7.8/10
19,676
180 user 95 critic

Dear Frankie (2004)

PG-13 | | Drama, Romance | 15 April 2005 (USA)
After having responded to her son's numerous letters in the guise of his father, a woman hires a stranger to pose as his dad when meeting him.

Director:

Writer:

(screenplay)

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From $1.99 (SD) on Amazon Video

ON DISC
8 wins & 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Mary Riggans ...
...
Marie
Sophie Main ...
Serious Girl
Katy Murphy ...
Miss MacKenzie
...
Ricky Monroe
...
Catriona
Anna Hepburn ...
Headmistress
Rony Bridges ...
Post Office Clerk
Douglas Stewart Wallace ...
Stamp Shop Keeper
Elaine M. Ellis ...
Librarian (as Elaine Mackenzie Ellis)
Carolyn Calder ...
Barmaid
John Kazek ...
Ally
...
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Storyline

Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day... Written by Pathe

Plot Summary | Plot Synopsis

Plot Keywords:

stranger | letter | seaside | dock | boy | See All (148) »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

15 April 2005 (USA)  »

Also Known As:

Querido Frankie  »

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Box Office

Opening Weekend USA:

$37,542, 6 March 2005, Limited Release

Gross USA:

$1,340,891, 4 July 2005
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The song that plays while Lizzie (Emily Mortimer) is sitting on a bench crying after a fruitless attempt to find a "daddy" for Frankie, is written by one of the most famous contemporary Estonian composer - Arvo Pärt. See more »

Goofs

In one of Frankie's letters to his dad, the text of the letter does not correspond to the voiceover. We hear Frankie say, "Ricky Munroe told me. Trust him to put his big feet right in it." but the letter reads, "Trust him to put his size threes right in it." See more »

Quotes

Lizzie: I had a good time tonight.
The Stranger: Don't sound so surprised.
[pause]
The Stranger: He's got your eyes. They... pull you right in.
Lizzie: Don't know what to say to that
The Stranger: You don't have to say anything.
Lizzie: You don't have to say nice things to me. I'm not paying you for that.
The Stranger: So why don't you want to hear them?
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Crazy Credits

Special thanks to ... all at Deaf Connections, ... all at Sigma Films, ... Esther and Harvey ... See more »

Soundtracks

La Conga
Written by Steve Everitt
Published by Atmosphere Music Ltd.
BMG Zomba Production Music
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Frequently Asked Questions

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User Reviews

 
A subtly written and acted film
7 March 2005 | by See all my reviews

I saw the movie last night in Los Angeles - it's only playing at a couple of theaters. Other reviews undoubtedly explain the premise of this film so I'll dispense with that . . .

Folks looking for a lot of exposition or for a film that screams "Hey! Look over here!!", or Gerry Butler fans looking for some of that famous sex appeal should be warned. This film is very subtly written and acted. Much of the story is told on the characters' faces, on what that tells you about what is going on internally within the characters. The characters aren't archetypes (i.e., villain, precocious kid, cynical older woman) but real and complex people who like the rest of us face life without histrionics or mugging for the camera. No plots are hatched but we see choices have been made in increments so that the idea of hiring a "stranger" to play dad does not seem contrived. I disagree that the audience is being manipulated; in fact, what could be a predictable manipulative ending is not, and is left to the viewer to interpret. The film tells you a story but doesn't try to tell you how to feel about it. Even the music is simple and subtle, no sweeping rifts to get your emotions going. It is a quiet film with a good story and people you end up caring about - as if you'd peered into their lives for a few days.


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