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Proof (2005)

6.8
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Ratings: 6.8/10 from 31,658 users   Metascore: 64/100
Reviews: 178 user | 139 critic | 37 from Metacritic.com

The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.

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Title: Proof (2005)

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Nominated for 1 Golden Globe. Another 3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Danny McCarthy ...
Cop
Hope Davis ...
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Limo Driver (as Tobiacz Daszkiewicz)
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Anne Wittman ...
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Theoretical Physicist
Leland Burnett ...
Band Vocalist
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University Friend (as C Gerod Harris)
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Storyline

The daughter of a brilliant but mentally disturbed mathematician (recently deceased) tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs. Written by B.B.

Plot Summary | Plot Synopsis

Taglines:

If you don't believe in yourself, who will believe in you? See more »

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content, language and drug references | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 September 2005 (USA)  »

Also Known As:

La prueba  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$57,997 (Brazil) (11 August 2006)

Gross:

$197,971 (Brazil) (11 August 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

David Auburn's play "Proof" premiered at the Manhattan Theater Club, New York City, New York, USA in May 2000, and then transferred to the Walter Kerr Theater on 24 October 2000 where it ran for 917 performances. "Proof" won the 2001 Tony Award for the Best Play, and the Pulitzer Prize in Drama the same year. See more »

Goofs

The way Robert holds the book changes when he wants Catherine to read the proof. See more »

Quotes

[first lines]
Robert: [stirring her out of a dream] Can't sleep?
Catherine: Oh, Jesus! Oh, you scared me.
See more »

Connections

Features Jimmy Kimmel Live! (2003) See more »

Soundtracks

We Can Be Free
(2002)
Written by Bruce Elliott-Smith, Frantic, Mark Lord, Lucy Wells & Steve Jueno
Performed by Caroldene
Published by Big Tiger Music (BMI)
Courtesy of Lovecat Records
By Arrangement with Ocean Park Music Group
See more »

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User Reviews

 
Paltrow Shines As A Fragile Woman In Crisis
12 October 2005 | by (Queens, NY) – See all my reviews

"Proof" hones in on the emotional relationships in the play. With Rebecca Miller jointly credited with David Auburn on adapting his play, this is less coy about who did what to whom when in reality or delusion than it is about connections between people.

The flashbacks cut effectively back and forth and smooth out where each character is coming from.

"Catherine," the daughter of a brilliant mathematician who is somewhat modeled on John Nash's struggles with madness which were portrayed in "A Beautiful Mind," is still the focal point of attention. But with the other characters fleshed out more Gwyneth Paltrow has more to naturalistically react to than the stage actresses (I saw it on Broadway with a mercurial Anne Heche). Paltrow brings unexpected fragility to the role and makes her sarcastic accusations to her sister come out of personal pain and not just spitefulness. You really see that she is emotionally ravaged from putting her life and mind on hold for a father with a very strong personality.

Anthony Hopkins is unusually paternal as the father and you understand her attractions and fear of him, as well as why the sister had to flee how insecure she felt there, as Hope Davis manages to breathe some life into a strident character. We see very clearly the demands of being a caregiver to a legend. Unlike in "Iris" at the end of careers, we do ache at the sacrifices the young caregiver has made and how this claustrophobic existence has led to her own crippling doubts about her work, her life and her sanity.

Jake Gyllenhaal is the hunkiest, most adorable, rock 'n' rollin' math graduate student since Matt Damon in "Good Will Hunting" and could help increase math enrollments around the country. But as irresistible as he is, and their relationship is literally more believably fleshed out as young people than in the play, we also can share Paltrow's suspicion of him. But we see more of his activities, as the film opens up the play, so we too clearly know before she that he has regained in our credibility as he seeks his proof. I don't mind that the film adds to the romantic aspects and drawn out coda as I thought the play tempted unfulfillingly in that direction and it is a means to help her regain the multiple meanings of proof -- as evidence, as trust, as confidence.

Director John Madden keeps the camera moving actively during long dialog interchanges, reflecting "Catherine"s agitated state of mind. The house and academic setting well establish the atmosphere, particularly when there's more people around, though some of the outdoor shots seemed like filler.

The score is occasionally intrusive, but the concluding voice-over is even more annoying and unnecessary.


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