Don't Come Knocking (2005)

Director:

Wim Wenders

Writers (WGA):

Sam Shepard (screenplay)
Sam Shepard (story) ...

Release Date:

25 August 2005 (Austria)

Genre:

Drama | Music

Plot:

Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his...

Plot Keywords:

Movie Star | One Night Stand | Melodrama | Singing In Car | Butte Montana

Awards:

1 win & 7 nominations

Cast

James Roday	...	1st AD
Jeffrey Vincent Parise	...	2nd AD (as Jeff Parise)
Majandra Delfino	...	1st Girl
Marieh Delfino	...	2nd Girl
Sam Shepard	...	Howard Spence
George Kennedy	...	Director
Julia Sweeney	...	Producer 2
Tim Matheson	...	Producer 1
James Gammon	...	Old Ranch Hand
Tim Roth	...	Sutter
Robin Twogood	...	Patrolman
Gabriel Mann	...	Earl
Fairuza Balk	...	Amber
Mike Butters	...	Businessman
Sarah Polley	...	Sky

MPAA:

Rated R for language and brief nudity.

Runtime:

122 min | 113 min (theatrical version)

Country:

France | Germany | USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Netherlands:AL | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Singapore:NC-16 | UK:15 | Finland:K-3 | Ireland:15A | Sweden:7 | Brazil:14 | Australia:M | Argentina:13 | South Korea:15 | Portugal:M/12 (Qualidade) | Germany:6 (f) | USA:R

Filming Locations:

Arches National Park, Moab, Utah, USA

Company:

Reverse Angle Pictures (II)

Trivia:

According to the director's DVD commentary, the casinos in Elko were "too crummy" for shooting. The casino scene was shot instead in the Peppermill and Rainbow casinos at Wendover, Nevada.

Goofs:

Revealing mistakes: When Sky is first seen driving her truck, the gear shift is clearly in "Park".

Quotes:

Howard Spence: Mind if I turn the radio on?
Sutter: Yes, I do, as a matter of fact. I don't like outside influence.
Howard Spence: Outside?
Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
Howard Spence: I was thinking...
Sutter: What?
Howard Spence: I don't know.
Sutter: Nothing's changed.
Howard Spence: Guess not.

Movie Connections:

References Pinocchio (1940)

Soundtrack:

Lonely Man

A Sequel that Shines but Disappoints

Twenty years after "Paris, Texas", Sam Shepard returns with a sequel. Again, a family affair, our hero is searching for his roots in little towns and deserted landscapes.

The production shines from multiple angles. A superb set of actors, and Shepard's own fine performance as Howard -– a Westerns' actor of faded glory -- is almost eclipsed by (his life partner) Jessica Lange as the estranged mother of his son, Gabriel Mann as Earl, the son, and Eva Marie Saint as his stately mother. Comical roles by Tim Roth as the taciturn Sutter, a bounty hunter, and Fairuza Balk as the hilarious Amber, Earl's girlfriend, save the film from turning overly melodramatic.

In addition to the cast, Franz Lustig's cinematography is precisely lit and fluctuates between extremely realistic point-of-view shots with nausea-evoking 360-degree turns and time compression shots. The soundtrack is beautiful and includes some original pieces, and the costume design shines as well (although few people would wear those flamboyantly elegant outfits in Montana).

Despite all of its artistic achievements – acting, cinematography, score, and design – Don't Come Knocking suffers from a weak story line. A tired cliché about the man who've seen it all, had it all, but was never completely happy, and thus he abandons everything in search of the mother he hasn't seen in 30 years, and later his old lover and unknown off-springs. In the end, of course, they are all good, forgiving buddies. Don't Come Knocking is Hollywood sugarcoated at heart, but comes with generous helping of superb cinema, Wenders's signature forte.