Three interwoven stories about a terrible curse. A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo; a mean high school prank goes horribly wrong; a woman with a deadly secret moves into a Chicago apartment building.
A high school student named Jake tries to make his girlfriend Emily watch a cursed tape. But then Jake finds out that Emily covered her eyes and didn't watch the tape, and then Jake is killed by Samara Morgan (from the first The Ring movie). Rachel Keller learns of Jake's death and finds his twisted body in the back of an ambulance. Rachel then realizes she once again has to save her son Aidan from Samara the evil ghost child. Written by
LaQuaria "Da Ghetto Gurl" Ghetti
During the shooting of a carnival scene, locals mistook the set for an actual carnival and wandered in. They were included as extras in the film. See more »
During the flashback where Evelyn is trying to drown baby Samara, the child is smiling happily though at the same time we hear her horrified crying. See more »
Ever seen a shooting star?
You know what you're supposed to do, right?
What do you mean, make a wish?
If you saw one right now, what would you wish for?
Well, that's a secret.
See more »
Similar to the previous movie, there are no opening credits besides the Dreamworks logo. See more »
One of the biggest disappointments in cinematic history!
I have always believed that the horror genre is the most difficult to master. To make an effective horror film takes an amalgamation of talent, luck and one intangible that most cannot figure out. To me, you have to love the genre and you have to have little studio interference. Films like Halloween, Last House on the Left, Evil Dead, and Texas Chainsaw Massacre were all low budget and independent films and all were pioneers of the genre. All were also emancipated from any studio intervention which more often than not can destroy a director's vision. I would think that somewhere in Urban Legend and The Haunting's vernacular was a good film until the morons who knew nothing about film got a hold of it.
I mention all of this as a precursor to the review because The Ring was a modern day miracle. It was the scariest horror film in twenty years and it was a studio project. I honestly never thought that a film made by Dreamworks would touch a nerve in the way it did. But with direction by Gore Verbinski and Ehren Krueger writing one of the best scripts I've ever been privy to, The Ring scared the hell out of me.
To do a follow up was almost a no win situation. Not since Nightmare on Elm Street 2 has there been a more disappointing sequel than this one. I don't know where to lay the blame, because Ehren Krueger, whom I respect very much, returned to pen the sequel and you have the director of the Japanese film that started it all, helming this one. So where does the blame fall? Was it the studio who interfered too vehemently? Was it that the Japanese original was that inferior to the Dreamworks version? Or is it just that lightning doesn't strike twice in most films? I'm not sure what the answer is to that perplexing question, all I know is that this is about as much of a true dichotomy from the first. You can't get any further apart.
Naomi Watts is adequate as Rachael and David Dorfman is passable as Aidan, but the continuation of Samara story is perhaps the weak link here. In the original, she was an enigma. Her story was such a mystery that it kept you guessing as to what she was and where she came from. There was a blend of The Changeling and a bit of The Shining all rolled into one. A sequel succeeds when it extends the story, not just retells it. There was no continuation of the story here. No one bothered to explain why Samara can come through the TV and petrify you to death. No one bothered to explain why she is still haunting people through videocassettes. No one bothered to explain anything. Now maybe some are okay with that. Maybe a mystery should remain a mystery. But if you can get past the regression of the story, then what is even more disturbing is that there is nothing remotely disturbing, interesting or scary about the film, and everything that was freaky about Samara in the first one is now like watching Scooby Doo and mystery of Samara. There is no fear of her now. There is nothing remotely disturbing about her. Maybe I was expecting too much, but this film is one of the weakest sequels I have ever seen. If they decide to make a third, they had better go back to their roots and get Verbinski back.
Is it wrong to expect this much from a sequel? Maybe. But then again, there are sequels that can match the original, if not surpass it. At least two of the Friday the 13th sequels surpass the original and if you are talking non horror, then you can also add films like Lethal Weapon 2, Bourne Supremacy and of course classics like Terminator 2, Aliens, Godfather II and Empire Strikes Back to the list of sequels that either equaled or surpassed the original. Now in my opinion, Nakata is not on the same level as Cameron, Lucas or even Copolla, so there is no reason to believe that he can create a better film that Verbinski did. But suffice to say that everything that made the first such a paradigm for years to come, has vanished in this one. It is truly unfortunate as it feels like too many politicians in this one threw their hat into the ring and tried to make changes that did nothing but give us another Nightmare on Elm Street 2.
And that is a shame.
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