The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out...
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A lawyer in his 30s named Danny still dreams about becoming a cowboy when his fiancée leaves him on the eve of their wedding ceremony. Fortunately, for him, not one, but two contrasting ... See full summary »
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
Olle, an introverted, well-mannered boy with an air of innocence and sincerity about him has been camping with his father at the same camping ground with several other people for years now.... See full summary »
The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out to explore the difficulties for young people in keeping their identities in a fast moving culture of drugs and clubs. Written by
Writer/director David Gleeson had worked in the Department of Agriculture office where the scenes in the movie were filmed. Some of the extras are the people with whom he used to work. See more »
When they are behind bars, Vincent told Shane that he can't believe that he was caught by the police because of a joint smoking. He said that it was his first time to smoke a joint and that he even don't smoke, where in their first meet up with Shane while telling the story of his trip to France in 1997 he was smoking and you can see that he was kind a pro with it. See more »
Look at you. Look at the state of you. You can't keep burning the candle at both ends you know.
[turns to him]
It's my wick and I'll go out in flames if I want to.
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Flat-mate wanted: apply within. So begins the sweetest straight-gay friendship in recent memory. Shane is a lost and lonely 20 year-old civil servant from the suburbs; he's adorably hetero and has no sense of style. His new roommate in the big city is Vincent, a hot young fashion student, queer, innately stylish, full of life, surrounded by friends, and able to pick up a hot daddy in ten seconds. For Shane, Vincent unlocks buried artistic dreams and a burning need to embrace the adventure of youth. For Vincent, Shane is...well...he's a makeover project, inside and out. And soon enough, he's in serious trouble. Filled with just enough confidence to make just the wrong move, Shane falls in with two drug-dealing thugs downstairs, and things get dangerous fast. As he spins out of control, Vincent flinches from the monster he's created. But the flat has thin walls, and even at their worst, Shane and Vincent never stop listening for each other. Refreshingly, writer/director David Gleeson's vision of this friendship transcends all that we've come to expect from a gay-straight relationship onscreen. The warmth and youthful optimism that emerge from this duo is positively infectious, and Michael Legge and Allen Leech effortlessly bring to life one of the rarest kinds of love. Gleeson's production is polished and lyrical; like Shane's clothing designs, Cowboys and Angels is colorful, bold and exhilaratingly alive.
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