6.7/10
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Don't Come Knocking (2005)

An aging cowboy movie star deserts a film set and tries to reconnect with his mother whom he hasn't seen in 30 years only to learn that he has a child he never knew about.

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Writers:

(screenplay), (story) | 1 more credit »

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1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
1st AD
...
2nd AD (as Jeff Parise)
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1st Girl
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2nd Girl
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Howard Spence
...
Director
...
Producer 2
...
...
Old Ranch Hand
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Sutter
Robin Twogood ...
Patrolman
...
Earl
...
Amber
Mike Butters ...
Businessman
...
Sky
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Storyline

Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there. The very idea seems like a ray of hope that his life wasn't all in vain. So he sets out to find that young man or woman. He discovers an entire life that he has missed ... Written by Reverse Angle

Plot Summary | Add Synopsis

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and brief nudity | See all certifications »
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Details

Official Sites:

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Country:

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Language:

Release Date:

25 August 2005 (Germany)  »

Also Known As:

Estrela Solitária  »

Filming Locations:

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$30,630 (USA) (17 March 2006)

Gross:

$438,732 (USA) (28 July 2006)
 »

Company Credits

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Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film cast includes three Oscar winners: Jessica Lange, George Kennedy and Eva Marie Saint; and three Oscar nominees: Sam Shepard, Tim Roth and Sarah Polley See more »

Goofs

As the camera pans away from the trash pile the next morning, a head of a crew member is visible in the lower left corner See more »

Quotes

Earl: [singing] Where is Howard? Who is Howard? We wanna know, we wanna know. Where is Howard? Who is Howard? Where did he go, where did he go? He's down in the ditches. He's down in the ground. Disappeared himself. He's no-where to be found! Where is Howard? Who is Howard? He's long gone, he's long gone.
See more »

Connections

References High Noon (1952) See more »

Soundtracks

DCK Waltz
Written by Walter Spencer
Published by Henry Burnett Music
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User Reviews

A Sequel that Shines but Disappoints
8 December 2005 | by (New York City) – See all my reviews

Twenty years after "Paris, Texas", Sam Shepard returns with a sequel. Again, a family affair, our hero is searching for his roots in little towns and deserted landscapes.

The production shines from multiple angles. A superb set of actors, and Shepard's own fine performance as Howard -– a Westerns' actor of faded glory -- is almost eclipsed by (his life partner) Jessica Lange as the estranged mother of his son, Gabriel Mann as Earl, the son, and Eva Marie Saint as his stately mother. Comical roles by Tim Roth as the taciturn Sutter, a bounty hunter, and Fairuza Balk as the hilarious Amber, Earl's girlfriend, save the film from turning overly melodramatic.

In addition to the cast, Franz Lustig's cinematography is precisely lit and fluctuates between extremely realistic point-of-view shots with nausea-evoking 360-degree turns and time compression shots. The soundtrack is beautiful and includes some original pieces, and the costume design shines as well (although few people would wear those flamboyantly elegant outfits in Montana).

Despite all of its artistic achievements – acting, cinematography, score, and design – Don't Come Knocking suffers from a weak story line. A tired cliché about the man who've seen it all, had it all, but was never completely happy, and thus he abandons everything in search of the mother he hasn't seen in 30 years, and later his old lover and unknown off-springs. In the end, of course, they are all good, forgiving buddies. Don't Come Knocking is Hollywood sugarcoated at heart, but comes with generous helping of superb cinema, Wenders's signature forte.


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