At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
The BBC have done it yet again; they have taken us back in time in a marvellously convincing manner. It is difficult to find fault with any aspect of this production; settings, locations, costumes and casting are all near perfect and the acting is admirable throughout. From the beginning to the end my attention never flagged for a moment; it is so jam-packed with human interest that I couldn't have enough of it. This is not a melodrama as some have said; taking into account the mores of the time it is totally realistic, with nothing over-played. Yes, it was annoying that the central character should allow his happy marriage to be destroyed by unfounded jealousy and a bit difficult to accept, until you you remember that that wasn't his only source of complaint; he was also annoyed that his spirited wife refused to submit to his unreasonable demands, something which as a Victorian husband he felt he had a right to expect. And she was not entirely blameless; she didn't have to behave in such a flirtatiouus way as to excite her husand's jealousy or to appear to enjoy so much the attentions of her philandering God-father. However, the anger and strife of the two central characters was offset by two other very happy relationships. With so many characters so well realised, well acted and convincing, I was left wanting more - much more.
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