| Photos (See all 134 | slideshow) | Videos (see all 9) |
| Vivica A. Fox | ... | Vernita Green | |
| Ambrosia Kelley | ... | Nikki (as Ambrosia Kelly) | |
| Michael Parks | ... | Earl McGraw / Esteban Vihaio | |
| James Parks | ... | Edgar McGraw | |
| Jonathan Loughran | ... | Trucker | |
| Michael Bowen | ... | Buck | |
| Kenji Ohba | ... | Bald Guy (as Kenji Oba) | |
| Yoshiyuki Morishita | ... | Tokyo Businessman (as Yoshijuki Morishita) | |
| Jun Kunimura | ... | Boss Tanaka | |
| Goro Daimon | ... | Boss Honda | |
| Kazuki Kitamura | ... | Boss Koji / Crazy 88 | |
| Akaji Maro | ... | Boss Ozawah | |
| Shun Sugata | ... | Boss Benta | |
| Sachiko Fujii | ... | The 5, 6, 7, 8's (as The 5 6 7 8's) | |
| Ronnie Yoshiko Fujiyama | ... | The 5, 6, 7, 8's (as The 5 6 7 8's) | |
| Yoshiko Yamaguchi | ... | The 5, 6, 7, 8's (as The 5 6 7 8's) | |
| Sakichi Satô | ... | Charlie Brown | |
| Tetsuro Shimaguchi | ... | Crazy 88 | |
| Yôji Tanaka | ... | Crazy 88 (as Boba) | |
| Satoshi Yamanaka | ... | Crazy 88 (as So Yamanaka) | |
| Issei Takahashi | ... | Crazy 88 | |
| Julie Manase | ... | Crazy 88 (as Juri Manase) | |
| Chiaki Kuriyama | ... | Gogo | |
| Chia Hui Liu | ... | Johnny / Pai Mei (as Gordon Liu) | |
| Yuki Kazamatsuri | ... | Proprietor | |
| Lucy Liu | ... | O-Ren Ishii | |
| Sonny Chiba | ... | Hattori Hanzo | |
| Julie Dreyfus | ... | Sofie Fatale | |
| Bo Svenson | ... | Reverend Harmony | |
| Jeannie Epper | ... | Mrs. Harmony | |
| Stephanie L. Moore | ... | Joleen | |
| Shana Stein | ... | Erica | |
| Caitlin Keats | ... | Janeen | |
| Christopher Allen Nelson | ... | Tommy Plympton (as Chris Nelson) | |
| Samuel L. Jackson | ... | Rufus | |
| Reda Beebe | ... | Lucky | |
| Sid Haig | ... | Jay | |
| Larry Bishop | ... | Larry Gomez | |
| Laura Cayouette | ... | Rocket | |
| Clark Middleton | ... | Ernie | |
| Michael Madsen | ... | Budd | |
| Daryl Hannah | ... | Elle Driver | |
| Claire Smithies | ... | Clarita | |
| Helen Kim | ... | Karen | |
| David Carradine | ... | Bill | |
| Perla Haney-Jardine | ... | B.B. | |
| Uma Thurman | ... | Beatrix Kiddo | |
| Victoria Lucai | ... | Trixie (as Vicki Lucai) | |
| Venessia Valentino | ... | 1st Grade Teacher | |
| Thea Rose | ... | Melanie Harrhouse | |
| William Paul Clark | ... | Soda Jerk (as William P. Clark) | |
| Stevo Polyi | ... | Tim | |
| Al Manuel Douglas | ... | Marty Kitrosser | |
| Patricia Silva | ... | Hooker #1 | |
| Maria Del Rosario Gutiérrez | ... | Hooker #2 | |
| Sonia Angelica Padilla Curiel | ... | Hooker #3 | |
| Veronica Janet Martinez | ... | Hooker #4 | |
| Lucia Cruz Marroquin | ... | Hooker #5 | |
| Citlati Guadalupe Bojorquez | ... | Hooker #6 | |
| Graciela Salazar Mendoza | ... | Hooker #7 | |
| Maria de Lourdes Lombera | ... | Hooker #8 | |
| Jorge Silva | ... | Bartender / Pimp | |
| rest of cast listed alphabetically: | |||
| Lawrence Bender | ... | Hotel Clerk (uncredited) | |
| Tom Hartig | ... | My Oh My Club Pool Player (uncredited) | |
| Gary Rodriguez | ... | Precision Driver (uncredited) | |
| Quentin Tarantino | ... | Himself (voice) (uncredited) | |
Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (written by) | |
| Quentin Tarantino | (character The Bride) (as Q) & | |
| Uma Thurman | (character The Bride) (as U) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Koko Maeda | .... | associate producer | |
| Dede Nickerson | .... | associate producer | |
| Kwame Parker | .... | assistant producer | |
| Erica Steinberg | .... | executive producer | |
| E. Bennett Walsh | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Robert Rodriguez | |||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Koko Maeda | |||
| Johanna Ray | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Daniel Bradford | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Kumiko Ogawa | |||
| Catherine Marie Thomas | |||
Makeup Department | |||
| Howard Berger | .... | special makeup supervisor | |
| Camille Calvet | .... | on-set special makeup technician | |
| Gino Crognale | .... | on set special makeup tech | |
| Stephanie A. Fowler | .... | assistant makeup artist | |
| Jake Garber | .... | special makeup effects artist | |
| Ilona Herman | .... | hair stylist: Ms. Thurman | |
| Ilona Herman | .... | makeup artist: Ms. Thurman | |
| Tysuela Hill-Scott | .... | hair stylist: Ms. Fox, Los Angeles (as Tysuela) | |
| Tysuela Hill-Scott | .... | makeup artist: Ms. Fox, Los Angeles (as Tysuela) | |
| Louis Kiss | .... | special makeup effects artist | |
| Miia Kovero | .... | hair stylist: Los Angeles | |
| Emanuel Millar | .... | key hair stylist | |
| Christopher Allen Nelson | .... | special makeup effects artist (as Chris Nelson) | |
| Gregory Nicotero | .... | special makeup supervisor (as Greg Nicotero) | |
| Peter Owen | .... | wigs: Los Angeles | |
| Kyra Panchenko | .... | hair designer: Uma Thurman | |
| Kyra Panchenko | .... | makeup artist: Uma Thurman | |
| Heba Thorisdottir | .... | makeup department head | |
| Victoria Wood | .... | wig maker | |
| Debbie Zoller | .... | makeup artist: Los Angeles | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | assistant director | |
| Marco Polo Constandse | .... | second assistant director: Mexico | |
| Heather I. Denton | .... | second second assistant director | |
| Stephen Dudycha | .... | additional assistant director | |
| Dawn Massaro | .... | second assistant director | |
Sound Department | |||
| Bob Beher | .... | sound editor | |
| John Bires | .... | sound engineer | |
| Adam Blantz | .... | additional sound mixer | |
| Adam Blantz | .... | second boom operator | |
| Adam Blantz | .... | utility sound | |
| Eddie Bydalek | .... | sound mix technician | |
| Kerry Ann Carmean | .... | co-sound designer | |
| Harry Cohen | .... | co-supervising sound editor | |
| Dino Dimuro | .... | sound designer | |
| Ian Elias | .... | sound | |
| Paul Flinchbaugh | .... | digital assistant | |
| Scott Martin Gershin | .... | co-supervising sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Hector C. Gika | .... | sound effects editor (as Hector Gika) | |
| Kevin Globerman | .... | ProTools operator | |
| Tom Hartig | .... | boom operator | |
| Michael Hertlein | .... | dialogue editor | |
| Daniel R. Kerr | .... | sound | |
| David Kudell | .... | digital assistant | |
| Tom Lalley | .... | sound re-recording engineer | |
| Michael Minkler | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Myron Nettinga | .... | sound re-recording mixer | |
| Todd Niesen | .... | dialogue denoising | |
| Tom Ozanich | .... | sound effects editor | |
| Paul D. Poduska | .... | head sound effects librarian | |
| Branden Spencer | .... | supervising assistant sound editor | |
| Frederick H. Stahly | .... | dialogue editor | |
| Wylie Stateman | .... | supervising sound editor | |
| Greg Steele | .... | adr mixer | |
| Jon Title | .... | sound effects editor | |
| Mark Ulano | .... | production sound mixer | |
| Hugh Waddell | .... | adr supervisor | |
| Hugh Waddell | .... | dialogue supervisor | |
| Jeffrey Wilhoit | .... | foley artist | |
| David Young | .... | additional sound | |
| Craig Mann | .... | digital sound mix technician (uncredited) | |
Special Effects by | |||
| Siu Wah Chan | .... | wire technician: Fight Team | |
| Wai Lun Fung | .... | wire technician: Fight Team (as Fung Wai Lun) | |
| Jason Gustafson | .... | special effects supervisor | |
| John C. Hartigan | .... | special effects coordinator | |
| Anthony Ray Herrera | .... | special effects foreman | |
| Chen Hu | .... | wire technician: Fight Team | |
| Jack Jennings | .... | special effects technician | |
| Shu Jian | .... | wire technician: Fight Team | |
| Chi-Tei Lam | .... | wire technician: Fight Team | |
| Chi Wah Ling | .... | wire technician: Fight Team | |
| Matt McDonnell | .... | special effects foreman | |
| Corey Pritchett | .... | special effects coordinator | |
| Ben Rittenhouse | .... | foam department supervisor: KNB Effects Group Inc. | |
| Ron Rosegard | .... | special effects foreman | |
| Keith O. Wilson | .... | special effects assistant | |
| He Yaxi | .... | wire technician: Fight Team | |
Visual Effects by | |||
| Robert Albano | .... | data technician | |
| Kevin Braun | .... | digital optical supervisor | |
| Frankie Chung | .... | visual effects supervisor | |
| Max Gabl | .... | scenic artist | |
| Christopher Haydostian | .... | digital compositor | |
| Steve Hodge | .... | imaging technician | |
| Brian Kun | .... | data technician | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Jennifer Lee | .... | editorial conform TDI | |
| LaNelle Mason | .... | digital restoration | |
| Craig Mathieson | .... | digital compositor | |
| Jaime Norman | .... | visual effects production manager | |
| Ariel Oclarino | .... | senior systems administrator | |
| Nabil Schiantarelli | .... | compositor | |
| Kevin Schwab | .... | imaging technician | |
| Matt Seckman | .... | digital compositor | |
| Brad Sutton | .... | digital paint artist | |
| Brad Sutton | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
| Mike Tosti | .... | production technology | |
| Sean Wilson | .... | digital compositor | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Zoe Bell | .... | stunt double: The Bride | |
| Satya Bellord | .... | utility stunts | |
| Richard Burden | .... | stunt rigger | |
| Shauna Duggins | .... | utility stunts | |
| Jeannie Epper | .... | utility stunts | |
| Ken Lesco | .... | utility stunts (as Kenny Lesco) | |
| Rob Moses | .... | fight choreographer | |
| Michiko Nishiwaki | .... | stunt double: O-Ren | |
| Chris O'Hara | .... | stunt double: Bill | |
| Pat Romano | .... | stunt rigger | |
| Monica Staggs | .... | stunt double: Elle | |
| Gary Ray Stearns | .... | stunts | |
| Matthew Taylor | .... | stunt rigger | |
| Steve Upton | .... | stunt rigger | |
| Troy Wood | .... | utility stunts | |
| Woo-ping Yuen | .... | fight coordinator | |
| Woo-ping Yuen | .... | stunt coordinator | |
| Cheryl Bermeo | .... | stunt driver (uncredited) | |
| Jared S. Eddo | .... | stunt rigger (uncredited) | |
| James Logan | .... | stunt rigger (uncredited) | |
Casting Department | |||
| Gerardo Rene Arellano | .... | extras casting assistant: Mexico | |
| Ernesto Cairo | .... | extras casting coordinator: Mexico (as Ernesto Martínez Cairo) | |
| Rich King | .... | extras casting | |
| Jessica Vogl | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Jim Hansen | .... | costumer | |
| Cappi Ireland | .... | costumer: Ms. Thurman, Beijing | |
| Amy Lin | .... | wardrobe assistant | |
| Helen Monaghan | .... | international costume supervisor | |
| Daniel Grant North | .... | costume supervisor | |
| Juana Jimarez Pelaez | .... | wardrobe assistant: Mexico | |
| Hans Georg Struhar | .... | costumer: Ms. Thurman, Los Angeles (as Hans G. Struhar) | |
| Stella Tang | .... | wardrobe assistant | |
| Kanani Wolf | .... | set costumer | |
| Grace Yim | .... | wardrobe assistant | |
| Michele Flynn | .... | ager/dyer (uncredited) | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Jasmine Yuen Carrucan | .... | editorial production assistant | |
| Joe D'Augustine | .... | additional editor | |
| Aaron Denenberg | .... | negative cutter | |
| Tony Dustin | .... | assistant digital film colorist | |
| Peggy Eghbalian | .... | assistant editor | |
| Katie Flint | .... | editorial assistant | |
| Ted Gidlow | .... | post-production coordinator | |
| Rachel Goldberg | .... | editorial production assistant | |
| Phyllis Housen | .... | assistant editor | |
| Stephanie Ito | .... | digital intermediate producer | |
| Stephanie Johnson | .... | assistant editor | |
| Stephen Nakamura | .... | senior digital film colorist | |
| Fred Raskin | .... | second assistant editor | |
| Victor Rivera | .... | assistant negative cutter | |
| Joan Sobel | .... | first assistant editor | |
| Dee Storm | .... | conforming editor | |
| Heidi Vogel | .... | post-production consultant | |
| Lee Wimer | .... | film color timer | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Mark Graham | .... | music librarian | |
| Jo Ann Kane | .... | music copyist | |
| David Low | .... | orchestra contractor | |
| Alan Meyerson | .... | music scoring mixer | |
| Wendi Morris | .... | music coordinator | |
| George Oldziey | .... | orchestrator | |
| Bryan Pezzone | .... | musician: piano | |
| Mary Ramos | .... | music supervisor | |
| Jay B. Richardson | .... | music editor | |
| John Rodd | .... | music recordist | |
| RZA | .... | composer: additional music (as The RZA) | |
| Steven L. Smith | .... | music preparation | |
| Quentin Tarantino | .... | executive soundtrack producer | |
| James Thatcher | .... | musician: french horn | |
| Carl Thiel | .... | music producer | |
Transportation Department | |||
| Robert aaron Brown | .... | driver: grip truck | |
| Bruce Callahan | .... | driver: Uma Thurman | |
| Bruce Callahan | .... | transportation co-captain | |
| Michael Dawes | .... | driver | |
| John Embry | .... | driver | |
| Don Feeney | .... | picture car coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Chris Haynes | .... | driver | |
| Jessica James | .... | driver: cast | |
| David Joseph | .... | driver: production van | |
| Neil Marshall | .... | driver: honeywagon | |
| Brian Joseph Moore | .... | transportation captain: Los Angeles/Mexico (as Brian Moore) | |
| Carlos Ponce de León | .... | transportation captain | |
| Irv Press | .... | driver | |
| Marty Radcliff | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| John Sagray | .... | driver | |
| Arturo Saldivar | .... | production driver | |
Other crew | |||
| Paul Abraham | .... | craft service: Los Angeles | |
| Melanie Aron | .... | assistant: Mr. Tarantino, Los Angeles | |
| Howard Berger | .... | puppeteer | |
| Andrew Blau | .... | travel coordinator | |
| Geraldine Brezca | .... | set production assistant: Mexico | |
| Emmanuel Cabare | .... | production liaison | |
| Aaron Campbell | .... | production counsel | |
| Karina Carrero-Annesley | .... | office production assistant | |
| Jerry Carville | .... | assistant accountant | |
| Sean Carville | .... | second assistant accountant | |
| Will Casey | .... | unit publicist | |
| Elida Cerda | .... | medic | |
| Sonny Chiba | .... | fight choreographer: Kenjutsu | |
| S.R. Conger | .... | assistant accountant | |
| Douglas Dresser | .... | location manager | |
| Zoran Drogriski | .... | office production assistant | |
| Stephen Dudycha | .... | set production assistant | |
| Jerimy Eaton | .... | animal trainer | |
| Wayne Fielder | .... | set medic: second unit | |
| Vincent Joseph Flaherty | .... | armorer | |
| Fish Fong | .... | team manager: Woo-Ping crew | |
| Todd Fullerton | .... | 24 frame video/computer engineer | |
| Rachael Lin Gallaghan | .... | assistant production coordinator | |
| Cynthia Graves | .... | production coordinator: Mexico | |
| David Greenbaum | .... | executive assistant: Harvey Weinstein | |
| Hally Grounds | .... | stand-in | |
| Nancy Haecker | .... | key assistant location manager | |
| Bill Hansard | .... | rear screen projection | |
| Apryl Hill | .... | set medic | |
| Jose 'Pepe' Homs | .... | assistant coordinator: Mexico | |
| Mark Jackson | .... | animal trainer | |
| Jessica James | .... | production assistant | |
| Jay Johnson | .... | title: designer | |
| Beverly Jusi | .... | first assistant accountant | |
| Damiana Kamishin | .... | travel coordinator | |
| Jay Kennedy | .... | assistant to producer: Mexico | |
| S. Dylan Kirkland | .... | production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Huan-Chiu Ku | .... | martial arts coordinator (as Ku Huen Chiu) | |
| Patricia LaMagna | .... | assistant: Ms. Thurman (as Patty LaMagna) | |
| Jeff Lane | .... | set production assistant | |
| Ginny Lasater | .... | office production assistant: Mexico | |
| Sherrie Liu | .... | script supervisor | |
| Julie Manase | .... | actresses trainer: Kenjutsu | |
| Melissa Maus | .... | accounting clerk | |
| Douglas S. McClintock II | .... | assistant location manager | |
| Julie McLean | .... | assistant: Mr. Tarantino | |
| Blair Mealing | .... | office production assistant | |
| Norberto Nava | .... | security coordinator | |
| Peter Neil | .... | production staff | |
| Christopher Allen Nelson | .... | puppeteer | |
| Kyle Oliver | .... | assistant location manager (as Kyle 'Snappy' Oliver) | |
| Liuba Esperon Otero | .... | location assistant: Mexico | |
| Liuba Esperon Otero | .... | stand-in: for Uma Thurman | |
| Edward Poveda | .... | payroll accountant | |
| Christy Powers | .... | key medic: supervisor nurse | |
| Gabriela Preciado | .... | office production assistant: Mexico | |
| Eric Ian Robinson | .... | assistant: Harvey Weinstein | |
| Arturo Saldivar | .... | office production assistant | |
| Elizabeth Santoro | .... | set production assistant | |
| Pilar Savone | .... | assistant: Mr. Tarantino | |
| Adam Schindler | .... | unspecified assistant | |
| Roger Schumacher | .... | animal trainer | |
| Alan Schwartz | .... | assistant craft service: Los Angeles | |
| Daniel Shropshire | .... | website design: marketing team | |
| Ben Shum | .... | set production assistant | |
| Sue Smith | .... | production secretary | |
| Kristina Soderquist | .... | production controller | |
| Todd Spangler | .... | assistant: Mr. Madsen | |
| Jennifer Stephens | .... | production coordinator | |
| Benjamin Suarez | .... | location manager: Mexico | |
| Jeff Swafford | .... | assistant: Mr. Bender | |
| Marta Tomkiw | .... | assistant location manager | |
| Christopher Tricarico | .... | legal | |
| Buzz Visconti | .... | first aid | |
| Ann Wiggins | .... | post-production accountant | |
| Asajiro Yamamoto | .... | assistant accountant: Mexico | |
| Woo-ping Yuen | .... | fight choreographer: Kung Fu (as Yuen Wo-Ping) | |
Thanks | |||
| Peter Bogdanovich | .... | special thanks | |
| Charles Bronson | .... | dedicatee | |
| Cheh Chang | .... | dedicatee | |
| Sofia Coppola | .... | special thanks | |
| Sergio Corbucci | .... | dedicatee | |
| Sarah L. Driver | .... | special thanks | |
| Kenta Fukasaku | .... | special thanks | |
| Lucio Fulci | .... | dedicatee | |
| Mauricia Grant | .... | special thanks | |
| Gakuryu Ishii | .... | special thanks (as Sogo Ishii) | |
| Katsuhito Ishii | .... | special thanks (as Katsu Hito Ishii) | |
| Georges Lautner | .... | special thanks | |
| Sergio Leone | .... | dedicatee | |
| Richard Linklater | .... | special thanks (as Rick Linklater) | |
| Lieh Lo | .... | dedicatee | |
| Jerry Martinez | .... | special thanks | |
| Malcolm McLaren | .... | special thanks | |
| Sun Kwak Moon | .... | special thanks | |
| Guy Oseary | .... | special thanks | |
| Burt Reynolds | .... | special thanks | |
| Robert Rodriguez | .... | special thanks (as Robert Rodriguez 'My Brother') | |
| Eli Roth | .... | special thanks | |
| Rick Rubin | .... | special thanks | |
| Kurt Russell | .... | special thanks | |
| Ada Shen | .... | special thanks | |
| Stacey Sher | .... | special thanks (as Stacy Sher) | |
| Lee Van Cleef | .... | dedicatee | |
| William Witney | .... | dedicatee | |
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| Kill Bill: Vol. 1 | The Professional: Golgo 13 | Machete | Battle Royale | Priest |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
It's a matter of some debate which volume of Quentin Tarantino's "Kill Bill" is better. Let's end the argument right now: David Carradine doesn't even appear in "Volume 1." Hasn't the Academy mailed him his Best Supporting Actor Oscar already?
In the first volume of "Kill Bill," released only a few months before "Vol. 2" in the tail end of 2003, we met Uma Thurman, one peeded-off super-assassin taking out some folks from her past one at a time, with the occasional mega-posse thrown in for interest. "Vol. 1" had a lot of blood, violence, and wisecracks, and galloped across the screen like a rap video on steroids.
"Vol. 2" is way different. It makes sense it's a separate movie; the tone is such a departure from "Vol. 1" in two ways. One is style. Director Tarantino has fun stylistically quoting Sergio Leone and chop-fu cheapos from the late 1960s and early 1970s. Cinematic sampling is something he's good at and enjoys, but in "Vol. 2" he doesn't go as overboard as he does in "Vol. 1." He pulls back and lets the plot breathe, rather than filling every spare second with a homage-cum-parody that maybe a dozen lucky fans will get. Maybe some here wish he'd pile it on a bit more, but they have to make do with the goofy Pei Mai sequence, which is a flashback and hence not jarring in its "Vol. 1"-style comic-book treatment. Throughout "Vol. 2" the emphasis is on storytelling and character-building, which is where it should be given we are now being asked to deepen our commitment of interest to these people. "Vol. 1" is okay for what it is, but its flash and action are no match for the depth and nuance of "Vol. 2."
This gets to the second different tonal difference between the films, which is emotional. It all comes back to the characters. They don't quite become real people here, but they get close enough to get under your skin. Admittedly, the opening part of "Vol. 2" tests the viewer's patience a bit, there's some long bits that show the director hasn't really mastered self-discipline, like with Thurman's graveyard struggle, but the meandering usually has a purpose. Tarantino is building toward something here that has its payoff when Thurman's character finally has her face-to-face showdown with Carradine's Bill.
From that moment forward to the end, this is the best Tarantino has ever been.
Carradine and Thurman dominate the proceedings with two of the finest performances I've seen, certainly the best Tarantino has directed, playing off the mythology we've been taught in "Vol. 1" and developing resonances with the viewer both together and apart which will surprise those expecting a casual butt-kicking affair. We finally find out what Carradine means in the first line of "Vol. 1" where he tells a whimpering victim he is being masochistic, not sadistic, and its a powerful revelation, that this sinister baddie may have a heart buried under that cold exterior. Carradine is perfect in his phrasing, his pauses, the tired glint in his eye, or the way he says "Kiddo." You can't ask for a better veteran performance. For her part, Thurman presents a brilliantly conflicted character who can not stop either hating or loving Bill, and brings us not into a world of cartoon anguish, but real human pain.
"Kill Bill Vol. 2" is slow-moving, and needs "Vol. 1" in a way few sequels do, since it assumes you know nearly all the characters coming in. That's a weakness. So are some undeniably pointless bits, including the entire sequence with Bill's father figure, Esteban Vihaio, and some business at a bar involving Michael Madsen, who plays a former assassin now gone to seed.
Madsen's good, though, and so's Daryl Hannah as another rather mouthy assassin, Gordon Liu as Pei Mei, and especially Perla Haney-Jardine as a girl named B.B. The nice thing with Tarantino is for every scene that strikes a bum note, there's four or five that hit the right mark, and some manage to do much more. My favorite scene involves a Mexican standoff in an L.A. hotel room between Thurman's character and an anonymous hitwoman, at once grippingly suspenseful, hilarious, and life-affirming. Still, it's the final moments of this film that will stay with you, as Bill and his former pupil work out their "unfinished business" and we are left to ponder the results of their decisions and actions.
"Kill Bill Vol. 2" may not reach the heights of cinema to which it aspires, the level of "The Good, The Bad, And The Ugly" quoted in its score, but it's a fine film that will make most viewers glad they stuck around for the second installment. I am.