Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) ... See full summary »
George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off. And just when things are moving along, the memory... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Based on the true story of mother/son tag-team Sante Kimes and her offspring, Kenny, who crisscrossed the country and committed a string of crimes, among them robbery, fraud, arson, slavery, and murders that shocked the world.
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he's determined to snatch romance from ingratitude. Written by
Why did they remake this picture? It was a pleasant enough TV movie if there was not a really excellent original to which it pales in comparison.
Jeff Daniels, usually a favorite of mine, is not cut out for this type of comedy. He is neither funny or sympathetic as Elliot. Patricia Heaton is OK, but there is virtually no chemistry between her and Daniels. The daughter is too cute and wise.
Oddly, a high point in this picture is a cameo by director Richard Benjamin. This production makes one want to go back into the archives and retrieve the Dreyfuss/Mason version to REALLY see the show.
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