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Kill Bill: Vol. 2 (2004)

 -  Action | Crime | Thriller  -  16 April 2004 (USA)
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Ratings: 8.0/10 from 408,238 users   Metascore: 83/100
Reviews: 911 user | 298 critic | 42 from Metacritic.com

The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.

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Nominated for 2 Golden Globes. Another 15 wins & 43 nominations. See more awards »

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The plot is unknown at this time.

Stars: Uma Thurman
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Cast

Cast overview, first billed only:
...
...
Nikki (as Ambrosia Kelly)
...
...
...
Trucker
...
Kenji Ohba ...
Bald Guy (as Kenji Oba)
Yoshiyuki Morishita ...
Tokyo Businessman (as Yoshijuki Morishita)
Jun Kunimura ...
Goro Daimon ...
Kazuki Kitamura ...
Boss Koji / Crazy 88
Akaji Maro ...
Shun Sugata ...
Boss Benta
Sachiko Fujii ...
The 5, 6, 7, 8's (as The 5 6 7 8's)
Ronnie Yoshiko Fujiyama ...
The 5, 6, 7, 8's (as The 5 6 7 8's)
Edit

Storyline

The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution! Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

Kill is love. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

| | |

Release Date:

16 April 2004 (USA)  »

Also Known As:

Kill Bill  »

Filming Locations:

 »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$440,216 (Spain) (30 July 2004)

Gross:

$1,801,760 (Brazil) (22 October 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The Character Pai Mei is based on Pak Mei, the originator of the "White Eyebrow" kung fu technique. According to legend, Pak Mei was one of the few masters left following the decimation of the Buddhist temples, and later sold out other masters to save himself and his team during an attack they had mounted that subsequently went wrong. For this reason, Pak Mei Kung Fu has always been known as the "forbidden technique," and Pak Mei himself has been a villainous figure in Chinese folklore and film for hundreds of years. See more »

Goofs

During the fight between the Bride and Elle Driver, Elle's boots change from Stiletto heels to normal heels. In the beginning of the fight Elle drives her stiletto heel into the Bride's foot. Later on, while they are fighting in the bathroom, you can clearly see Elle's boot with a different, western boot style heel. See more »

Quotes

[first lines]
Bill: Do you find me sadistic? You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. At this moment, this is me at my most masochistic.
The Bride: Bill, it's your baby.
See more »

Crazy Credits

During the (second) end credits, as the names of actors in the Deadly Viper Assasination Squad roll by, a line is drawn through each like Black Mamba did on her "Death List 5" after she killed them. Daryl Hannah is one exception; she has a question mark drawn over her name. The other exception is David Carradine's name - his name appears after Uma's in this set of end credits but does NOT get crossed out. See more »

Connections

References The Driver (1978) See more »

Soundtracks

Tu Mirá
Written by Manuel Molina (as Manuel Molina Jimenez) / Jose Manuel Flores
Performed by Lole y Manuel
Courtesy of Sony Music Entertainment (Spain) S.A.
By Arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Better Half
24 September 2004 | by (Greenwich, CT United States) – See all my reviews

It's a matter of some debate which volume of Quentin Tarantino's "Kill Bill" is better. Let's end the argument right now: David Carradine doesn't even appear in "Volume 1." Hasn't the Academy mailed him his Best Supporting Actor Oscar already?

In the first volume of "Kill Bill," released only a few months before "Vol. 2" in the tail end of 2003, we met Uma Thurman, one peeded-off super-assassin taking out some folks from her past one at a time, with the occasional mega-posse thrown in for interest. "Vol. 1" had a lot of blood, violence, and wisecracks, and galloped across the screen like a rap video on steroids.

"Vol. 2" is way different. It makes sense it's a separate movie; the tone is such a departure from "Vol. 1" in two ways. One is style. Director Tarantino has fun stylistically quoting Sergio Leone and chop-fu cheapos from the late 1960s and early 1970s. Cinematic sampling is something he's good at and enjoys, but in "Vol. 2" he doesn't go as overboard as he does in "Vol. 1." He pulls back and lets the plot breathe, rather than filling every spare second with a homage-cum-parody that maybe a dozen lucky fans will get. Maybe some here wish he'd pile it on a bit more, but they have to make do with the goofy Pei Mai sequence, which is a flashback and hence not jarring in its "Vol. 1"-style comic-book treatment. Throughout "Vol. 2" the emphasis is on storytelling and character-building, which is where it should be given we are now being asked to deepen our commitment of interest to these people. "Vol. 1" is okay for what it is, but its flash and action are no match for the depth and nuance of "Vol. 2."

This gets to the second different tonal difference between the films, which is emotional. It all comes back to the characters. They don't quite become real people here, but they get close enough to get under your skin. Admittedly, the opening part of "Vol. 2" tests the viewer's patience a bit, there's some long bits that show the director hasn't really mastered self-discipline, like with Thurman's graveyard struggle, but the meandering usually has a purpose. Tarantino is building toward something here that has its payoff when Thurman's character finally has her face-to-face showdown with Carradine's Bill.

From that moment forward to the end, this is the best Tarantino has ever been.

Carradine and Thurman dominate the proceedings with two of the finest performances I've seen, certainly the best Tarantino has directed, playing off the mythology we've been taught in "Vol. 1" and developing resonances with the viewer both together and apart which will surprise those expecting a casual butt-kicking affair. We finally find out what Carradine means in the first line of "Vol. 1" where he tells a whimpering victim he is being masochistic, not sadistic, and its a powerful revelation, that this sinister baddie may have a heart buried under that cold exterior. Carradine is perfect in his phrasing, his pauses, the tired glint in his eye, or the way he says "Kiddo." You can't ask for a better veteran performance. For her part, Thurman presents a brilliantly conflicted character who can not stop either hating or loving Bill, and brings us not into a world of cartoon anguish, but real human pain.

"Kill Bill Vol. 2" is slow-moving, and needs "Vol. 1" in a way few sequels do, since it assumes you know nearly all the characters coming in. That's a weakness. So are some undeniably pointless bits, including the entire sequence with Bill's father figure, Esteban Vihaio, and some business at a bar involving Michael Madsen, who plays a former assassin now gone to seed.

Madsen's good, though, and so's Daryl Hannah as another rather mouthy assassin, Gordon Liu as Pei Mei, and especially Perla Haney-Jardine as a girl named B.B. The nice thing with Tarantino is for every scene that strikes a bum note, there's four or five that hit the right mark, and some manage to do much more. My favorite scene involves a Mexican standoff in an L.A. hotel room between Thurman's character and an anonymous hitwoman, at once grippingly suspenseful, hilarious, and life-affirming. Still, it's the final moments of this film that will stay with you, as Bill and his former pupil work out their "unfinished business" and we are left to ponder the results of their decisions and actions.

"Kill Bill Vol. 2" may not reach the heights of cinema to which it aspires, the level of "The Good, The Bad, And The Ugly" quoted in its score, but it's a fine film that will make most viewers glad they stuck around for the second installment. I am.


190 of 274 people found this review helpful.  Was this review helpful to you?

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