Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) ... See full summary »
A long-lost engagement ring still divides childhood sweethearts who are now in their golden years. Now, her daughter (Heaton) and his nephew meet and find that their attraction is hindered by the old feud.
Tony Lo Bianco
Based on the true story of mother/son tag-team Sante Kimes and her offspring, Kenny, who crisscrossed the country and committed a string of crimes, among them robbery, fraud, arson, slavery, and murders that shocked the world.
Charlotte marries John. Things seem ok; John has a good job and he's going up in the world, working for the government. But every so often he loses his temper and Charlotte gets the brunt ... See full summary »
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he's determined to snatch romance from ingratitude. Written by
Why did they remake this picture? It was a pleasant enough TV movie if there was not a really excellent original to which it pales in comparison.
Jeff Daniels, usually a favorite of mine, is not cut out for this type of comedy. He is neither funny or sympathetic as Elliot. Patricia Heaton is OK, but there is virtually no chemistry between her and Daniels. The daughter is too cute and wise.
Oddly, a high point in this picture is a cameo by director Richard Benjamin. This production makes one want to go back into the archives and retrieve the Dreyfuss/Mason version to REALLY see the show.
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