In the 1920s, decades after the troubled and unhappy marriage between Soames Forsyte and the beautiful pianist Irene Heron came to an end, Soames and Irene have both remarried and moved on.... See full summary »
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Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
In the 1920s, decades after the troubled and unhappy marriage between Soames Forsyte and the beautiful pianist Irene Heron came to an end, Soames and Irene have both remarried and moved on. Irene is happily married with a son to Jolyon Forsyte - causing Jolyon to be even further considered as an outcast and traitor by the Forsytes - and Soames to the beautiful, yet very unfaithful, Frenchwoman Annette. With Annette, Soames also finally has the child he so desperately wanted, and, at the age of 18, his daughter Fleur knows exactly how to get whatever she wants from doting and indulgent father. The pain of the past is however once again about to resurface as Fleur, despite Soames's efforts, meets and falls deeply in love with Irene and Jolyon's 18-year-old son Jon. As the young lovers embark on their passionate love affair, they have no idea of the obsession, unhappiness, adultery, rape, and possessive, unrequited love that lie in their parents' past. Written by
This second installment lives up to the expectations created by the first series and by the novel itself - To Let. We meet again, with much pleasure, the magnificent cast of the first series (D. Lewis as Soames stands out) and discover the choices that have been made to cast the 4 new main characters : Fleur and Jon Forsyte, Prosper Profound, and Michael Mont. I found the 4 of them to be nearly-ideally suited to their part. May be the actor playing Jon lacked a little bit of brilliance, but he showed a lot of sensibility and looked a lot like his "mother", Irene. The story unfolds with relentlessness but there are also many moving, or funny moments. The films is really faithful to the tone of Galdsworthy and is, all in all, a magnificent achievement. it is as good as the first series, and may be even better. At the end of the 4th episode, we are really sorry to have to wait for the next episodes of the saga, and the lives of Fleur and Michael Mont. Highly recommended to fans of British top quality literary drama.
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