| Photos (see all 58 | slideshow) | Videos |
| James Roday | ... | 1st AD | |
| Jeffrey Vincent Parise | ... | 2nd AD (as Jeff Parise) | |
| Majandra Delfino | ... | 1st Girl | |
| Marieh Delfino | ... | 2nd Girl | |
| Sam Shepard | ... | Howard Spence | |
| George Kennedy | ... | Director | |
| Julia Sweeney | ... | Producer 2 | |
| Tim Matheson | ... | Producer 1 | |
| James Gammon | ... | Old Ranch Hand | |
| Tim Roth | ... | Sutter | |
| Robin Twogood | ... | Patrolman | |
| Gabriel Mann | ... | Earl | |
| Fairuza Balk | ... | Amber | |
| Mike Butters | ... | Businessman | |
| Sarah Polley | ... | Sky | |
| Rita Hutchison | ... | Mexican Woman | |
| Marley Shelton | ... | Starlet | |
| Eva Marie Saint | ... | Howard's Mother | |
| Kurt Fuller | ... | Mr. Daily | |
| Tom Farrell | ... | Cliff Ormsby (as Tom F. Farrell) | |
| Yuri Elvin | ... | Casino Bartender | |
| Rachel Amondson | ... | Cocktail Waitress | |
| Jinny Lee Story | ... | Drunken Girl (as Jinny Story) | |
| Hugh Aodh O'Brien | ... | Security Guard | |
| Raymond O'Connor | ... | Elko Policeman - Charlie (as Raymond O'Conner) | |
| Carrie Mae Jones | ... | Elko Waitress (as Carrie Jones) | |
| Emy Coligado | ... | Desk Clerk | |
| Kristina Lankford | ... | Maid | |
| Jessica Lange | ... | Doreen | |
| Katie Goodman | ... | Waitress - M&M | |
| Rodney A. Grant | ... | Wild-Eye | |
| rest of cast listed alphabetically: | |||
| David Michie | ... | Boxing Video Game Announcer (uncredited) | |
| Diane Polley | ... | Sky's Mother (in photograph) (uncredited) | |
| Rockey Whipkey | ... | Garbageman (uncredited) | |
Directed by | |||
| Wim Wenders | |||
Writing credits(WGA) | ||
| Sam Shepard | (screenplay) | |
| Sam Shepard | (story) & | |
| Wim Wenders | (story) | |
Produced by | |||
| Karsten Brünig | .... | producer | |
| Rémi Burah | .... | associate producer | |
| Reinhold Elschot | .... | associate producer | |
| Frank Graf | .... | associate producer | |
| In-Ah Lee | .... | producer | |
| Carsten H.W. Lorenz | .... | co-producer (as Carsten Lorenz) | |
| Stephan Mallmann | .... | associate producer | |
| Peter Nadermann | .... | associate producer | |
| Michel Reilhac | .... | associate producer | |
| Andreas Schreitmüller | .... | associate producer | |
| Peter Schwartzkopff | .... | producer | |
| Jeremy Thomas | .... | executive producer | |
| Meinolf Zurhorst | .... | associate producer | |
Original Music by | |||
| T-Bone Burnett | (as T Bone Burnett) | ||
Cinematography by | |||
| Franz Lustig | (director of photography) | ||
Film Editing by | |||
| Peter Przygodda | |||
| Oli Weiss | |||
Casting by | |||
| Heidi Levitt | |||
Production Design by | |||
| Nathan Amondson | |||
Art Direction by | |||
| William Budge | |||
| Nicole Lobart | |||
Set Decoration by | |||
| David Storm | |||
Costume Design by | |||
| Caroline Eselin | (as Caroline Eselin-Schaefer) | ||
Makeup Department | |||
| Courtney Buley | .... | hair stylist intern | |
| Sam Debree | .... | makeup artist (as Fredrich 'Sam' DeBree) | |
| Bonita DeHaven | .... | makeup artist: Miss Lange | |
| Barbara Lamelza | .... | key makeup artist | |
| David Larson | .... | assistant hair stylist | |
| D. Garen Tolkin | .... | key hair stylist (as Garen Tolkin) | |
Production Management | |||
| Dominik Bollen | .... | post-production supervisor | |
| Samson Mucke | .... | unit production manager | |
| Niels Rinke | .... | post-production supervisor | |
| Haley Sweet | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Josef Lieck | .... | first assistant director | |
| Edward McGurn | .... | second assistant director | |
| Josefine Schwartzkopff | .... | assistant director department intern | |
| Michael Wenders | .... | assistant director department intern | |
Art Department | |||
| Isaac Amondson | .... | leadman | |
| Rachel Amondson | .... | art department intern | |
| Tony Ballew | .... | lead propmaker | |
| Zach Bangma | .... | art department assistant | |
| Angel Boyken | .... | lead scenic artist | |
| Denise Ciarcia | .... | assistant property master | |
| Michael A. Clark | .... | construction coordinator (as Mike Clark) | |
| Katherine Craig-Lowe | .... | construction office manager (as Kathy Craig-Lowe) | |
| Camden Draeger | .... | art department intern | |
| Craig Sherman Hall | .... | on-set dresser | |
| Jeff Hill | .... | propmaker | |
| Dixie Housel | .... | painter | |
| Mary Keele | .... | laborer (as Mary K. Keele) | |
| Jeffrey M. O'Brien | .... | property master (as Jeffrey O'Brien) | |
| David Van De Veere | .... | set dresser | |
| Robb Webber | .... | scenic artist | |
Sound Department | |||
| Manfred Arbter | .... | dubbing mixer | |
| Michael Baird | .... | sound effects editor | |
| Oliver Barth | .... | dialogue editor | |
| Michael Fürstenberg | .... | technical support: sound | |
| Hubert Henle | .... | sound consultant: Dolby | |
| Eric Horstmann | .... | audio support | |
| Bostjan Kacicnik | .... | dialogue looping editor | |
| Manuel Laval | .... | foley editor | |
| Claude Letessier | .... | sound designer | |
| Sabrina Naumann | .... | additional foley editor | |
| Donald Nelson | .... | boom operator (as Don Nelson) | |
| Matthew Nicolay | .... | production sound mixer | |
| Mike Stephan Parker | .... | assistant foley editor (as Mike Parker) | |
| Carsten Richter | .... | foley artist | |
| Walter Spencer | .... | supervising sound editor | |
| Marcus Sujata | .... | foley recordist | |
| Roman Volkholz | .... | assistant foley editor | |
| Alan Freedman | .... | adr mixer (uncredited) | |
| Ralph Thiekötter | .... | sound dubbing mixer (uncredited) | |
Special Effects by | |||
| Lenny Dalrymple | .... | special effects | |
| Steve Dearth | .... | special effects (as Steven Dearth) | |
Visual Effects by | |||
| Jan Adamczyk | .... | digital compositor | |
| Sacha Bertram | .... | visual effects production manager | |
| David Colclasure | .... | on-screen boxing game | |
| Alex Klippe | .... | Lustre assistant | |
| Teni Noravian | .... | compositing artist | |
| Eva Rais | .... | opticals | |
| Sandra Roach | .... | compositing artist | |
| Dina Saleem | .... | compositing artist | |
| Hari Schernthaner | .... | Lustre assistant | |
| Benjamin Seide | .... | compositing artist | |
| Juri Stanossek | .... | visual effects supervisor | |
| Max Stummer | .... | tracker/matchmover | |
| Dominik Trimborn | .... | visual effects supervisor | |
| Robert Tucker | .... | compositing artist | |
| Frank Berbert | .... | digital compositor (uncredited) | |
| Paul Dreisen | .... | digital compositor (uncredited) | |
| David Laubsch | .... | digital compositor (uncredited) | |
| Abraham Schneider | .... | digital compositor (uncredited) | |
Stunts | |||
| Stan Barrett | .... | falling stuntman #1 (as Stanton Barrett) | |
| Hugh Aodh O'Brien | .... | stunt coordinator: Vendover (as Hugh O'Brien) | |
| Casey O'Neill | .... | falling stuntman #2 | |
| Jesse Shepard | .... | stunt double: Sam Shepard | |
Casting Department | |||
| Tina Buckingham | .... | extras casting | |
| Tina Buckingham | .... | local casting | |
| Laura Corrin | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Nicola Marsh | .... | extras casting coordinator (as Nicola B. Marsh) | |
| Michele Short | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shirley Kurata | .... | costumer | |
| Cathy Smith | .... | set costumer (as Cathy A. Smith) | |
| Jennifer Day Young | .... | costume supervisor | |
| Amy Jean Roberts | .... | costumer (uncredited) | |
| Jennifer Jesse Smith | .... | costumer (uncredited) | |
Editorial Department | |||
| Veronika Auer | .... | negative cutter | |
| Rebekka Garrido | .... | post-production assistant | |
| Philipp Großmann | .... | assistant editor: avid (as Philipp Grebmann) | |
| Jochen Hermann | .... | assistant editor: avid | |
| Charly Huser | .... | color timer | |
| Florian Martin | .... | supervising digital colorist (as Florian 'Utsi' Martin) | |
| Gunnar Refardt | .... | assistant editor: avid | |
| Carola Schimpf | .... | post-production assistant | |
| Bille Stellbrink | .... | post-production assistant | |
Music Department | |||
| Paul Ackling | .... | music technical support | |
| Carla Azar | .... | musician: drums | |
| Jay Bellerose | .... | musician: drums | |
| Fernand Bos | .... | supervising music editor | |
| Stephen Bruton | .... | musician: manaicello | |
| T-Bone Burnett | .... | executive music producer (as T Bone Burnett) | |
| T-Bone Burnett | .... | musician: guitar (as T Bone Burnett) | |
| Daphne Chen | .... | musician: violin | |
| Keefus Ciancia | .... | musician: keyboards | |
| Armando Compean | .... | musician: bass | |
| Dennis Crouch | .... | musician: bass | |
| J.D. Foster | .... | additional music production (as JD Foster) | |
| Tony Gilkyson | .... | musician: guitar | |
| Leah Katz | .... | musician: viola | |
| Jim Kellner | .... | musician: drums | |
| Emile Kelman | .... | assistant score engineer | |
| Emile Kelman | .... | music technical support | |
| Emile Kelman | .... | musician: cello | |
| David Klotz | .... | music editor (as Dave Klotz) | |
| Curtis Laur | .... | music technical support | |
| Debra MacCulloch | .... | music clearance: King, Holmes, Paterno & Berliner | |
| Mike Piersante | .... | score engineer | |
| Mike Piersante | .... | score mixer | |
| Marc Ribot | .... | musician: guitar | |
| Ivy Skoff | .... | music production manager | |
| Walter Spencer | .... | composer: additional music | |
| Lisa Surber | .... | music production assistant | |
| Andy Taub | .... | additional score engineer | |
| Patrick Warren | .... | composer: additional music | |
| Patrick Warren | .... | musician: keyboards | |
| Patrick Warren | .... | musician: pump organ | |
| Jason Wormer | .... | assistant score engineer | |
| Jason Wormer | .... | music editor: ProTools | |
Transportation Department | |||
| Bart Allsup | .... | driver: wrangler | |
| George Bolton | .... | transportation captain | |
| Sandra Dickson | .... | transportation secretary (as Sandy Dickson) | |
| Rodrigo Dorame | .... | driver | |
| Wayne Flowers Jr. | .... | driver: honeywagon (as Wayne Flowers) | |
| John Hagner | .... | driver | |
| Kit Hendrickson | .... | driver (as Kit R. Hendrickson) | |
| Philip Krysl | .... | driver | |
| Rita Lundin | .... | driver | |
| K.C. Peterson | .... | driver | |
| Mike Russell | .... | driver | |
| Abiff Salcedo | .... | driver | |
| Tom Selman | .... | driver | |
| Andrea Simon | .... | driver | |
| Mario Simon | .... | transportation coordinator | |
| Maritra Simon | .... | transportation production assistant | |
| Joseph Sparks | .... | driver: grip | |
| Jimmie K. Turner | .... | driver (as Jimmy Turner) | |
| Robin Twogood | .... | driver | |
| Raymond Van Holtan | .... | driver (as Ray Van Holten) | |
| Sean Walby | .... | driver | |
| Mike Welch | .... | driver | |
| John M. Woodward | .... | transportation co-captain (as John Woodward) | |
Thanks | |||
| Florence Larsonneur | .... | special thanks | |
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I really wanted to like Don't Come Knocking. It's a contemporary Western by famed German director Wim Wenders, written by Pulitzer-Prize winner (and stud actor) Sam Sheppard, and including in the cast Sam's main squeeze (and my first crush) Jessica Lange. With these credentials, I would have bet that Don't Come Knocking would have been in my Top 5 at Sundance this year.
Not even close.
Here's my #1 criterion for judging a movie: Did I care about the characters? Love 'em or hate 'em, either one is OK, they just have to mean enough to me to care about what happens to them. And unfortunately, I didn't care two hoots about Howard Spence (Sheppard), the washed-up Western actor who tries to escape his past of hard living and general selfishness. I didn't even care about Doreen (Lange), a former girlfriend from a movie shot in Butte, Montana. And I certainly didn't care about Earl (Gabriel Mann), Doreen's son, no matter how over-the-top obnoxious his behavior. Maybe I did care for Sky, the Butte native played by the remarkable Sarah Polley, who was clearly the most likable and the only truly compelling character in the movie. And Tim Roth's portrayal of the studio bond man was interesting at least.
But beyond character development, this movie just didn't have any direction, suffering from the thinnest of story lines and a pace that often needed a quick kick from Howard Spence's spurs. It does feature some interesting locations and beautiful southern Utah landscapes. But that's not why we go to movies.
Wenders and Sheppard go back to their collaboration on Paris, Texas in 1984, and they spoke very fondly of each other during the Q&A. They collaborated on the story over a period of years and have looked for a chance to work together again. I wish they would have produced something better.
Interesting Tidbit from the Q&A: Sheppard's son Jesse is an expert horseman and did his father's riding stunts for the movie. Sam Sheppard also rides well, but his contract limited his riding to a trot.
Second Interesting Tidbit: Wenders has wanted to shoot a film in Butte for twenty years, since his first visit there, and was concerned that someone else would film there before him.