At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
He Knew What He Wanted starts out interestingly enough, with varying love stories surrounding interconnected characters. The stories range from melodrama to comedy. The main one is sort of a reverse Othello, as the effects of jealousy take their toll on the main character.
As the stories unfold over four episodes, however, they begin to fall apart. Some scenes are repeated again and again, simply in different settings, until one wonders if the actors even got confused. The interconnections of families is broken almost from the start, so the stories become ever more separate.
This is exacerbated by some very poor directorial and editorial choices. From a slow- moving, deeply "tortured" scene we jump to a brightly lit comedic farce. The jumps are jolting and remove the emotional punch. Some character arcs are never fully explained (one suspects they ended up on the cutting room floor), so some of the characters make choices that don't make much sense.
The casting was excellent and the lavish sets and costumes up to the usual BBC standards. It's unfortunate that a potentially compelling story ends up trivializing itself and ultimately looking silly.
4 of 9 people found this review helpful.
Was this review helpful to you?