Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) ...
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A long-lost engagement ring still divides childhood sweethearts who are now in their golden years. Now, her daughter (Heaton) and his nephew meet and find that their attraction is hindered by the old feud.
Tony Lo Bianco
Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
The Goodbye Girl is a surreal tale about a lonely young reaper (Jodelle Ferland) who escorts people across the threshold between life and death while collecting their final memories in a small pink suitcase.
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he's determined to snatch romance from ingratitude. Written by
This "updated" remake involved little rewriting of the original 1977 film (The Goodbye Girl (1977)). The screenplay is word-for-word and scene-for-scene from the original script with the exception of a few curse words removed to make it appropriate for television and a line that referred to Richard Dreyfuss's height in the original that wouldn't make sense when said by Jeff Daniels. See more »
I thought Patricia Heaton did a fantastic job as Paula but No1 was as good as Richard Dreyfuss. They could have done a better job with the casting of Elliot too. Jeff Daniels was mediocre @ best. I also liked the daughter in this one better. The script was almost verbatim & it was still funny but I wasn't rolling & laughing so hard my sides hurt like I did when I first saw the 1977 version. As my title says: it was good but not great. They could have done a LOT worse. Look how horribly musicals like Best Little Whorehouse in Texas ; for one; the movie totally sucked. The musical was much better. All in all I give this remake of a classic a 6. I like how they modernized it too although it didn;t fit in the original plot. IE: Elliot first tries to use his cell phone . Then he drops it & breaks it. They didn't have cell phones in 1977. They were also talking a lot about revivals & improvs which are much more common now.
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