A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
Streetwise mobster-turned-movie producer Chili Palmer is back, but this time Chili has abandoned the fickle movie industry and veered into the music business, tangling with Russian mobsters and gangsta rappers and taking a talented, feisty young singer named Linda Moon under his wing. From the recording studio to an Aerosmith concert to the MTV Music Awards, he manipulates events to watch them play out the Chili way, using his signature blend of wiseguy skills and negotiation tactics. It's a dangerous business, and everyone's looking for their next big hit. Written by
Sujit R. Varma
James Woods was originally cast as Nick Carr but had to drop out due to emergency surgery for an aneurysm. He was given the smaller role of Tommy Athens instead. See more »
At the end during Linda Moon's performance when Elliot is waving to Chili and Edie, you see the break dancers starting to dance behind him; when he is exiting the stage, you see the same dancers just getting on stage. See more »
In the sequel to 1995's 'Get Shorty,' John Travolta is all swagger and one-liners, reprising his role as shylock/movie producer Chili Palmer. This time around, Chili abandons the fickle film industry for the ever-so-stable world of music, in an effort to discover the next big pop sensation and thus save the beautiful Edie's (Uma Thurman) ailing indie record label. When Chili takes a promising young singer (Christina Milian) under his wing, however, he finds himself in hot water with a wannabe gangsta/mogul (Vince Vaughn), a gay bodyguard (The Rock), and a slew of Russian mobsters. With a bounty on his head and time running out, Chili realizes there's only one way to come out on top: 'Be Cool.'
This was a comedy. And with comedy you allow for the nonsense. The nonsense makes us laugh. However, the comedy in this movie was clichéd. There was a white guy acting black, a gay aspiring actor, shady record producers and homicidal rappers. Of course John Travolta danced with Uma Thurman. Count the movies John Travolta doesn't dance in. And to boot, Cedric the Entertainer was not funny. It hurts me. The first introduction audiences had to Chili Palmer was unique. But in the sequel, we already knew Chili's cool as ice, no nonsense approach to project management. The only thing we had to look forward to was the immense supporting cast, most of whom were incredibly disappointing. I'm not going to say it was totally unfunny. I laughed. But also, I cried. I cried. It's strictly a numbers game. Put 75 people in the cast and someone is bound to make you laugh. As for the completely insulting product placements, note to Hollywood producers, AUDIENCE IS NOT SUPPOSED TO KNOW.
I feel bad now. Then again I don't. I've often said that sequels are never as good as the first. The Godfather II's are the exception, not the rule.
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