Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
A mercenary gets involved in a mission that threatens the lives of his kin. In order to succeed, he must break into one of the most wellguarded prisons in Eastern Europe and free the son of the most notorious drug lord in the world today.
Don E. FauntLeRoy
Roger Guenveur Smith
After serving 6 years for a crime he didn't commit, Shane Daniels is released from jail with an apology from the State of Arizona. Within hours of his freedom, he unluckily bears witness to... See full summary »
Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
Matt is an elite ex-cop whose life has gone down hill since he was kicked off the Force. After a rough encounter with a mysterious henchman, Matt is brought face to face with his only ... See full summary »
A mysterious woman, known as Madame M, kidnaps forty pre-teen girls and transports them to a remote island to train them as the most deadly assassins. CIA operative Jack Chen follows the ... See full summary »
Almen Wong Pui-Ha,
The life of a young computer systems analyst is thrown into turmoil when, after arriving in Istanbul to start a new job, she finds her credit cards useless, her bank account empty, and her identity stolen.
Vietnam veteran Billy Ray Lancing, a former CSA agent who now works on a wildlife refuge in Northern Alaska, has been exchanging letters in a pen-pal relationship with Irina Morawska, a 13-year-old orphaned girl in Poland that he's helping out financially. When the letters suddenly stop coming, Billy heads to Poland to figure out why -- only to discover that the orphanage that Irena was staying in, which is financed by honest -- and unsuspecting -- good-intentioned Samaritans, is a cover for a human trafficking network. Run by a man named Faisal, the operation is worth billions -- girls are sold and traded to the highest bidders from all over the world. Through Billy's letters to Irina, Billy has taught Irina how to use secret codes, which she uses to keep Billy updated on where Faisal is taking her to. That's how Billy stays on Faisal's trail as Billy teams up with local cop Kasia Lato to rescue Irina and the other girls, and bring down Faisal's human trafficking network. Written by
For large portions of the movie, Seagal was dubbed over by a voice over artist. So at certain times during the movie he speaks with his own voice, but then at other times with a dubbed voice which can be detected very easily as being dubbed. The reasoning for the dubbing of Seagal and other actors in the film was that changes were made in the storyline after most of the film was already shot. See more »
Just before the "sword scene" when Steven kills the top bad guy, they both have guns pointed at each other. When they both decided to put the guns down you can hear the bad guy de-cocks his gun, even though that type of gun has an internal firing pin and wouldn't make that kind of noise. See more »
Steven Seagal picks good topics and he takes good positions on them, but this film is like most of his others in failing on the level of craft. I don't know why this keeps happening to someone whose martial arts experience obviously taught him about the importance of precise execution and continuous refinement, but in any case this film is sloppy. Sometimes it's as simple as parallel action whose locations aren't clear, or too-familiar action scenes, or very slow staging of the obvious, like the initial seizure of the children. More importantly, it's careless or shallow thinking about the characters and their relationship to each other: the villains are pure psychopaths, the kids are pure innocence, the trafficking is simple kidnapping from a crooked orphanage - nothing beyond the matinée B-movie level of white/black hats is made concrete. There's something stubborn and unnecessary about Seagal staying on this mediocre level.
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