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Director Kabir Khan's Cinematic Style Revealed

Director Kabir Khan discusses creating the world of Tubelight, working with Salman Khan and his passion for travel in this exclusive interview with IMDb.

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Cast

Complete credited cast:
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Sahiban
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Mirza Khan
Ram Singh ...
Mir
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Shamir
Gulab ...
Sahiban's Mother
Sheela Vaz
Uma Dutt ...
Sahiban's Father
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Romance

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Beautyfull Love-story film
31 March 2005 | by (Belgium) – See all my reviews

The storyline:Mirza–Sahiban, a love-lore is a treasure of Punjabi literature. It is a romantic tragedy. Sahiban was another love-lorn soul. Shayer Pillo raves about her beauty and says," As Sahiban stepped out with a Lungi tied around her waist, the nine angels died on seeing her beauty and God started counting his last breath…"

Mirza and Sahiban who were cousins and childhood playmates, fell in love with each other. But when this beauty is about to be wedded forcibly to Tahar Khan by her parents, without any hesitation she sends a taunting message to Mirza, whom she loves, to his village Danabad, through a Brahmin called Kammu.

"You must come and decorate Sahiban's hand with the marriage henna."

This is the time you have to protect your self respect and love, keep your promises, and sacrifice your life for truth. Mirza who was a young full-blooded man, makes Sahiba sit on his horse and rides away with her. But on the way, as he lies under the shade of a tree to rest for a few moments, the people who were following them on horseback with swords in their hands catch up with them.

Sahiba was a virtuous and a beautiful soul who did not desire any bloodshed to mar the one she loved. She did not want her hands drenched in blood instead of henna. She thinks Mirza cannot miss his target, and if he strikes, her brothers would surely die. Before waking up Mirza, Sahiban puts away his quiver on the tree. She presumes on seeing her, her brothers would feel sorry and forgive Mirza and take him in their arms. But the brothers attack Mirza and kill him. Sahiban takes a sword and slaughters herself and thus bids farewell to this world.

Innumerable folk songs of Punjab narrate the love tale of Sassi and Punnu. The women sing these songs with great emotion and feeling, as though they are paying homage to Sassi with lighted on her tomb. It is not the tragedy of the lovers. It is the conviction of the heart of the lovers. It is firmly believed that the soil of the Punjab has been blessed. God has blessed these lovers to. Though there love ended in death, death was a blessing in disguise, for this blessing is immortalized.

Waris shah who sings the tale of Heer elevates mortal love to the same pedestal as spiritual love for God saying," When you start the subject of love, first offer your invocation to God". This has always been the custom in Punjab, where mortal love has been immortalized and enshrined as spirit of love.

Just as every society has dual moral values, so does the Punjabi community. Everything is viewed from two angles, one is a close up of morality and the other is a distant perspective. The social, moral convictions on one hand give poison to Heer and on the other make offerings with spiritual convictions at her tomb, where vows are made and blessings sought for redemption from all sufferings and unfulfilled desires.

But the Sassis, Heers, Sohnis and others born on this soil have revolted against these dual moral standards. The folk songs of Punjab still glorify this rebelliousness.

"When the sheet tear, It can be mended with a patch: How can you darn the torn sky? If the husband dies, another one can be found, But how can one live if the lover dies?"

And perhaps it is the courage of the rebellious Punjabi woman, which has also given her a stupendous sense of perspective. Whenever she asks her lover for a gift she says,

" Get a shirt made for me of the sky And have it trimmed with the earth"


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