The past, present and future of the CubeSat microsatellite technology is explored, with a particular emphasis upon the efforts of venturing beyond our own world by the Center for Advanced Energy Studies by Idaho National Laboratory.
The final eight candidates for a highly desirable corporate job are locked together in an exam room and given a test with one question. It seems simple yet confusing that soon, tensions begin to unravel.
Set before the events of the previous films. As group of strangers awaken with no memory to find they have been involuntarily placed in a maze containing deadly traps, a young man whose job is to watch over the Cube endeavors to rescue a woman trapped within.
When Rains, Haskell and Meyerhold enter the cube with a dead body, Haskell suggests he starved to death, with Rains replying "God, I'm hungry". This is a reference to Cube²: Hypercube (2002), where a character complained of hunger and killed a fellow captive and ate him. See more »
When Haskell falls feet-first from one cube to the one below it, Wynn says, "There's no way he could have survived that," and he turns out to be correct. However, earlier in the film, Meyerhold makes the same fall head-first, and is able to stand and operate without apparent injury (except for a giant wound on the side of his face). See more »
The original "Cube" is a fantastic B-movie rich with paranoia, meaty characterization, and fine over-the-top performances. It's creepy, cryptic, and cool. And it stands perfectly well, on its own, without a stupid sequel like "Cube Zero."
This third (!) film in the Cube series is part retread (most of the booby traps are sadly recycled), part aberration. It takes the bold step of explaining what the cube is - something that was never revealed in the first movie - but, since said explanation is bland, I'd rather it was kept a secret. There are some potentially interesting references to the society that exists outside of the cube, but they never develop beyond hints about some kind of political-religious totalitarian state. So, what little social commentary there is feels flat and unfocused.
What works? Basically nothing. The acting is purely amateur hour, the pacing is slow (how much of this movie consists of two nerds watching a screen?), and the gore effects, while revolting, fail to convince. In short, "Cube Zero" reminded me of a "Cube" fan-fic, a sloppy and sophomoric clone of a good movie that definitely did not need a sequel.
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