Listening in to a conversation between his doctor and parents, 10-year-old Oscar learns what nobody has the courage to tell him. He only has a few weeks to live. Furious, he refuses to ... See full summary »
Amir Ben Abdelmoumen,
Max von Sydow
Based on a true story, this film tells the tale of the 1950 U.S. soccer team, who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no U.S. team has ever won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
When Sarah Hopson realizes her successful high-rise New York lifestyle is devoid of meaning, she packs her bags and heads for her home town in the Scottish Borders to look for Sam, her ... See full summary »
The second part (My ain folk) of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the ... See full summary »
Jean Taylor Smith
Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day... Written by
The song that plays while Lizzie (Emily Mortimer) is sitting on a bench crying after a fruitless attempt to find a "daddy" for Frankie, is written by one of the most famous contemporary Estonian composer - Arvo Pärt. See more »
When Lizzie is climbing up the hill to the overlook, her knees are wet before she kneels on the grass. See more »
[writing a letter to his dad]
Dear Da, did you know something? We're moving again. Ma says it's time. She says it's definitely the last time but she says that every single time. Nana Gourley says, if there is a next time, they'll have to carry her out in a box and ma says don't tempt her!
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Special thanks to ... all at Deaf Connections, ... all at Sigma Films, ... Esther and Harvey ... See more »
How naive to think that all movies do not "manipulate"
I thought "Dear Frankie" was a delightful film. It was supposed to be a tear jerker! I felt the acting was true (especially the work done by the child who played Frankie) and that the story, while fanciful in some portions, was good. In my opinion, the story was about the lengths a parent will go to in protecting their child from the ugliness of the world. Why must films always emulate reality? What is wrong with telling just a sweet, gentle story? Emily Mortimer was great, portraying a woman who had to be strong, yet who was also vulnerable, who was barely holding life together for her son and mother. Jack McElhone was terrific as her son. He was neither a cloyingly innocent deaf "victim" or the smart butt kid typically portrayed in current films. Gerard Butler did a good job of conveying "the man behind the disguise" as his interaction with Frankie progressed. I saw this film at the LA Film Festival, and judging by the audience reaction, I was not the only viewer who was enchanted by this movie. Those of you looking for a gritty slice of life would be wise to avoid "Dear Frankie". But if you want to spend some time in a world were parents DO care and good things do happen to those who are deserving, then this is the film for you.
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