The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
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Billy Bob Thornton,
The daughter of a brilliant but mentally disturbed mathematician (recently deceased) tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs. Written by
According to the clues given in the movie mainly by Hal (Gyllenhaal) the proof can be the proof of Riemann hypothesis. He says "a very important proof, of a mathematical theorem about prime numbers, which mathematicians are trying to prove, it's historic, you can publish it, give press conferences, all newspapers in the world will talk to the person who have found it". Actually it's one of the Millennium Problems. See more »
When Catherine and her father take dinner and they are talking about how many days she missed by being lazy, her hair position alternates from a shot to another. Her fringe is first on the sides of her face, then in the next shot it's pulled back to her ponytail, then back again on the sides in the next shot. See more »
[stirring her out of a dream]
Oh, Jesus! Oh, you scared me.
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by the dialogue, you can tell this story began as a very good play. the issue with making a movie from a very good play is that you have to add something impossible to do on stage. i think paltrow does an excellent job. i'm not a big gwyn fan, but the way she portrayed her deep sadness throughout the movie, in closeups you wouldn't see from the balcony section of a theater - the fragility of her grasp on reality, the trauma of watching her father deteriorate before her eyes... this is something beyond "a beautiful mind," which centered more on the hallucinations and surreality of a victim of mental disease. "proof," instead, focuses on the father-daughter relationship and how, even after caring for his deteriorated mind for years, a daughter doesn't think twice about seeking her father's approval - as if he could be coherent for the moment she needed him to be. i thought that was the most poignant part of the movie. there's not a lot to the story of the movie, but the depth in the performances - paltrow, hopkins and hope davis - is worth the ticket. its nice to actually see a very good movie once in a while.
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