme British stereotypes interacting with each other, and it was clearly fun for them.
I enjoyed the cheap, gritty sets, the introductions and goodbyes. I am not sure who the movie would best play for; as I sat and thought about who to share it with, only members of my own family came to mind. We're all a bit quirky, so the best way I can put it is that maybe if you like the "mockumentaries" of Christopher Guest, but can appreciate an even darker twist, you'll have a laugh at this.
The boring parts were the shortest, and the vignettes I liked best were so much fun it was worth the whole picture to see them.
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