Louis Trevelyan's refusal to trust his wife, Emily, destroys their marriage.
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2004  
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Cast

Series cast summary:
...
 Louis Trevelyan (4 episodes, 2004)
...
 Nora Rowley (4 episodes, 2004)
...
 Emily Trevelyan (4 episodes, 2004)
Nathan Heath ...
 Little Louis (4 episodes, 2004)
...
 Mr. Gibson (4 episodes, 2004)
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 Hugh Stanbury (4 episodes, 2004)
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 Miss Stanbury (4 episodes, 2004)
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 Mr. Bozzle (4 episodes, 2004)
...
 Arabella French (4 episodes, 2004)
...
 Camilla French (4 episodes, 2004)
...
 Martha (4 episodes, 2004)
...
 Sir Marmaduke Rowley (3 episodes, 2004)
...
 Mrs. French (3 episodes, 2004)
...
 Lady Rowley (3 episodes, 2004)
...
 Priscilla Stanbury (3 episodes, 2004)
...
 Mrs. Stanbury (3 episodes, 2004)
...
 Colonel Osborne (3 episodes, 2004)
Caroline Martin ...
 Dorothy Stanbury (3 episodes, 2004)
...
 Brooke Burgess (3 episodes, 2004)
Patsy Palmer ...
 Mrs. Bozzle (3 episodes, 2004)
Maureen Bennett ...
 Nurse (3 episodes, 2004)
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 Mr. Glascock (3 episodes, 2004)
...
 Mrs. Outhouse (2 episodes, 2004)
...
 Mary (2 episodes, 2004)
Neville Phillips ...
 Sir Peter Mancrudy (2 episodes, 2004)
...
 Mr. Outhouse (2 episodes, 2004)
Polly Moore ...
 Outhouse Maid (2 episodes, 2004)
...
 Mrs. MacHugh (2 episodes, 2004)
...
 Caroline Spalding (2 episodes, 2004)
Amber Batty ...
 Olivia Spalding (2 episodes, 2004)
Kate Alderton ...
 Rowley House Maid (2 episodes, 2004)
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Storyline

Louis Trevelyan's refusal to trust his wife, Emily, destroys their marriage.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

18 April 2004 (UK)  »

Also Known As:

N'estava segur  »

Filming Locations:

 »

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Runtime:

(4 parts)

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Connections

Featured in The Two Loves of Anthony Trollope (2004) See more »

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User Reviews

Quite nicely done, but one annoying attribute.
21 July 2011 | by (United States) – See all my reviews

Decent production values. Unlikely scenario: stubbornness to the nth degree. Nicely acted in most parts.

There is a concept of 'the fourth wall' which separates the drama from the viewer. This is smashed regularly for no apparent reason, when one of the characters, suddenly turns to the camera and delivers some form of rationalization. This will add nothing to the exposition, but leaving the viewer, newly disconnected from the world in which he/she was immersed, wondering what on earth the director intended to achieve. Depending on how engrossed you were this is either amusing or infuriating. Really one of the worst (best) examples of why this is not normally a good idea.


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