| Henry Thomas | ... | William | |
| Patrick Fugit | ... | Sam | |
| Nicki Aycox | ... | Annabelle | |
| Michael Shannon | ... | Clyde | |
| Muse Watson | ... | Father | |
| Mark Boone Junior | ... | Joseph | |
| Isaiah Washington | ... | Todd | |
| Harris Mann | ... | Jeffy Hollister | |
| Melanie Abramoff | ... | Girl Ghost | |
| Donna Biscoe | ... | Black Woman | |
| Brian Bremer | ... | Hysterical Man | |
| Russell Durham Comegys | ... | Kormer | |
| David Dwyer | ... | MacCready | |
| Michael Faella | ... | Johnson | |
| Steve Green | ... | Boy Ghost | |
| Douglas M. Griffin | ... | Blonde Soldier (as Douglas Griffin) | |
| Drew Hall | ... | Confederate Shooter in Town #2 | |
| Evan Hipps | ... | Dead Boy | |
| Sydney Jones | ... | Heavily Bandaged Man | |
| Terry Jones | ... | Weeping Mother | |
| Danny Kamin | ... | Captain (as Daniel Tucker Kamin) | |
| Mikal Kartvedt | ... | Buck Toothed Soldier | |
| Ted Manson | ... | Elderly Teller | |
| Ken McGhee | ... | Confererate Shooter in Town #1 | |
| Michael Purnell | ... | Preacher / Old Man | |
| Sam Rhymes | ... | Skinned Slave | |
| Bret Roberts | ... | Tall Soldier | |
| Terrie Thompson | ... | Mother | |
| Sam Breslin Wright | ... | Young Teller | |
| Allan B. Holt | ... | Bank Security Guard | |
| rest of cast listed alphabetically: | |||
| Robbie | ... | Dog | |
Directed by | |||
| Alex Turner | |||
Writing credits(in alphabetical order) | ||
| Simon Barrett | written by | |
Produced by | |||
| Simon Barrett | .... | co-producer | |
| Barry Brooker | .... | executive producer | |
| Jim Busfield | .... | co-producer | |
| David Hillary | .... | producer | |
| D. Scott Lumpkin | .... | co-executive producer (as Scott Lumpkin) | |
| D. Scott Lumpkin | .... | line producer (as Scott Lumpkin) | |
| Timothy Wayne Peternel | .... | producer (as Timothy Peternel) | |
| Ash R. Shah | .... | producer (as Ash Shah) | |
| Sundip R. Shah | .... | executive producer (as Sundip Shah) | |
| Laura Warner | .... | associate producer | |
| Isaiah Washington | .... | co-producer | |
| Douglas Wroan | .... | associate producer (as Doug Wroan) | |
Original Music by | |||
| Peter Lopez | |||
Cinematography by | |||
| Steve Yedlin | (director of photography) | ||
Film Editing by | |||
| Brian Anton | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Leslie Keel | |||
Set Decoration by | |||
| Chris Maynard | |||
Costume Design by | |||
| Michael T. Boyd | |||
Makeup Department | |||
| Christopher Burdett | .... | creature effects designer | |
| Keith Christensen | .... | conceptual designer: Almost Human Inc. | |
| Jason Collins | .... | supervisor: Almost Human, Inc. | |
| Timothy Considine | .... | on-set makeup artist | |
| Timothy Considine | .... | special makeup effects artist | |
| Robert Hall | .... | effects makeup designer | |
| Robert Hall | .... | special makeup effects artist | |
| Allan B. Holt | .... | special makeup effects artist | |
| Dean Jones | .... | key makeup artist | |
| Debbie Mezera | .... | office manager: Almost Human Inc | |
| James Ojala | .... | lab technician: Almost Human | |
| Darnell Shepherd | .... | hair/lab technician: Almost Human, Inc. | |
| Cerina Silvestro | .... | assistant makeup artist | |
Production Management | |||
| D. Scott Lumpkin | .... | unit production manager | |
| Douglas Salkin | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Colleen Casey | .... | second assistant director | |
| Nicholas Lee | .... | first assistant director | |
| Tony Niknejadi | .... | second second assistant director | |
Art Department | |||
| Gino Azurmendi | .... | on-set dresser | |
| David Betancourt | .... | carpenter | |
| Margaret Broach | .... | art intern | |
| Matthew Browning | .... | art production intern | |
| Christopher Burdett | .... | conceptual designer | |
| Keith Christensen | .... | conceptual designer | |
| Christopher Dumas | .... | set dresser | |
| Sacha A. Dzuba | .... | set dresser | |
| Jonathon Fuller | .... | sculptor | |
| April Glover | .... | set dresser | |
| Tom Humphrey | .... | property master | |
| Bill Johnson | .... | props: dead horses | |
| Elvis Jones | .... | key mechanical designer | |
| Bruce Larsen | .... | props: dead horses | |
| David Meng | .... | sculptor | |
| Kevin Naugle | .... | additional set dresser | |
| Michelle Rolland | .... | assistant property master | |
| Joachim Seisay | .... | storyboard artist | |
Sound Department | |||
| Mick Davies | .... | additional boom operator (as Michael B. Davies) | |
| Brendan Davis | .... | boom operator | |
| Christopher Eakins | .... | sound effects editor | |
| Christopher Eakins | .... | supervising sound editor | |
| Marshall Garlington | .... | sound re-recording mixer | |
| Bill Henderson | .... | sound re-recording engineer | |
| Melissa Lee | .... | foley assistant | |
| Jamie Lin | .... | foley editor | |
| John Marquis | .... | sound designer | |
| John Marquis | .... | supervising sound editor | |
| Whit Norris | .... | sound mixer | |
| Eryne Prine | .... | foley supervisor | |
| Pablo Solorzano | .... | adr mixer | |
| Pablo Solorzano | .... | foley mixer | |
| Shane Stott | .... | sound assistant | |
| Ken Teaney | .... | sound re-recording mixer | |
Special Effects by | |||
| Jimmy Bradford | .... | physical effects | |
| Mack Chapman | .... | physical effects coordinator | |
| Scott Fields | .... | mold maker | |
| Allan B. Holt | .... | puppeteer | |
| Mi Na Jeong | .... | programmer | |
| Elvis Jones | .... | animatronics: Almost Human | |
| James Ojala | .... | mold maker | |
| Min Su Park | .... | special effects director | |
| Brian Rae | .... | mold maker | |
Visual Effects by | |||
| Jong Han Kim | .... | lead programmer | |
| Min Hee Lee | .... | compositor | |
| Seung Yong Lee | .... | lead compositor | |
| Youngki Lee | .... | visual effects (as Youn Gki Lee) | |
| Sung Oh Moon | .... | animator | |
| Mi Sun Park | .... | compositor | |
| Min Su Park | .... | visual effects | |
Stunts | |||
| Robert Lewis Cain | .... | utility stunts | |
| Christopher Dumas | .... | stunt double | |
| Billy L. 'Butch' Frank | .... | utility stunts (as Billy 'Butch' Frank) | |
| Mikal Kartvedt | .... | stunts: fight scene | |
| Doug Sloan | .... | stunt coordinator | |
| C.J. Staats | .... | utility stunts | |
Camera and Electrical Department | |||
| Adrian Arangua | .... | grip | |
| Chris Burgon | .... | electrician | |
| Lou Chanatry | .... | director of photography: second unit | |
| Layne Chaney | .... | crane grip | |
| Colby Damazio | .... | grip | |
| Eric Damazio | .... | key grip | |
| Billy L. 'Butch' Frank | .... | gang boss | |
| Larry Gianneschi IV | .... | second assistant camera | |
| Shawn Green | .... | best boy electric | |
| Shawn Greene | .... | best boy electric | |
| Vesa Holle | .... | gaffer | |
| Douglas Kirkland | .... | still photographer | |
| Greg Lomas | .... | dolly grip | |
| Cesar Gustavo Quintanilla | .... | best boy grip (as Cesar G. Quintanilla) | |
| Jonathan E. Robinson | .... | assistant camera | |
| Michael Weeks | .... | electrician (as Mike Weeks) | |
| Wade Whitley | .... | first assistant camera | |
Animation Department | |||
| Jae Lyoung Choi | .... | animator | |
| Man Hong Han | .... | animator | |
| Hyun Jin Kim | .... | animator | |
Casting Department | |||
| Jennifer Goldstein | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Joshua Kopple | .... | local casting | |
| Shannon Makhanian | .... | casting | |
| Suzanne Massingill | .... | local casting | |
| Laura Warner | .... | local casting | |
Costume and Wardrobe Department | |||
| Ingrid Armstead | .... | seamstress | |
| Sacha A. Dzuba | .... | wardrobe | |
| Al Frisch | .... | costume supervisor | |
Editorial Department | |||
| Marie Hélène Desbiens | .... | negative cutter (as Marie Helene Desbiens) | |
| Bob Fredrickson | .... | color timer | |
| Brian Kibbie | .... | negative cutter (as Brian Kibbe) | |
Transportation Department | |||
| Mike Coley | .... | driver | |
| Ricky Damazio | .... | transportation coordinator | |
| Rooster Layton | .... | transportation captain | |
| George Mills | .... | transportation | |
| John H. Stephens | .... | driver | |
Thanks | |||
| Dan Walton | .... | thanks | |
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| The Beyond | Cold Mountain | The Black Dahlia | Ghost Ship | Centurion |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
In 1863 during the American Civil war a group of outlaws rob a bank in small town in a quick and very bloody shootout. After the successful job they take refuge in a deserted plantation house. Where, they would ride out to Mexico the following morning. But there is something not quite right about this abandon estate, because they start encountering terrifying and strange visions that have something to do with the horrific past of the house.
I remember there being a whole lot of buzz around this film over a year ago. I actually got caught up in it that when I found a copy and I bought it, but sadly I was far from impressed when I finally watched it. I did not hate it, but more so disappointed. So when I was going through my collection looking for something I had not watched for a while, the film definitely caught my eye and I thought who knows maybe I'll have a change of mind. Well, that was most the definitely the case here, although it did not entirely blow me away, but I did a back-flip on my initial thoughts. Watching it late at night also helped me into it even more.
Director Alex Turner's indie flick "Dead Birds" is an slow-burner, period horror story that effectively cooks up an bone jarring atmosphere and some unnerving visuals. It's simple as that - because the film's only real purpose is to raise the hairs on your skin. From Peter Lopez's densely, active to sometimes quite faint score and gloomy and very saturated colour scheme that saps the life right out of the picture. Very depressive and glum fit's the description accurately. It reminded a lot of the ghost films in the last few years, especially the crop that has flooded the Asian market. But while it has that slow and subtle build up of inspiring dread like those particular films, it also gives us some grisly violence and sadism. I found some of the sudden deaths to be rather spine-tingling and the hypnotic cinematography help's the eerie location take shape. The ghosts and demons are damn right freaky and grotesque in detail and make-up. Maybe at times it did go a bit over board in the CGI department and even so with some quick editing, but still the images have a lasting affect.
Simon Barrett's story plays it out rather leisurely by giving you a piece of the puzzle here and there. It drops off many small hints to what's about to come, which makes the plot a little more complex than I initially thought - since it disguises them incredibly well. Some things are left up in the air and never truly expanded on, but I guess that's just the supernatural for ya. But saying that it still follows some conventional patterns like that of individuals cracking under the pressure and doing the mistake of going off alone, a stormy night breaks through and an isolated house that has a tragic history in the middle on nowhere. But the most common one is things that go "boo!" in the night. The way the story is structured you're just waiting for something big to breakout. The characters are by the books with some decent performances by Patrick Fugit, Isaiah Washington, Nicki Aycox and Michael Shannon, though I thought Henry Thomas was rather bland as the leader. The script is so-so, but at least it keeps it rather tight and sticks close to the people than that of heading off into another direction. The film only goes for just over 80 minutes, so it doesn't seem to overly drag. The production is rather lustrous with convincing period detail from the costumes to the backdrop.
I just guess I was expecting far more from it the first time, but second time around got into this foreboding atmospheric presentation, which drills away with its intense chills and unnatural hints.