Proof (2005)

User Rating:

6.9/10   

Director:

John Madden

Writers (WGA):

David Auburn (play)
David Auburn (screenplay) ...

Release Date:

30 September 2005 (USA)

Genre:

Drama

Tagline:

Based on the Pulitzer Prize winning play by David Auburn

Plot:

The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.

Plot Keywords:

Mathematician | Notebook | Mathematics | University | Nonlinear Timeline

Awards:

Nominated for Golden Globe. Another 2 wins & 2 nominations

Cast

Gwyneth Paltrow	...	Catherine
Anthony Hopkins	...	Robert
Jake Gyllenhaal	...	Hal
Danny McCarthy	...	Cop
Hope Davis	...	Claire
Tobiasz Daszkiewicz	...	Limo Driver (as Tobiacz Daszkiewicz)
Gary Houston	...	Professor Barrow
Anne Wittman	...	Friend at Party
Leigh Zimmerman	...	Friend at Party
Colin Stinton	...	Theoretical Physicist
Leland Burnett	...	Band Vocalist
John Keefe	...	University Friend
Chipo Chung	...	University Friend
C. Gerod Harris	...	University Friend (as C Gerod Harris)
Roshan Seth	...	Professor Bhandari

Also Known As:

{proof} (International: English title) (poster title)

MPAA:

Rated PG-13 for some sexual content, language and drug references.

Runtime:

100 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

UK:12A | Ireland:15A | Netherlands:AL | Hong Kong:IIA | Singapore:NC-16 | Finland:K-11 | Czech Republic:12 | Sweden:Btl | Argentina:13 | Hungary:16 | Malaysia:(Banned) | Canada:PG (Ontario) | Germany:6 | South Korea:12 | USA:PG-13 | Australia:M

Filming Locations:

Chicago, Illinois, USA

Company:

Miramax Films

Trivia:

All the dialogue is written in iambic pentameter.

Goofs:

Continuity: During the argument between the three main characters, Catherine crumples the notebook trying to tear out some pages. Yet in the final scene, when Catherine goes through the proof explaining it to Hal the notebook looks just like new.

Quotes:

Hal: Well, I'm gonna be late. Some friends of mine are in this band. They're playing in a bar on Diversey, way down the bill, they go on about 2 to 2:30. I said I'd be there.
Catherine: Great.
Hal: They're all in the math deparment, they're really good. They have this song called 'i', you'd like it. Like lower-cased i. They just stand there and don't play anything for three minutes.
Catherine: Imaginary number.
Hal: It's a math joke... You see why they're way down on the bill.
Catherine: That's a long way to drive to see some nerds in a band.
Hal: You know, I hate when people say that. It's not really that long of a drive.
Catherine: So, they are nerds.
Hal: Oh, they're raging geeks. But they're geeks who, you know, can dress themselves and hold down a job at a major university. Some of them have switched from glasses to contacts. They, uh, play sports, they play in a band, they get laid suprisingly often... So, it makes you kinda question the whole set of terms. Geek, nerd, wonk, dilbert, paste eater...
Catherine: You're in this band, aren't you.
[...]

Movie Connections:

Features Night of the Living Dead (1968)

Soundtrack:

I'm Ready

Paltrow Shines As A Fragile Woman In Crisis

"Proof" hones in on the emotional relationships in the play. With Rebecca Miller jointly credited with David Auburn on adapting his play, this is less coy about who did what to whom when in reality or delusion than it is about connections between people.

The flashbacks cut effectively back and forth and smooth out where each character is coming from.

"Catherine," the daughter of a brilliant mathematician who is somewhat modeled on John Nash's struggles with madness which were portrayed in "A Beautiful Mind," is still the focal point of attention. But with the other characters fleshed out more Gwyneth Paltrow has more to naturalistically react to than the stage actresses (I saw it on Broadway with a mercurial Anne Heche). Paltrow brings unexpected fragility to the role and makes her sarcastic accusations to her sister come out of personal pain and not just spitefulness. You really see that she is emotionally ravaged from putting her life and mind on hold for a father with a very strong personality.

Anthony Hopkins is unusually paternal as the father and you understand her attractions and fear of him, as well as why the sister had to flee how insecure she felt there, as Hope Davis manages to breathe some life into a strident character. We see very clearly the demands of being a caregiver to a legend. Unlike in "Iris" at the end of careers, we do ache at the sacrifices the young caregiver has made and how this claustrophobic existence has led to her own crippling doubts about her work, her life and her sanity.

Jake Gyllenhaal is the hunkiest, most adorable, rock 'n' rollin' math graduate student since Matt Damon in "Good Will Hunting" and could help increase math enrollments around the country. But as irresistible as he is, and their relationship is literally more believably fleshed out as young people than in the play, we also can share Paltrow's suspicion of him. But we see more of his activities, as the film opens up the play, so we too clearly know before she that he has regained in our credibility as he seeks his proof. I don't mind that the film adds to the romantic aspects and drawn out coda as I thought the play tempted unfulfillingly in that direction and it is a means to help her regain the multiple meanings of proof -- as evidence, as trust, as confidence.

Director John Madden keeps the camera moving actively during long dialog interchanges, reflecting "Catherine"s agitated state of mind. The house and academic setting well establish the atmosphere, particularly when there's more people around, though some of the outdoor shots seemed like filler.

The score is occasionally intrusive, but the concluding voice-over is even more annoying and unnecessary.