| Videos (see all 2) |
Directed by | |||
| Mathias Dinter | |||
Writing credits(in alphabetical order) | ||
| Mathias Dinter | ||
Produced by | |||
| Marion Dany | .... | executive producer | |
| Mischa Hofmann | .... | producer | |
| Philip Voges | .... | producer | |
Original Music by | |||
| Andreas Grimm | |||
Cinematography by | |||
| Stephan Schuh | |||
Film Editing by | |||
| Cornelie Strecker | (as Connie Strecker) | ||
Casting by | |||
| Rita Serra-Roll | |||
Production Design by | |||
| Florian Lutz | |||
Costume Design by | |||
| Janne Birck | |||
Makeup Department | |||
| Gregor Eckstein | .... | special makeup effects artist | |
| Maike Heinlein | .... | makeup artist | |
| Jeannette Latzelsberger | .... | makeup department head | |
Production Management | |||
| Karlheinz Ganzer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Florian Erhard | .... | first assistant director | |
Art Department | |||
| Wolfgang Küchler | .... | property master | |
Sound Department | |||
| Josh Amaral | .... | sound recordist | |
| Bastien Benkhelil | .... | sound editor | |
| Bastien Benkhelil | .... | sound recordist | |
| Quirin Böhm | .... | sound | |
| João Da Costa Pinto | .... | sound editor | |
| Daniel Dietenberger | .... | sound designer | |
| Stephan Fandrych | .... | adr editor | |
| Stephan Fandrych | .... | dubbing mixer | |
| Michael Mitra | .... | adr editor | |
| Roland Platz | .... | foley artist | |
| Roland Platz | .... | special sound recording | |
| Hubertus Rath | .... | sound re-recording mixer | |
| Santiago Recio | .... | sound re-recording mixer | |
| Hans Emanuel Vogel | .... | foley recordist | |
Special Effects by | |||
| Sebastian Bulst | .... | special effects technician | |
| Birger Laube | .... | special effects makeup | |
| Helmut Neudorfer | .... | special effects technician | |
| Hans Neurohr | .... | special effects technician | |
Visual Effects by | |||
| Michaela Braun | .... | team assistant: CA Scanline Production GmbH | |
| Falk Büttner | .... | compositing artist | |
| Gerrit Corsmeyer | .... | compositing artist | |
| Gabriel Dedic | .... | digital colorist: scan&record35 | |
| Damian Doennig | .... | digital effects artist: CA Scanline Production GmbH | |
| Nadine Freder | .... | digital clean-up: scan&record35 | |
| Thomas Ganshorn | .... | digital effects artist: CA Scanline Production GmbH | |
| Doreen Gerschau | .... | digital clean-up: scan&record35 | |
| Christian Godzik | .... | digital effects artist: CA Scanline Production GmbH | |
| Sebastian Holbl | .... | compositing artist: CA Scanline Production GmbH | |
| Thomas Klieber | .... | digital effects artist: CA Scanline Production GmbH | |
| Jan Krupp | .... | visual effects supervisor: CA Scanline Production GmbH | |
| Roland Langschwert | .... | digital effects artist: CA Scanline Production GmbH | |
| Melissa Lippisch | .... | digital clean-up: scan&record35 | |
| Helene Marinoff | .... | visual effects production manager: CA Scanline Production GmbH | |
| Angel Pedro Martinez | .... | visual effects | |
| Felix Messerschmitt | .... | digital effects artist: CA Scanline Production GmbH | |
| Andreas Nehls | .... | digital effects artist: CA Scanline Production GmbH | |
| Christian Pokorny | .... | visual effects consultant: CA Scanline Production GmbH | |
| Mario Rafael | .... | compositing artist | |
| Michael Ralla | .... | compositing artist | |
| Julia Reinhard | .... | compositing artist: CA Scanline Production GmbH | |
| Norbert Ruf | .... | compositing artist: CA Scanline Production GmbH | |
| Phillipp Sauermann | .... | digital effects artist | |
| Michael Scheffler | .... | systems administrator: scan&record35 | |
| Verena Scheunemann | .... | compositing artist: CA Scanline Production GmbH | |
| Kerstin Schiessl | .... | digital clean-up: scan&record35 | |
| Silvio Schwarz | .... | compositing artist | |
| Alexander Seefelder | .... | compositing artist: CA Scanline Production GmbH | |
| Sebastian Stanek | .... | matchmove artist | |
| Martin Treydte | .... | digital effects artist | |
| Ismat Zaidi | .... | visual effects production manager: scan&record 35 | |
| Martin Zwanzger | .... | main title design | |
| Tilman Paulin | .... | digital compositor (uncredited) | |
Stunts | |||
| Torsten Jerabek | .... | stunt coordinator | |
| Mac Steinmeier | .... | stunts: Stuntteam Steinmeier/Mohr | |
| Bastian Volkmer | .... | stunt player | |
| Bastian Volkmer | .... | stunt rigger | |
Camera and Electrical Department | |||
| Dario Jozic | .... | co-camera operator | |
| Jens Wischnewski | .... | video operator | |
Editorial Department | |||
| Mark S. Hölscher | .... | second assistant editor | |
| Isabella Nwankwo | .... | editor: English script | |
Music Department | |||
| Frank Jastfelder | .... | music supervisor | |
| Nico Schuette | .... | sound engineer | |
Other crew | |||
| Isabella Nwankwo | .... | translator: English script | |
| Pierre Peters-Arnolds | .... | voice dubbing | |
| Greg Picard | .... | studio assistant | |
| Alban Rehnitz | .... | script supervisor | |
| Silke Sijmons | .... | production assistant | |
| Tassilo Singhammer | .... | dancing double: Thomas Schmieder | |
| Max von Sydow | .... | production secretary | |
| Patrick Zorer | .... | production executive | |
| Recent Posts (updated daily) | User |
|---|---|
| Is it just me... | appleflavoured |
| Better in German | poppycockevil-1 |
| dialoge | bryceaugustine |
| Alternate ending | jwwalrath |
| tribute to Lost Boys? | fhardy |
| Zombie Vision | czeckone |
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| Dazed and Confused | Quinceañera | Idle Hands | Free Radicals | A Home at the End of the World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Germany section |
As my usual SIFF ritual, I attended a "Midnight Adrenaline" screening, and this year it happened to be "Night of the Living Dorks", a German "zombie-comedy", a spoofing genre that has seemed to kick off since the massive cult success of UK's "Shaun of the Dead". And this film does play like a nutty hybrid of "Revenge of the Nerds" and "Night of the Living Dead", and it's joyfully naughty, undemanding fun.
This particular horror spoof/send up takes place in suburban Germany, focusing on group of unpopular high school geeks in all their individual, expected ways. The sort-of leader of this hapless gang is Phillip (Tino Mewes) a mildly neurotic teen with the typical everykid amiability, who doesn't have a whole lot of personality but an earnest heart. However, he has a hopeless crush on the school's reigning teen queen Uschi, and whenever he drudges up the courage to confront her he meets an unduly comeuppance by the school's preppy, heartless jocks. Of course, this wouldn't be a teen movie without a pair of sidekicks: best friend Konrad (Thomas Schmieder), an uber Micheal-Anthony-Hall-ish nerd who keeps a precise, daily recording of the endless taunts and vile pranks repeatedly pulled on him, and Wurst (Manuel Cortez), a perpetual stoner who remains completely insouciant and unaffected by the group's considerable lack of a social life. And in true John Hughes' fashion, there's the lovely next-door gal pal, Rebecca (Collien Fernandes), one for whom is trying on a Gothic lifestyle to see if it fits, who has a none-too-subtle crush on the oblivious Phillip.
And the night that puts the story's pivotal turn in motion is at a pathetic meeting of Collien's goth clique and Phillip's nerdy triad, for which an inept voodoo ritual to try and reverse Phillip-n-crew's downward social spiral goes awry, as they die in a car crash during a roadside bong haze, only to wake up in the city morgue that night to realize there the walking dead! And when they return to school the next day, they realize their luck is about to change: not only do they crush the athletic jocks at their usually unbearable PE class (with heavy reverence to "The Longest Yard") and find they have superhuman strength, but also throw a totally radical school-wide party at Phillip's pad (for whom are on vacation), completely reversing their terminally unpopular streak.
But of course, things don't quite go as smoothly (body parts falling off at inappropriate times, a conniving, emasculated jock planning to bring them down and Konrad's wildly uncontrollable violent outbursts), and they realize they are now on a ticking clock to resurrect themselves with a "magic mixture" before they officially go forever back into the grave.
Now all this is a pretty predictable template, but director Mattheius Dinter's goofy, manic energy and the unpretentiously clever vignettes (Finding ancient zombie remains on E-bay; an ultra-cheery mother barging in on an awakening Phillip to see he has an erection under his sheets) helps elevate this gross-out comedy/teen-horror-romance to the above-average category. The movie does have a few deeper observations than expected (noting that a Zombie's "Hunger" for human flesh reflects the boy's burgeoning sexuality), but really it just wants to have fun, as even the movie's climax is pretty much you would expect (with some minor surprises), it still works splendidly.
Great fun, no matter how petty it actually is.