A film about an unfinished film which portrays the people behind and before the camera in the Warsaw Ghetto, exposing the extent of the cinematic manipulation forever changing the way we look at historic images.
Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film ... See full summary »
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Of recent historical events, few events have been so searing, and thus so difficult to depict faithfully both in nature and scope in film, than the Holocaust perpetrated by the Nazis. This film tells the story of Hollywood's approach to the subject, starting with its initial pre-war reluctance to alienate the lucrative German market. With World War II, and the discovery of the Nazi horrors, we follow Hollywood's reaction over the decades to the atrocity. Challenged with a tragedy that beggared the imagination of artists and audiences, Hollywood grew from trying to keep it in the abstract to striving to depict it head-on in ways that would be both truthful and respectful with the proper humanity. Written by
Kenneth Chisholm (firstname.lastname@example.org)
For over a half a century Hollywood films have dealt with Nazism and the Holocaust in complex and often contradictory ways. Marked by outrage and indifference, compassion and ignorance, the need to understand and the desire to forget. And yet while this most horrific chapter in modern world history happened far from America's shores, it has been American movies, perhaps more than any other medium, that have shaped how we understand and remember these events.
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A great review of what Hollywood needed to do -and whatnot- to expose Nazi Germany's intentions... It is a well-documented film with great interviews and original footage to prove that cinema can be used for either wrong or right purposes... This one, it is for the right mission: illustrate how coward was US witnessing what Hitler was doing against the Judaism... Nevermore, please! And even though some raw footage is missing when US troops discovered the death camps, the narration accomplished the feelings of those who watched back then... Hopefully Michael Moore sees this documentary to make him to shift their style of film documenting, where serious stuff can be covered straight forward, without all the comic gimmicks he used to abuse them on his films...
16 of 26 people found this review helpful.
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