Directed by | |||
| Dominique Monfery | |||
Writing credits | ||
| Salvador Dalí | (story) & | |
| John Hench | (story) | |
Produced by | |||
| Baker Bloodworth | .... | producer | |
| Dave Bossert | .... | associate producer (as David A. Bossert) | |
| Roy Edward Disney | .... | executive producer | |
Film Editing by | |||
| Jessica Ambinder-Rojas | |||
Production Design by | |||
| Thierry Fournier | |||
Art Department | |||
| Cent Alantar | .... | visual development | |
| Sylvie Bennett-Fauqué | .... | artistic supervisor: color models | |
| Olivier Besson | .... | artistic supervisor: background | |
| Karen Comella | .... | color models | |
| Jeroen Dejonckheere | .... | artistic supervisor: clean-up | |
| Bérangère Frésard | .... | color models | |
| Nathan Hughes | .... | assistant background artist | |
| Ivan Kassabov | .... | digital production | |
| Nicoletta Marcialis | .... | digital production | |
| Zoltan Maros | .... | visual development (as Zoltàn Maros) | |
| Ann Sorensen | .... | color models | |
Sound Department | |||
| Keith Rogers | .... | sound re-recording mixer | |
Visual Effects by | |||
| Robert Bagley | .... | digital imaging coordinator | |
| Thierry Chaffoin | .... | artistic supervisor: effects | |
Animation Department | |||
| David Berthier | .... | animator | |
| Dominique Monfery | .... | animator | |
| Carin-Anne Strohmaier | .... | animation editor | |
| Yoshimichi Tamura | .... | animator | |
Editorial Department | |||
| François Desnus | .... | editorial: Paris | |
| Cory Hansen | .... | post-production coordinator | |
| Gregory F. Plotts | .... | assistant editor | |
Music Department | |||
| Armando Domínguez | .... | composer: song "Destino" | |
| Mark Green | .... | music editor | |
| Tom MacDougall | .... | music production supervisor | |
| Shawn Murphy | .... | scoring mixer | |
| Michael Starobin | .... | composer: additional music | |
Other crew | |||
| Holly E. Bratton | .... | CAPS supervisor | |
| Hortensia Casagran | .... | CAPS supervisor | |
| Donald W. Ernst | .... | artistic story supervisor | |
| Bill Fadness | .... | CAPS supervisor (as William Fadness) | |
| Timothy Gales | .... | CAPS supervisor | |
| Mark Henley | .... | caps supervisor: scene planning (as Mark A. Henley) | |
| Teri McDonald | .... | head final checker | |
| Brenda McGirl | .... | CAPS supervisor | |
| Christophe Meslin | .... | technology supervisor | |
| Robyn Roberts | .... | CAPS supervisor (as Robyn L. Roberts) | |
| James 'J.R.' Russell | .... | CAPS supervisor (as James Russell) | |
| Rafaël Vicente | .... | artistic supervisor: scene planning | |
| Barbara Wiles | .... | CAPS supervisor | |
Thanks | |||
| Robert Bagley | .... | special thanks | |
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| Big Fish | Bimbo's Initiation | Across the Universe | Un chien andalou | Persepolis |
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| Full cast and crew | Company credits | News articles |
| IMDb Animation section | IMDb France section | Add this title to MyMovies |
I spent the day yesterday in Philadelphia Museum of Art. One of the reasons I went there was to try to see the Salvador Dali's exhibitions but the tickets have been sold until the end of April. While in the museum, I was able to see two films that Dali was a big part of. In the video Gallery of the museum, two intriguing projects have been running together in the continuous loop, the early "Un Chien Andalou" (17 minutes) and the recently released, animated Destino (6 minutes). This was the first viewing for me. I kept coming back to the gallery for few more times and I never was tired of both short films.
What would've happened if Salvador Dali and Walt Disney had decided to work together on a project? The answer is "Destino" , the 6 minutes, 40 seconds long animated film based on a Mexican love ballad entitled "Destino". Dali and Disney admired each other's work and their meeting at a dinner party in 1945, inspired the idea for collaboration. Although, the film was abandoned in 1946 due to the economic problems created by WWII, Dali's storyboards, sketches, and paintings were saved. Work began on Destino in May 2001 and in June 2003, "Destino" premiered at the Annecy International Animation Film Festival.
Set to the Mexican ballad, the idea behind the film was described by Disney as "just a simple love story - boy meets girl". Dali called it "a magical exposition on the problem of life in the labyrinth of time". The end result is a tender, beautiful, sad, and charming love story as only Dali could imagine it, complete with the images as only he could create by the power of his imagination - melting clocks, tuxedo-clad eyeballs without faces, ballerinas, ants that turn into bicycles, and surprising baseballs.