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Don't Come Knocking (2005)

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Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »

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1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
1st AD
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2nd AD (as Jeff Parise)
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1st Girl
...
2nd Girl
...
Howard Spence
...
Director
...
Producer 2
...
...
Old Ranch Hand
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Sutter
Robin Twogood ...
Patrolman
...
Earl
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Amber
Mike Butters ...
Businessman
...
Sky
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Storyline

Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there. The very idea seems like a ray of hope that his life wasn't all in vain. So he sets out to find that young man or woman. He discovers an entire life that he has missed ... Written by Reverse Angle

Plot Summary | Add Synopsis

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and brief nudity | See all certifications »
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Details

Official Sites:

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Country:

| | |

Language:

Release Date:

25 August 2005 (Germany)  »

Also Known As:

Estrela Solitária  »

Filming Locations:

 »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$30,630 (USA) (17 March 2006)

Gross:

$438,732 (USA) (28 July 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sam Shepard's son, Jesse, stood in for his father on the fast riding sequences. Shepard did some of his own riding, but he was not permitted to do more than a trot. See more »

Goofs

When Spence and Sutter make a nighttime fuel stop hours after they've supposedly left Butte in broad daylight, signs indicate this scene actually was shot in Butte. See more »

Quotes

Earl: [singing] Where is Howard? Who is Howard? We wanna know, we wanna know. Where is Howard? Who is Howard? Where did he go, where did he go? He's down in the ditches. He's down in the ground. Disappeared himself. He's no-where to be found! Where is Howard? Who is Howard? He's long gone, he's long gone.
See more »


Soundtracks

Driving Wheel
Written by T Bone Burnett (as Henry Burnett), Billy Swan
Performed by T Bone Burnett
Published by Henry Burnett Music
Courtesy of Electro Magnetic Corp.
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User Reviews

 
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9 April 2006 | by (United States) – See all my reviews

Wim Wenders has done it again. The authentic German American filmmaker has recaptured the nostalgia of the American West influenced by photographer Robert Frank and feeding off plot themes by his contemporary, Jim Jarmusch. But much like all of Wenders films, his plots are not the central focus. He is interested in details, symbolism, existentialism and the process of creation. What I always liked about Wenders was his taste in music. I always hear something new that I get very interested in. Don't Come Knocking has a wonderful score.The Buena Vista Social Club is an obvious example, but there is also the music of Madredeus in Lisbon Story or the Stewart Copeland country score in "Kings of the Road'. speaking of "Kings of the Road", there is an interesting detail that is repeated in this film: At the end of Kings, there is a cinema with a broken neon sign that only has two letters lit "WW" which is the signature of Wim Wenders. This film, has a bar called the "M&M". which is the same only upside down. The story of this film by the way is co-written by Sam Shepard who collaborated with Wenders on "Paris Texas" . This time, he also stars in the film as a cowboy movie star on the search for his ex and his son who he never met. The landscapes reflect the ghostliness of an Edward Hopper painting. Few people exist in the town where he shows up. There are beautiful shots that are very memorable such as the view from the health club looking out the window where Shepard and Jessica Lange are fighting. Another great scene involves a trade in identity where a guy on a horse gets pulled over by a cop and ....well you'll see. Alhough this film symbolizes the transition to reality, it looks as though reality does not appear to be as real as one expects. This is a refreshing film by one of the great filmmakers of our time.


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