IMDb > Tout le plaisir est pour moi (2004)

Tout le plaisir est pour moi (2004) More at IMDbPro »


Overview

User Rating:
5.3/10   314 votes
MOVIEmeter: ?

Down 3% in popularity this week. See why on IMDbPro.

Director:

Isabelle Broué

Writers:

Isabelle Broué (writer)
Caroline Thivel (writer)
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Contact:

View company contact information for The Pleasure Is All Mine on IMDbPro.

Release Date:

18 August 2004 (Belgium) more

Genre:

Comedy | Drama | Romance more

Plot:

A beautiful, self-centered young woman's life turns upside down when she suddenly "loses her clitoris" (i.e. her ability to have an orgasm). | add synopsis

User Comments:

Not enough pleasure for the viewer more (2 total)


Cast

  (Cast overview, first billed only)

Marie Gillain ... Louise
Julien Boisselier ... François
Garance Clavel ... Félicie
Brigitte Roüan ... Nicole
Tsilla Chelton ... Gaby
Lionel Abelanski ... Oscar
Idit Cebula ... Judith
François Marthouret ... Gérard
Agathe Teyssier ... Suzanne
Patrick Catalifo ... Paul

Laurent Bateau ... Thomas
Catherine Ferran ... La gynécologue
Philippe Duclos ... Le sexologue
Emilie Lafarge ... Annie

Aurélien Wiik ... Raoul
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Additional Details

Also Known As:

The Pleasure Is All Mine (International: English title)
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Runtime:

France:82 min | Argentina:82 min

Country:

France

Language:

French

Color:

Color

Certification:

Germany:12 | Brazil:16 | Argentina:18 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Finland:K-11

Company:

Elzévir Films more


FAQ

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8 out of 8 people found the following comment useful.
Not enough pleasure for the viewer, 9 October 2005
Author: kinsayder from United Kingdom

After lecturing her sister on the evils of fake orgasms, Louise, a self-obsessed twenty-something, gets her come-uppance the next morning when she discovers that she has "lost her clitoris", a misfortune she doesn't hesitate to communicate, loudly and explicitly, to anyone who'll listen.

It's a shame that so many of the characters and situations in this movie, from the gay best-friend to the sex guru with his herbs to the celibate neighbour to the old ladies discussing orgasms, feel like a parade of comedy stereotypes. The falseness and banality of these sketch-like scenes conflict awkwardly with the pseudo-documentary discussions of female sexuality that the director inserts with great earnestness throughout the film.

The film's saving grace is Marie Gillain, who pulls off the near-impossible task of making the infuriating, egotistical Louise both watchable and sympathetic.

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