Eva Mozes Kor, who survived Josef Mengele's cruel twin experiments in the Auschwitz concentration camp, shocks other Holocaust survivors when she decides to forgive the perpetrators as a way of self-healing.
Awaiting their inevitable deaths at one of the worst concentration camps, a group of Jews make a rabbinical court to decide whether God has gone against the Holy Covenant and if He is the one guilty for their suffering.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
Of recent historical events, few events have been so searing, and thus so difficult to depict faithfully both in nature and scope in film, than the Holocaust perpetrated by the Nazis. This film tells the story of Hollywood's approach to the subject, starting with its initial pre-war reluctance to alienate the lucrative German market. With World War II, and the discovery of the Nazi horrors, we follow Hollywood's reaction over the decades to the atrocity. Challenged with a tragedy that beggared the imagination of artists and audiences, Hollywood grew from trying to keep it in the abstract to striving to depict it head-on in ways that would be both truthful and respectful with the proper humanity. Written by
Kenneth Chisholm (email@example.com)
For over a half a century Hollywood films have dealt with Nazism and the Holocaust in complex and often contradictory ways. Marked by outrage and indifference, compassion and ignorance, the need to understand and the desire to forget. And yet while this most horrific chapter in modern world history happened far from America's shores, it has been American movies, perhaps more than any other medium, that have shaped how we understand and remember these events.
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This documentary goes over the history of the Holocaust on film from 1940 up through today (2004). What I found most interesting is how they actually started with the presentation of Nazis on film, and not the Holocaust in particular. The point being that aside from "Great Dictator" and "Mortal Storm", many films of the war era were not at all critical of the Nazi regime... in fact, they were almost pleasant.
What I next found interesting was the reluctance to use he word "Jew" in a movie. Anne Frank was a Jewish girl who died in the Holocaust. Yet, apparently, the first film version of Frank's story goes out of the way not to mention why her family is being persecuted because they felt that non-Jews would not be able to identify with the events.
Interestingly, Steven Spielberg says that not many films have been made about the Holocaust. I would say that all depends on how you define "not many". There have been hundreds, starting with a slow trickle (5) in the 1940s and up to dozens a year since the 1970s...
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